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Deborah J. Brasket

~ Living on the Edge of the Wild

Deborah J. Brasket

Tag Archives: truth

Truth-Telling in Poetry and Art: The Horrors of War and Human Complacency

07 Monday Mar 2022

Posted by deborahbrasket in Art, Culture, Poetry, Political

≈ 3 Comments

Tags

art, complacency, Paintings, Pieter Bruegal, poem, poetry, suffering, truth, Ukraine, Vietnam, W.H.Auden, war

Landscape with the Fall of Icarus by Pieter Bruegal the Elder

I read a brilliant piece in The New York Times this morning about how suffering hides in plain sight.

The article features Bruegal’s paintings and W. H. Auden’s poetry. It’s about how human suffering and complacency go hand-in-hand. How it’s all, perhaps, a matter of perspective. How distant are we from the suffering: Is the war taking place in our city or on a distance continent? Are we watching its horrors on TV, or have we moved on to sipping wine with friends on the patio?

Here’s the poem by Auden that expounds on the painting above by Brueghal.

Musee des Beaux Arts
W. H. Auden

About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer’s horse
Scratches its innocent behind on a tree.

In Breughel’s Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water, and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

The article is also a master course in reading poetry and art. It explains how lines five and 8 refer to the miraculous birth of Christ that the aged are waiting for. This glorious occasion is juxtaposed in lines 5 and 6 with the skating children oblivious to the coming slaughter by Herod’s hand.

The Brueghal painting depicting it is pictured below

The Census at Bethlehem by Pieter Bruegal

The following five lines in Auden’s poem refer to another Bruegal painting where dogs chase and play with each other while soldiers slaughter a village.

Horror is hard to sustain. It dulls, it grows weary, it becomes a drudgery. The mind drifts. Life goes on. The sun continues to rise. We need its warmth and comfort. The trill of the songbird still thrills us. We need this too.

Yet all of our justified condemnation and horror at Putin’s brutal bombing of innocent civilians should not allow us to forget the 400,000 Vietnamese whose lives were lost when Agent Orange was sprayed over their villages and forests, destroying all of it. For what? Are we more innocent than Putin?

It’s a matter of perspective. That was then, this is now. A year or two or three from now, will the horror of this war fade? It will. Unless this all breaks out into WWIII as some fear.

Below is Auden’s poem on the day after Hitler invaded Poland. It’s a long poem so I’ve included only the 1st, 5th, and last two stanzas, the 8th and 9th. You can read the whole poem at this link.

September 1, 1939

I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.

Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.

All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.

“Gather ye rosebuds while ye may,” another poet wrote. We will. We have no choice. The plowing, the fishing, the wine and the laughter must go on.

Isn’t that our fervent wish for the people of Ukraine, that they regain this normalcy? Even Vietnam has rebounded. Forgiven us.

Life must go on, we say from our safe, complacent distance. As it does, with or without us. Despite everything there’s a new birth taking place every second of every day.

The joy and sorrow, beauty and brutality of the human condition are woven into one seamless tapestry, glorious on one side and a hopeless tangle of knots on the other. All a matter of perspective, which side we are looking at in the moment.

Auden once said that the only true value of poetry and art is in the truth-telling that disenchants and disintoxicates.

Well, that’s one value of truth-telling for sure. But turn it over and the other is the truth-telling that enchants and intoxicates. Both are necessary. Especially in times like these.

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The Truth Will Always Be

30 Monday Aug 2021

Posted by deborahbrasket in Art, music

≈ 9 Comments

Tags

art, disinformation, inspiration, jazz, lies, music, Pat Metheny, song, song lyrics, The Truth Will Always Be, truth, turbulent times

Abstract photo by James McLarnan – “Really wet window” from ThePhotoArgus.com

Every day I spend listening to music, sometimes stretches as long as five or more hours at a time, while I’m deep into my writing. Often I’m playing a list of my “likes” which includes a lot of music by Pat Metheny, who is considered one of the greatest contemporary jazz composers and innovators of our age.

Recently his “The Truth Will Always Be” came up, will its slow, melancholic build-up to a transcendent and ecstatic crescendo. One of my favorites. Its title speaks volumes and is a comforting reminder in these turbulent times.

No matter how many lies, big and little, are out there circling the globe, stirring up whirlwinds of trouble, trying to distort, obscure and obfuscate, they can do nothing to obliterate the truth, and the reality of all that is good and worthwhile in this world. The truth will always outlast and outshine the lies and campaigns of disinformation, hate, distrust, and fear. They will tarnish in time, grow stale, irrelevant, and crumble away, or wither from within.

