Pied Beauty, Poem & Paintings

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art, artists, beauty, Gerard Manley Hopkins, inspiration, music, Nature, Paintings, Pied Beauty, poetry

Wassily Kandinsky, Waterfall II

Pied Beauty
by Gerard Manley Hopkins

Glory be to God for dappled things –
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced – fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.

What is it about “dappled” things that so dazzles us?

I ran across this poem, a favorite of mine, not long ago, and was reminded once again of how much nature inspires and excites us. Painters as well as poets have been praising that pied beauty through their artwork down the ages.

A few of my favorite paintings praising dappled things follows.

Vincent Van Gogh

John Singer Sargeant

John Singer Sargeant

John Singer Sargeant

John Singer Sargeant

Gertrude Fiske

Anne Redpath

Rick Stevens, Immersed

Gustav Klimt

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Painting Again, Forest Series

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abstract, art, forest, Mixed Media, Nature, oil pastel, painting, Paintings, trees, watercolor

I’ve started painting again, keeping toward the abstract, still experimenting with water-color and oil pastel, letting them show me how well they play together.

I’d been inspired by some of Rick Steven’s paintings, his intense close-ups of trees and barks. I love the colors, the texture, the shapes.

The painting above was my initial attempt. At first it seemed too vertical, too placid, so I began to build up the horizontal elements, the “foliage,” and finally came to the place where it seemed “done.”

Next I wanted to do a close-up of a shapely tree trunk, and again I was dissatisfied. Too vertical, no clear focus. So I began to add areas of “lichen,” I suppose you could call it, at the lower right and upper left. Something to attract the eye and allow it to move up or down the trunk. At some point it too seemed “complete.” This one may be my favorite of the three. I like the richness of the colors, the texture.

I’m not sure where the last one came from. I wanted to add a human element into the natural, something partially hidden, peeking out, more figurative than figure. The blue sprite appeared. But further down the tree trunk another face emerged, unbidden. With that addition, the painting took on a more ominous than playful feel. Not what I had intended at all. I’m not sure I like this one.  But it haunts me.

 

Down the Rabbit Hole with Salvador Dali

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Alice in Wonderland, art, books, Bruges, illustrations, Paintings, Salvador Dali, sculpture, surrealism, travel

One highlight from my trip to Bruges this summer was visiting the Salvador Dali Museum. Dali is celebrated for his surrealistic paintings, his “art of exaggeration” and love of the bizarre. Less well known, but just as fantastic, are his book illustrations and sculpture.

My favorite was his Alice in Wonderland illustrations. An image of Alice skipping rope is hidden in nearly all the illustrations. See if you can find them.

 

Other drawings and book illustrations follow, among them from Don Quixote, Aladdin and His Lamp, MacBeth, and the Bible.

 

His sculptures are just as wild and wonderful.

 

And all this set in a corner below the famous Bell Tower featured in the equally bizarre and fantastic film In Bruges. No wonder my whole visit there felt surreal.

“There are some days I think I’m going to die from an overdosis of satisfaction.”                      – Salvador Dali

Read more about Dali’s Alice in Wonderland illustrations from Brain Pickings

“Water Falling Through Sunlight” – Poem & Paintings for Troubled Times

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Amy Lowell, art, Emil Nolde, inspiration, JMW Turner, Paintings, poem, poetry

JMW Turner – Sunrise with sea Monstors

September, 1918

This afternoon was the color of water falling through sunlight;

The trees glittered with the tumbling of leaves;

The sidewalks shone like alleys of dropped maple leaves,

And the houses ran along them laughing out of square, open windows.

Under a tree in the park,

Two little boys, lying flat on their faces,

Were carefully gathering red berries

To put in a pasteboard box.

Some day there will be no war,

Then I shall take out this afternoon

And turn it in my fingers,

And remark the sweet taste of it upon my palate,

And note the crisp variety of its flights of leaves.

