New Paintings – Tangled Limbs, Roots & Rocks

Tags

art, Nature, painting, trees, watercolor

I haven’t been painting this year as much as last. But I wanted to share a few that will probably find a place on my wall. All of them are a mix of watercolor and oil pastel, which I’ve been playing with a lot lately.

I’ve included two paintings in this post, both proof of my love affair with trees. The one above, Roots and Rocks, is from a nearby creek bed. I love the way the roots of the old oak hug the rocks around it. The reference photo is below.

Paintings always look better when matted.

The second painting, Tangled Limbs, and its reference photo are below.

This is one of the rare paintings which I think looks better the closer you get to it, where you can see the texture and marks better.

You can’t see it in the reference photo, but the light streaming through those limbs was dazzling. I tried to capture a bit of that by dripping on yellow paint from the top.

I’ll have a couple more paintings to share soon.

 

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On Mist & Fog, Endless Emerging Forms

Tags

beauty, Deborah J. Brasket, fog, life, Mist, Nature, Philosophy, photography, Science

By Don Hong-Oai

I’ve long been drawn to images of fog and mist.  Part of it is the feel for the ephemeral and mysterious, things half formed, half hidden.  Emerging from a soft nebulous background but not fully formed.

Things caught in a state of transition, in the midst of becoming what is or could be.  Or slowly dissolving back into mere mist or shadow, what was or could have been.

Some of my fascination has to do with the contrast between the softness and starkness of the images, how things are reduced to their elemental forms the way black and white photos will do.

All but the starkest, darkest trunks and branches revealed while the fog swallows the rest.  All that’s left is the essential, the finely sculpted, restrained and elegant.

Bare branches naked and exposed, lifted in soft white hands

I think images of mist and fog speak to me because they ring true.  They reveal in stark and dreamy notes how ephemeral it all is, this life we live, the forms and forces of nature. All in flux, in constant motion, emerging and dissolving over and over, without end.

The first law of thermodynamics states how energy changes from one form to another, but never disappears.

The new fourth law proposed by some scientists is still uncertain, but moving toward the emergent, a law of motion where things are constantly pushed to the edge of chaos and the brink of “perpetual novelty,” an immense field of endless potentiality.

I see that too in these photos.

At noon in full summer, in the bright sunshine, with all our leaves shimmering, richly detailed, brimming lushly, dripping with  color, we hold life firmly in hand, our hearts aching with joy, with the pure bliss of being, and we think we will last forever.

 

But when the day is in transition, at dawn or dusk, emerging from darkness or drifting toward it, when mist or fog hides all but the faint essential lines of life, we see a starker and at the same time softer reality.  But just as beautiful, and just as enduring.

For what could be more constant and eternal than the fleeting?

Or that which emerges, fragile and half-formed, from the fertile wombs of earth and stars, seas and seeds, dreams and desires and the lusts of ages that brought us all to the brink of being.

[Adapted from a 2012 post]

My Undersea Gardens

Tags

art, Nature, painting, sailing, sea life, snorkeling, undersea garden, watercolor

One of our favorite things to do when we were sailing was swimming through the undersea gardens that lay hidden in the coves where we anchored. We would climb into our dinghy and row toward the rocks then dive overboard. My daughter and I would go one way with our net “goody bags,” and my husband and son would go the other way with their spear guns.

We’d spend hours just snorkeling and diving, watching and chasing fish, looking for shells and scallops, and just watching the marvelous show with all its colorful array of sea life. The coral beds waving in the current, the tiny shimmering schools of fish, the eels peeking out from dark caves,  the small reef sharks at the far edge of our vision watching us like guard dogs, the dazzling display of fractured light streaming down from above.

I tried to capture some of that in these paintings, especially the two abstracted scenes. I wanted to capture the feel of dazzling colors and shapes and not quite being able to identify what everything was because the scene moved and changed so quickly with the flowing current and water and darting sea life.

Here I drew in a few shapes, the fish at the center, and coral on either side. Then drew slanting wavy “light” lines crisscrossing each other all through the paper. I added some markings and stippling with oil pastel, then painted each fractured shape different colors.