But the truth will carry on and carry the day, moment by moment, in the tangible ways it has of expressing its reality to each of us.

Below are the lyrics to Metheny’s song, which expresses this truth. Read it while listening to his music.

And, in the meantime, may the truth be with be with you, my friends, on this lovely Monday morning here on the central coast of California.

And may the “truth that will always be” comfort those in places of the world not so lovely this morning.


The Truth Will Always Be

And every morning before I’m awake
I walk around the world to make sure she’s alright
And every evening ‘fore I bolt the door
I give the stars a stir to make sure they will spin all night
For I see people who will scratch
And spit and kick and fight
And I see nations war about whether
Right is left and whether wrong is right
And I know storms inside your head
Can amplify the plight
But no matter what the weather
You and the clouds will still be beautiful
No matter what the weather
You and the clouds will still be beautiful
And every Troy with wooden horse
I take to peaceful waters but can’t make him drown
And every Bastille that gets storm troopered
Hail to the chief comes raining, rainin’, rainin’, rainin’ down
And I’ve seen people conduct lightning
Down to a summer’s day
And I see nations playfully hurl
Snowballs packed with stones and clay
And I know rain inside your head
Can seriously put a stop to play
But no matter what the weather
You and the clouds will still be beautiful
No matter what the weather
You and the clouds will still be beautiful, so let it rain
And we see flying saucers, flying cups
And flying plates and as we trip down lovers lane
We sometimes bump into the gate and I know
Thunder in your head can still reverberate
But no matter what the weather
You and the clouds will still be beautiful
No matter what the weather
You and the clouds will still be beautiful
No matter what the weather
So let it rain, so let it rain, so let it rain
Just let it rain, so let it rain, so let it rain
So let it rain, just let it rain, so let it rain, so let it rain


Source: Musixmatch
Songwriters: Patrick Metheny
The Truth Will Always Be lyrics © Pat Meth Music Corp

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Truth and Love Wins, and I Can Breathe Again!

08 Sunday Nov 2020

Posted by deborahbrasket in Culture, Love

≈ 8 Comments

Tags

America is Back, Biden wins, celebration, Love, Politics, Presidential Election 2020, truth, Truth and Love wins, USA

I feel like I’ve been ship-wrecked at sea for the past four years and finally have reached the shore.

I want to kiss the ground.

And then get up and dance.

Thank you, thank you, thank you, America!!!

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“Truth & Love Wins” Redux

18 Monday Dec 2017

Posted by deborahbrasket in Creative Nonfiction, Culture, Family, Love

≈ 18 Comments

Tags

good government, Love, personal, Politics, special interests., the common good, truth

Sunrise with Sea Monsters by Joseph Mallord William Turner • c. 1845 • oil on canvas • Tate Britain

Sunrise with Sea Monsters by JMW Turner

I am happy to report that at least in one very narrow slice of life, truth and love has indeed won. If you read my original post, the whole thing started with me ruminating about a nasty custody battle, and my fervent hope that “truth and love” would win in the end. It did. The judge was not persuaded by all the lies (easily proven) that were slung against my son, and the eventually ruling favored him, while benefiting the mother as well. A win-win, as I see it, and hope that she does too.

On the political front, I’m still hopeful that “truth and love” will win in the end, and there is evidence that this is bearing true.

But the problem with “winning” is that it splits us all into two camps: the winners and the losers. And when that happens, no one really wins, at least for long. The pendulum will keep swinging back and forth between the two camps.

In reality, truth and loves “wins” only when there are no losers and winners, when there is only the common good. As a nation we seemed to have moved far away from that once common goal. In fact, the whole notion of a “common good” seems to be in ill repute.

In the struggle between rugged individualism and the common good, a struggle which gave rise to our nation, rugged individualism seems to be winning out. “Rugged individualism” even sounds way cooler than the tepid “common good.” Who wants to be “common,” after all?  Or “good”?

During an earlier age of Enlightenment and Reformation, “the common good” was a revolutionary idea:

Saint Thomas Aquinas held “the common good” (bonum commune, in Latin) to be the end of law and government; John Locke declared that “the peace, safety, and public good of the people” are the ends of political society, and further argued that “the well being of the people shall be the supreme law”; David Hume contended that “social conventions” are adopted and given moral support in virtue of the fact that they serve the “public” or “common” interest; James Madison wrote of the “public,” “common,” or “general” good as closely tied with justice and declared that justice is the end of government and civil society; and Jean-Jacques Rousseau understood “the common good” (le bien commun, in French) to be the object of a society’s general will and the highest end pursued by government.

