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Ann Oram, art, artists, creativity, inspiration, painting, PeterDoig, the creative process, watercolor
I’m still playing with my painting, copying artists I love or using their vision, their palettes, for inspiration. Still trying to learn the art of painting and its craft. Trying to discover what I want to do with my painting, what I want to capture, and how.
The two below were inspired by the paintings of Peter Doig. I think of them as “dreamscapes.” They are nothing like what you would really find in the tropics, and yet they capture what it feels like to be there at night in that dark/light denseness.
The first I painted is a near likeness of one of his paintings. And I have to say I’m pleased with it. I like it almost as much as his, meaning that I recognize the quality of mine doesn’t match his, but it does capture, at least for me, the “feeling.” You can almost smell the humidity, the damp earth and folliage, feel the balmy stillness of night in the tropics.
The second was inspired by his painting of the milky way reflected in water, but mine is not like his at all. I created a different version of the Milky way, and a different land and seascape below. It’s very much its own painting, and I’m pleased with it.
The next two were inspired by Ann Oram’s paintings of the Mediterranean. The first is a close copy, mine in watercolor and ink, hers in pastel and ink. You can see her original at the top of this page. I liked the way she used candle wax as a “resist” to add texture to the rocks and water. I liked the way the ink defined splashes of color into buildings. I hadn’t used ink or wax before, and now have started using them in other paintings as well.
The second is my own creation, and not as successful, I think. I wanted the cliffs in the foreground to be the focus, but I think I strayed from that. I’m not unhappy with what I created, but something doesn’t quite sit well with me. I’m not sure what’s off. Someone suggested the buildings on the far cliff are too large for the perspective, and she’s probably right. But even if I shortened them, I don’t think it would “fix” it. Maybe you have some ideas for me.
Sometimes I have to sit with a painting for a long time before I see what I need to do to complete it. I put it up where I can see it whenever I enter the room, and stop to study from time to time. And slowly I come to realize, oh yes, that needs to be darker, that lightened, that edge hardened, that one softened. But sometimes, even after studying it for a long time, I realize this painting is as good as it gets, at least for now, and I put it away.
I still don’t know what “my style” is when it comes to painting, or even my medium. I’ve been mixing collage and watercolor recently and will share some of that with you soon. Right now I just like playing, tying new things, discovering new artwork that I love. When I love it enough, it’s too tempting not to at least try to see if I can recreate something remotely similar.
Most recently I’ve been trying to capture something of Sorolla’s light. I’ll share that attempt soon.