In the end, the coral shape on the right looked more like a turtle so I went with that, adding an eye. Other shapes looked like fish or the tail of a sting ray, but they could be something else.  I liked this so much I painted a companion piece, something to keep it company.

This one features a sting ray as well as more fish and sea-weed, some planned, and some created through the fractured light lines.

I created a more traditional underwater sea scene too, as you can see in the first photo of all the gardens above. But the abstracted ones capture more of the “feel” of swimming through those landscapes, being overwhelmed by the color and beauty, and constantly surprised by what you find, and knowing that you are missing so much that still lies hidden from view.

Night Howl, Deep in My Bones

Tags

Consciousness, memoir, Nature, poetry, sailing, universe

Last month around this time when the moon was full, our nights were filled with howling. Almost every night we could hear the mournful cries of coyotes in the fields behind our house, along with ecstatic barking, yipping, chortling–as if they were celebrating a kill, or worshipping the moon, or engaged in some wild orgy.  Or perhaps they were merely giving voice to the irresistible life force pumping through their blood and brains and hearts, a force of nature too wild and fierce to hold back.

The sound, terrifying and exhilarating at the same time, echoed long in my mind afterwards, like ripples of water moving away to the edge of consciousness and reverberating back again. Like something heard long ago deep in my bones, from an evolutionary or primal past.

They say we humans carry in our genes the imprint of life-forms going back to when the first cells emerged on earth.  Deep in our blood, our bones, our very atoms, lays some faint memory of our ancient beginnings. Phylogenists call it our “vast evolutionary tree.”

If we go back even further, traces of that time when the morning stars first sang together may still be felt when we look out on the night sky. We are the stuff of stars, after all, so say astrophysicists.

Carl Jung envisioned our Collective Unconscious as a reservoir lying deep within our psyches containing our evolutionary memories.  While they lay below consciousness, they break through in dreams and myths and fairy tales, in primitive urges, the call of the wild, in our more-than-human yearnings.

Sometimes we feel this wildness rising within when witnessing powerful displays of nature: thunderstorms booming across the land, waterfalls careening over cliffs, huge waves crashing against rocks, hurricanes lashing at trees, lightening forking across a dark sky,  earthquakes heaving beneath our feet.   It frightens and excites—creating both the desire to escape and to embrace that primordial power.  One wild howl elicits another—the urge to howl back, to voice our own wild yearnings—to sing or dance, or paint or play, or grab words from the air and fling them onto paper. I heard that howl and answered back one night on anchor watch in Pago Pago.  A hurricane was blowing a few miles off Samoa and we were set to ride it out if it blew into the bay.

I stood at the bow of La Gitana, hanging onto the staysail as the deck lurched beneath my feet like a wild stallion while the surging waves rose and fell and the chain from the anchor rooted deep in the mud below grew slack or tight.

Overhead a torrent of clouds crashed against a full moon, sometimes swallowing it whole, then washing away streaming moonlight. All around me the night raged while the anchor held tight, and I held tight, the terror and exhilaration pumping through my blood and brain.  The wild urge to let go and be carried away by the night was fierce. Later I tried to capture what it felt like.   Here’s what I wrote:

NIGHT HOWL

(Anchor watch in Pago Pago, Samoa)

Alone beneath a wild and ragged night I watch,

                            moonlight and clouds wind-tangled across the sky.

Suddenly I am loosened, lifted, flung far–

fingers raking stars, mouth howling moon, mind mooning time

my heart-beat

riddles the universe.

Alone beneath a wild and ragged night I stand, astonished,

gaping into the maw of some vast mirror.

It’s close to capturing what I felt, but the last two lines trouble me. “Gaping” and “maw” keeps the visceral effect I’m looking for, capturing the sense of trance-like awe and terror.  But mirror moves it away into something more philosophical or intellectual.

I’m tempted to stop with the line “my heartbeat riddles the universe.” That captures the physicality of my wildly beating heart breaking out of my body to become the heart-beat of the universe.  And it also hints at the mystery of human heartbeat itself being a riddle, the riddle of the universe, that the evolution of the universe over eons led to the creation of a human being, whose heart—its essential being—is the ability to reflect back upon the universe, to take it all in.