The “common good” and ‘”good government” were one in the same:

Though these thinkers differed significantly in their views of what the common good consists in, as well as over what the state should do to promote it, they nonetheless agreed that the common good is the end of government, that it is a good of all the citizens, and that no government should become the “perverted servant of special interests,”[10] whether these special interests be understood as Aristotle’s “interest of the rulers,” Locke’s “private good,” Hume’s and Madison’s “interested factions,” or Rousseau’s “particular wills.” Wikipedia  

But we live in troubled times and good ideas cycle in and out of favor. Self interest and serving special interests seem to be winning the day. And so there will be no peace.

Jane Addams, the first American woman to win the Nobel Peace Prize in 1831 wisely cautioned: “The  good we secure for ourselves is precarious and uncertain until it is secured for all of us and incorporated into our common life.”

I’m hoping for the sake of peace in my family, and our nation, that a “common good” will be secured for all of us.

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“Truth and Love Wins”

12 Sunday Nov 2017

Posted by deborahbrasket in Creative Nonfiction, Love, Spirituality

≈ 20 Comments

Tags

hate, healing, inspiration, justice, Love, personal, Politics, Spiritual transformation, spiritual warfare, truth, world affairs

J.M.W. Turner - Angel Standing in a Storm

J.M.W. Turner – Angel Standing in a Storm

This has become my mantra in recent months: ‘Truth and Love wins.”

It’s what gets me through the day when I would despair against the chaotic events unfolding in our national and world affairs. And on the home front as well, as my son faces a vicious custody battle. It’s what boosts my spirits and keeps me on a steady course moving forward.

I’m a firm believer in that “the truth will out,” that lies will eventually be exposed and turn against the liar. That “the truth will set you free,” freeing not only the one lied about, but the one who lies as well.

I also firmly believe that “love trumps hate,” that it outlasts hate and will win the day in the end.

I’ve been heartened to see on the front pages of our news outlets how the truth about those who have committed crimes, whether through political intrigue or money laundering or sexual assault, has come out into the open. Only when lies and secret crimes have been uncovered will justice and healing begin.

It bears out Martin Luther King’s claim that “the arc of history is long but it bends toward justice.” Truth wins. Love wins. In the end.

But in the middle of the fray, all is gray and murky.

When we are in the midst of the battle, feeling attacked, maligned, unjustly persecuted; when our safety and future are threatened; when fear and anger, the desire to retaliate, to hate back, to feel a gleeful satisfaction at another’s downfall, when all this takes over our thoughts, we soon realize that we’re caught up in the same tangled web we’ve sworn to fight against.

That’s how lies and hate work, how they turn would-be champions of love into haters themselves. A hater of the haters.

Allowing these feelings go unchallenged perpetuates the very thing we would fight against. It divides the world into us and them, and no matter which side we stand on in that battle, we are all losers.

We have to watch our thoughts and guard our hearts so carefully, if we would not be pulled inside out and find that we are fighting on the side of hate ourselves, against those we feel have done us wrong or hurt our loved ones.

We all know this. But it’s hard not to hate the haters. What could we possibly find to love in them?

I found something that helps me with this. I was told: “You don’t have to love them. You just have to love. You watch your thought and guard your heart so only love enters.

In that frame of mind, feeling compassion for the hater comes naturally. How could we not feel compassion for someone who seems so helpless to fight against a hatred that hurts them far more than the one it’s directed against?

In that frame of mind, I can turn that gleeful sense of self-righteousness into simply gratitude for good. Gratitude for the fact that the lie is exposed, the crime revealed, justice is done, and now reformation and healing can take place.

What I’m learning is that none of us are spared of the temptation to hate, to be greedy or deceitful or dishonest for what we see as a “righteous cause.”

What I’m learning is that the warfare with “evil” as we see it is not really fought on the outside with the other. It’s all on the inside, with ourselves, our own thoughts, our own hearts. That’s where the battle against hate and deceit is fought and won.

These lessons are not new. They are as old as time The wise among us have been telling us forever to “love our enemies,” to “turn the other cheek,” to “be the change we want to see in the world.”

It sounds simplistic and idealistic until we actually try to do it. Then we discover it’s the most difficult war we will ever have to wage, right in our own hearts.

And we also discover what Martin Luther King meant when he said:

“I have decided to stick to love. . . Hate is too great a burden to bear.”