Today I can only gather it

And put it into my lunch-box,

For I have time for nothing

But the endeavor to balance myself

Upon a broken world.

by Amy Lowell

Emil Nolde – Dark Mountain Landscape

Three Florals & Two Landscapes

Tags

acrylic, art, flowers, Paintings, watercolor

As summer was turning to fall most of my painting was focused on florals and learning to create with acrylics. I’m not sure I like it as much as watercolor yet, but I see its potential. My first attempt was a blue vase of red roses from our garden. It’s sitting on a table near a window. I wanted to capture the simple, feminine shape of the vase and curling petals against the angular background, that cool blue surrounded by all that warmth.  I liked that I could paint over mistakes better with acrylics than with watercolor, and I loved the brilliance of the colors. It was painted on a student grade canvas “skin.” What I don’t like is how it seems to sit on the surface rather than being part of the paper, as you get with watercolor.

Next was a landscape on a canvas panel, which I’m fairly happy with. For a first attempt.

After that came a couple of abstracts, neither satisfactory, as least “yet. ” I think there’s some potential at least with the abstract landscape below. Something’s still missing. The upper left-hand corner is calling to me. We’ll see.

Then I turned back to watercolor, some wet-on-wet work, which I’m not altogether happy with. I think the composition is too linear. I wish I had allowed some of the flowers to spill down on the right side toward the bottom of the page. Maybe I’m not done with this one either.

Finally I turned to painting a companion piece for a watercolor I already have on the wall, one of my first florals. I think this yellow one will go nicely with the pink and I’m happy enough with it to find it “wall-worthy.”

 

In the meantime, I’m still working on my office/art studio conversion so I have more room to spread out and work on more than one piece at once.

Almost Blue, Jazz & Art

Tags

art, blue, Chet Baker, jazz, music, Paintings

A perfect pairing for a Wednesday morning. Mellow jazz and my favorite color.

 

Window at Tanger, 1912 Henri Matisse

Talking with Myself, Elisa Benavent

Blue Nude, Picasso

 

Vincent Van Gogh ‘Starry Night over the Rhone’

By Nicoletta Tomas Caravia

Perfect Pairings, Evans’s “Peace Piece” & Sapiro’s Skies

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art, beauty, Bill Evans, inspiration, jazz, Maurice Sapiro, music, Paintings, peace

Reflections on Golden Pond by Maurice Sapiro

Bill Evans’s “Peace Piece” is “an unrehearsed modal composition that he recorded for his “Everybody Digs Bill Evans” LP in 1958. It is hailed as one of the most beautiful and evocative solo piano improvisations ever recorded.”

I discovered this music at Ken Chawkins’s website The Uncarved Block, and I quite agree. I played it over and over again, it was so soothing and deliciously eloquent. You can read more about this work and Bill Evans, who is considered by some as the world’s greatest jazz pianist, at the link above.

“Peace Piece” pairs so beautifully with the evocative artwork of Maurice Sapiro, which shares the same sense of depth and richness. I discovered Sapiro’s work years ago when I first began blogging, and I’ve been a fan ever since.  His ethereal, dreamlike images capture ‘the moment when natures fuses light and air.” From that fusing comes a haunting beauty and deep, abiding peace. Like Evans’s “Peace Piece.”

I hope you enjoy these as much as I do. 

Dance of the Clouds by Maurice Sapiro, oil on panel

Hammomasstet Sunburst

Any Port in a Storm

Mist

Painting Gold on the Water

Skylight II

The Subtle Nuance

Moonglow

The Six-Foot Sunset

Orient Point, Full Moon

Moon, Clouds and Falls

 

 

Favorite Pairings – Peace and Power in Art & Music

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art, inspiration, Joep Franssens, meditation, music, Paintings, peace, power, Sohan Qadri, spirituality

Joep Franssens’ Harmony of the Spheres and the art of Sohan Qadri

Both express the sense of peace and power that comes from mediation and tapping into the Unconscious. A powerful duo. Enjoy.

 

California Dreaming

Tags

art, Big Sur, California, Morro Bay Rock, Paintings, photography, scenic views, watercolor

McWay Falls in Julia Pfeiffer Burns Sate Park, Big Sur, California

Two of my paintings are being shown at a local gallery this month. They are part of an exhibition titled “For Love of Central & Coastal California.”