Human consciousness is the mirror through which the universe sees and knows itself, and through which we see and know ourselves—the fullness of being, our primal past and present standing face to face.

That’s a lot to howl about.

[Reposted from July 2012]

Water with a Razor’s Edge

Tags

beauty, Creative Nonfiction, cruising, Essay, inspiration, liveaboard, memoir, Nature, ocean, paradox, sailboat, sailing, sculpture, water, waves

Photograph by Sebastião Salgado

One of my favorite pastimes when we were sailing was watching the wake the boat made slipping through still waters. The glassy surface of the ocean rose up creating a razor-sharp edge as it continuously slipped along beside us, like a wave that never breaks.

Not every wake was like this and so fascinated me. It came only under perfect conditions. When the sea was clear and still, smooth as a mirror. When the wind was non-existent or so light it was like a baby’s breath. When we were sailing lightly on a zephyr’s breeze, or motoring through calm, still waters. When the wind rose and rolled, the wake would change, shot over with foam, its curl not so distinct, its edge not so transparent.

I’ve searched everywhere for a photo of a wave or boat wake that captures what so fascinated me, but the closest I can find are images of sand dunes with that razor-sharp edge following the undulating line of its crest. Sand dunes have their own haunting beauty and they too shift over time, but even so they don’t do my memory justice, for the wake I watched was alive, vibrant, constantly moving, a steady companion.

It was sculpture in motion, the way it  curled up continuously creating that sharp, transparent edge. A slight undulation along the lip as it held its form was mesmerizing. Watching it, I thought, I never want to be anywhere but here. And, I never want to lose this. I sought to etch it in my mind so it would always be part of me.

Of course, it wasn’t just the sight of that never-ending curl, that razor-sharp edge trembling in the sunshine that moved me. It was the whole experience. The still sea stretching out forever, the soft swish of the hull parting the seas, the whisper of the wind against the sails.  It was the tang of the salt in the air and the balmy breeze stroking my skin with silk gloves. It was me, bare-legs stretched out against the warm teak decking, sitting absolutely still in a sea of motion.

It was my family tucked away with me within our living, moving, breathing home, miles and miles from anywhere, safely embraced by the sea and sun and breeze.

If anything clearly captures the essence of what it was like to live aboard La Gitana all those years, it was the poetry of moments like this, repeated over and over again, like glittering pearls strung along a string.

I think now what fascinated me then was how this was such a clear example of the ever-changing changeless: The constant subtle variations in the wake’s shape that made it so mesmerizing to watch and yet changeless in its constancy, it never-ending formation. And while it lasted for hours, it was ever a new thing, newly created moment by moment.

I wanted to reach out and touch that razor’s edge, but I knew if I did it would  dissolve beneath my fingers.  How could water, so malleable that it melts through your fingers, create such a sharp, clear edge and hold it so long?

These things fascinated me then as they do now and fed my interest in the sublime ambiguities and paradoxes that underlie this beautiful world we live in.

“Writings from Wild Soul”

Tags

Blogging, blogs, books, Creative Nonfiction, Nature, nature writing, poetry, Wendy Sarno, Writings from Wild Soul

The first blogger I ever followed and the first to follow me back was Wendy Sarno.  What drew me at first was the name of her blog “Writings from Wild Soul” since the word “wild” is also featured in my blog.

But what made me follow her and keep on reading her all these years was the deep, soulful, way she writes about her encounters with nature, which are always rich with detail.  When I read her posts I am swept away to a green, lush, world that humbles and excites me, and I always learn something new. A new way of seeing, a new way of being. I come away feeling blessed.

She calls herself wrensong, and says:

I am a poet who collects stones. I am a wanderer of creek beds and forests, canyons and high desert who, coming home, sometimes finds words to tell the story. I am a companion with others in the search for Deep, Wild Soul. I shape containers in time and space for others to come together to write, to tell their stories, to hold each other in the telling. I am a grandmother and the companion of a cat named Alaya. I often travel out into open country with a man who calls himself Dunewalker who has hung his hammock in my heart.