 

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Music is More Feeling than Sound

07 Saturday May 2016

Posted by deborahbrasket in music, Poetry, Science, Uncategorized

≈ 6 Comments

Tags

art, creativity, desire, feel deeply, music, poetry, Science, The Jazz of Physics, truth, Wallace Stevens

Oberon, Titania and Puck with Fairies Dancing circa 1786 by William Blake 1757-1827

Oberon, Titania and Puck with Fairies Dancing circa 1786 William Blake 1757-1827 Presented by Alfred A. de Pass in memory of his wife Ethel 1910 http://www.tate.org.uk/art/work/N02686

From “Peter Quince at the Clavier” by Wallace Stevens.

Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music too.

Music is feeling, then, not sound
And thus it is that what I feel
Here in this room, desiring you

Thinking of your blue-shadowed silk
Is music.

Time and again, I’ve found that something I’ve felt and have tried to articulate has already been beautifully captured in one of Stevens’ poems. My last blog post on music touched upon this, the sense that music is more feeling than sound–the way you feel as you play and the music moves through you,  and the way you feel as you listen to and are played upon by the music.

This poem is more about desire than music or feeling, however, or perhaps more about how desire plays out on a palette of color and sounds and rhythms. Stevens has been called a “musical imagist,” but he also notes the close correspondence between poetry and painting. In particular he’s known for his idea of the “Supreme Fiction”–how the mind/imagination “creates” reality.

When you read the poem posted in full below, you may not fully understand or appreciate all it implies as it references Shakespeare’s A Midsummer Night Dream and relates the biblical story of Susanna and the Elders). But the feeling of the images–the sounds of the words and the colors and shapes of the images as they sweep through your mind–is dreamlike and moving in a way that speaks to some truth that lies just below consciousness. As dreams often do.

Music is like that too. We feel its “truth” although we may not be able to articulate it.

There’s a new book out called “The Jazz of Physics” by Dr. Stephon Alexander. He writes about how the structure of the universe is like a musical composition, both arising from a “pattern of vibration.” I haven’t read the book yet but a review in the New York Times by Dan Tepfer concludes with this quote: “[T]he reason why music has the ability to move us so deeply is that it is an auditory allusion to our basic connection to the universe.” Tepfer sums up: “This not only feels true; it is what musicians live for.”

Dr. Alexander may be on to something. One of the most beautiful verses in the Bible refers to the creation of the universe as “when the morning stars first sang together.”

We humans have been alluding to a powerful connection between music and the universe for a long, long time. Is it any wonder we feel music more deeply than sound?

Stevens’ poem in full.

Peter Quince at the Clavier
I
Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music, too.
Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,
Thinking of your blue-shadowed silk,
Is music. It is like the strain
Waked in the elders by Susanna:
Of a green evening, clear and warm,
She bathed in her still garden, while
The red-eyed elders, watching, felt
The basses of their beings throb
In witching chords, and their thin blood
Pulse pizzicati of Hosanna.

II
In the green water, clear and warm,
Susanna lay.
She searched
The touch of springs,
And found
Concealed imaginings.
She sighed,
For so much melody.
Upon the bank, she stood
In the cool
Of spent emotions.
She felt, among the leaves,
The dew
Of old devotions.
She walked upon the grass,
Still quavering.
The winds were like her maids,
On timid feet,
Fetching her woven scarves,
Yet wavering.
A breath upon her hand
Muted the night.
She turned–
A cymbal crashed,
And roaring horns.

III
Soon, with a noise like tambourines,
Came her attendant Byzantines.
They wondered why Susanna cried
Against the elders by her side;
And as they whispered, the refrain
Was like a willow swept by rain.
Anon, their lamps’ uplifted flame
Revealed Susanna and her shame.
And then, the simpering Byzantines,
Fled, with a noise like tambourines.

IV
Beauty is momentary in the mind —
The fitful tracing of a portal;
But in the flesh it is immortal.
The body dies; the body’s beauty lives,
So evenings die, in their green going,
A wave, interminably flowing.
So gardens die, their meek breath scenting
The cowl of Winter, done repenting.
So maidens die, to the auroral
Celebration of a maiden’s choral.
Susanna’s music touched the bawdy strings
Of those white elders; but, escaping,
Left only Death’s ironic scrapings.
Now, in its immortality, it plays
On the clear viol of her memory,
And makes a constant sacrament of praise.

 

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After sailing around the world in a small boat for six years, I came to appreciate how tiny and insignificant we humans appear in our natural and untamed surroundings, living always on the edge of the wild, into which we are embedded even while being that thing which sets us apart. Now living again on the edge of the wild in a home that borders a nature preserve, I am re-exploring what it means to be human in a more than human world.

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