One is a view of iconic Morro Bay Rock as seen from the top of Highway 46, not far from where we live. It is one of my favorite views, especially in the spring with the green hills folding down to the sea. In the actual view from the highway, Morro Rock can barely be seen, even on a clear day. But one of the wonderful things about painting is that you can move things around and make them smaller or larger to fit your vision and what you want to capture.

View of Morro Rock from Highway 46, watercolor by Deborah J. Brakset

This painting was a composite of the following two photographs that I took not long ago. I tried to capture the intense green hills and their shadows from the first photo, and more detail of the ravines that spider up the far hills in the second. I made the hills steeper than they actually are and emphasized the road dipping into the folds.

The second painting on display is a view of a hidden sea cave as seen from Highway 1 near Big Sur.

Sea Cave, Big Sur, from Highway 1 – watercolor by Deborah J. Brasket

It is a composite of the following two photos, the first featuring the yellow wild flowers that grow near the highway overlooking the sea, and the second shows the cave itself in its private cove. You can barely make out the fence and pathway leading down the cliff toward the ocean in the photo.

This last painting is not part of the show but shares the theme. It is a painting of a pathway lined with oaks leading to the river near our home. A “California dreamer” leans against a tree trunk.

“A Splash of Sunlight” watercolor by Deborah J. Brasket

This is the reference photo, sans the mountain and the “dreamer” I added.

I was trying to use the colors and the looser style found in the following painting, one of my favorites by Henri Manguin.

“The Parkway”, 1905, by Henri Manguin

Mine isn’t as successful as I had hoped, but it still captures enough of that “dreamy” feeling of late afternoon, with the sun filtering down through the leaves, to want to keep it.

I hope you enjoyed this brief stroll with me through California’s  sunlit and sea-splashed hills. May you savor the natural beauty that lies in your own backyard, wherever that may be.

Playing With Mixed Media, Watercolor & Collage

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art, Collage, creativity, Deborah J. Brasket, Mixed Media, Odilon Redon, Paintings, the creative process, watercolor

As I’ve been experimenting with styles, I’ve been mixing watercolor with collage and ink, and having a lot of fun with it. The first one I tried was a bouquet with butterflies, in homage to Odilon Redon. I wanted to capture the richness of his oils in watercolor by adding texture, crumbled tissue paper. using white and colored tissue paper. First I painted the flowers and butterflies watercolor, and then tore off larger swaths of crumbled white tissue to paste over larger areas. Then added smaller bits of colored tissue where needed on some of the petals and leaves and butterfly wings. When that dried, I added more detail with water watercolor paint and pencils. I was pleased with the results. I don’t think the photo here does it justice. Although you can make out some of the texture.

“Bouquet with Butterflies in Homage to Redon” by Deborah J. Brasket 2017 

I followed a similar method on the painting of the blue oak tree. This is from a photo I took of an old oak tree., one of my favorites. It’s featured as the heading of my Facebook page. I’ve always loved the way the branches of some oaks look like octopus arms, and I was striving for that look. You can see some of the texture from the tissue here along the branches and also in the foliage background. I hadn’t planned on adding the white dove. That came later after I completed the painting and just didn’t feel satisfied. Something was missing. That’s when I drew a small dove on white paper and glued to a tree branch. Then I pasted my white tissue over it and around it to help it blend in more. That seemed to be just what it needed..

“Blue Oak with Dove” by Deborah J. Brasket, 2017

The last one here isn’t a collage, although it almost looks like it is. I was aiming for a playful, abstracted look, using the intense colors you find in a marina setting and focusing on the “dancing lights” reflected on the water. When I was finished painting, I outlined the boats and dock with black ink to help the images “pop” even more. I used to do that as a child when I colored, outlining the images in black. I always thought they looked better that way.

“Dancing Lights Marina” by Deborah J. Brasket

I’ve found I like working with collage and ink and the way they enhance my paintings. I imagine I’ll be experimenting more with this technique as I continue playing with watercolor.