She has now collected her storied essays and poems in the book “Writings from Wild Soul.” She writes of this experience:

A friend just wrote to ask if I felt a glow of accomplishment. Well, not exactly.

Years ago I remember reading about Pueblo potters, mostly women, and how after they had made a pot and were preparing to put it in the fire they gave thanks to the clay and to the newly formed vessel saying simply with honor, “Now you are a made thing”. That’s how I feel when I hold this book. Not a glow exactly at all but a simplicity of wonder “My goodness, now you are a made thing”.

Here’s just a taste of the kinds of rich, satisfying meals she serves.

From “Into the Silence”

My husband and I just got back from the Pacific Northwest. We spent two weeks nestled under those great tall trees on Bainbridge Island and went off roaming the region. One day, out on the far side of the Olympic Peninsula, we hiked into the Hoh Rainforest over a rooted and winding trail along the Hoh River.

There the Sitka Spruce grow eight feet in diameter, two hundred feet tall and the great Western Cedar even larger. In that damp world everything grows thick with lichens and moss. The forest floor is strewn with moss covered fallen nurse trees, licorice fern, sword fern, lady fern, salmonberry and huckleberry. The huge big leaf maples cover their trunks with epiphyte mosses and drip with long beards of moss. It is a lush, moist realm of old tree life blessedly preserved from the ubiquitous clear-cut logging fields.

We went in search of silence, one square inch of it. No, really, there is one, sort of. On Earth Day in 2005 Gordon Hempton, an acoustic ecologist, dedicated this spot he had chosen in the Olympic National Park as a sanctuary to silence. He calls it One Square Inch of Silence.

I was thinking about this invitation to silence this Sunday morning in July when I looked out and was struck by the intense green of the neighbor’s tulip tree against an intensity of blue sky, the etch of brilliant green against that fierce, endless deep blue. I was struck with my instant need to put words to it, to find words to say it, this meeting. I think it was Annie Dillard who said something like “God imbues the world like color”. This I have faith in, this imbue-ing god, the one who looks out at me from your blue eyes, from the red cherries, the gold finch, the grass, the moss covered Sitka Spruce. This god who offers the god-self as beauty, intensity, tenderness, who meets me silently the way the sky meets a tulip tree, the way an ancient rainforest holds its moist, mossy self. And for a few moments I’m enthralled, held in a large, sweet order to things, belonging to this encounter between tree and sky. All the while the sunlight spilling thru in silence. All in silence.

From The Bones of Winter

I had the sense all morning on this day between winter and spring that I walked at the edge of life and death. Wandering up the luminous green of a grassy trail that snaked thru the prairie blackened from a winter burn with its charred grasses and woody stems, I saw flocks of robins browsing listening to what stirred under the flattened mat of an old season. Here and there shoots of green emerged from thick tangles of old root hinting at the tall grasses that would wave here in a summer wind. It was there I found the bone -white shell of a box turtle lying belly up on the ground. Part of the lower plate was gone and it lay there like a mouth open to the sky where season by season it collected seeds and leaves and fallen petals and rain and snow and dust. The yearly stories shed by the land into this waiting cup.

All winter I fed the small birds from bags of old seed and I was as hungry as they were for something fresh and moist and alive. When I walk I tell my story. I whisper my hungers and my hopes to the grass and the wind. I share whatever arises in my wandering mind, memories or dreams. Sometimes poems. Sometimes tears. On this Sunday, as I leaned into the rising path and the wind, I felt my good, deep breath, muscles warming, a flicker of joy at the sight of green, and a sweet pleasure in the gift of a broken turtle shell like an offering, offering its stories and offering to hold mine. And as the hours moved my slow steps along this trail or that, I began to feel the gift that wild places always offer us, an easefulness rising thru my bones out of the moist earth, something around my heart unclenched, made room for delight in a pond chorus of frogs in their spring song.

From her website Listening to Stones which features her poetry:

Rain Like Fallen Grace

I’m cutting daisies in this rain falling over the quiet morning like Sunday Grace.

I’m holding utterly still breathing the scent of water and flowers

The cups of the small roses reaching up

Every leaf trembling

 green prayers

answered.

-wrensong

The Seeing

I’m on the phone with a friend who

is gazing out her living room window when

she notices a dead branch has fallen

across a live branch in a big pine

and formed a perfect cross.

In the center of the cross is a nest

and in the nest is a dove who is feeding

her three nestlings.

We were talking about how to keep

our souls alive in these difficult

political times and suddenly in

this seeing, and in her telling me

of what she sees, and in my seeing

thru her words the branches, the tree,

the nest and the doves,

we know.

This is how.

-wrensong

This is how we know, in the seeing. This is why I read her writings: that deep seeing, that deep knowing.

I hope you feel as blessed as I do today after tasting her rich offerings to the world.

 

Into the Wild – On Safari in Africa

Tags

Africa, Botswana, Jeff Jones, Namibia, Nature, photography, safari, The Jones Party, wildlife

Water hole, Namibia, Africa – Photo by Jeffrey Jones

My brother and his wife have had a life-long love affair with the wildlife and habitats of southern Africa. So much so that after several trips themselves they began taking small groups on safaris. Here are just a sampling of some of the fantastic photographs he’s taken from various trips. They take us, not to the edge, but to the very heart of the wild.

I hope you will enjoy these stunning images from Namibia and Botswana as much as I have. If you’d like to learn more about his trips and the safaris he arranges, you can visit his website The Jones Party, Adventure Travel.

Water hole, Namibia – photo by Jeffrey Jones

Elephant herd, Namibia

Lion “pride”, Namibia

The stunning red sand dunes of Namibia

Sand sculpture, Namibia

Looks like a scene from Mars, but it’s the windswept hills of Namibia

Even the earliest humans were fascinated by the wildlife of Namibia

Leopard, Namibia

Braying zebra, Namibia

Elephant herd, Botswana

Baby elephant, lost among the legs, Botswana

Stay down, baby!

Sitting and sleeping in the shade of the herd, Botswana

A handsome beast!

Noble profile

A little lion love

More, please!

Water Buffalo, Botswana

Mama and baby, Botswana

Hungry baby

Dining lodge, Botswana

Sleeping lodge, Botswana

Cooling down after a long safari, note elephants in the background

View from the lodge as the sun goes down

The end of another beautiful day in the wild.

[All photographs copyrighted by Jeff Jones]

You might enjoy another post I wrote a few years ago about “Waterholes in the Wild and the Backyard“.

 

Nothing Is Holier than a Beautiful, Strong Tree

Tags

Hermann Hesse, holiness, life, Nature, Philosophy, quote, trees

 

Recently a woman sent me a message on Facebook, commenting on my cover photo of the “glorious” tree roots intricately woven around rocks. She wondered where I found the photo. I told her I came upon the tree when hiking along a river in the mountains above Big Sur. Something about the tree and its rootedness arrested me, and inspired me so much I use it on several of my online sites. It’s gratifying that others are inspired by it as I have been. But trees have been an inspiration for artists and philosophers throughout the ages.

Recently I came across this quote from Hermann Hesse, the author of Siddhartha, on Zen Flash.

For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone.

They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche.

In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfill themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree…

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.”

~Hermann Hesse

The line I love most is how “they struggle with all the force of their lives for one thing only: to fulfill themselves according to their own laws, to build up their own form, to represent themselves.” And that is “exemplary” as Hesse notes and denotes a kind of holiness, to  remind us all of the need to be true to ourselves, to find our singular purpose in being and struggle with all the force of our lives to fulfill it, regardless of whether anyone takes note of it or us at all.

That tree found growing along the bank of that creek may have gone unseen, unappreciated by human eyes, its entire lifespan, and yet it would have fulfilled its purpose nonetheless. That is its great strength, the thing that makes it exemplary, and holy. Simply being what one was meant to be suffices. Nothing else is needed.

Having said that, here’s a paradox: The tree cannot fulfill itself alone. It is dependent upon its entire environment to fulfill its purpose. Those stones that probably felt like such an obstacle when it was striving to grow from a sapling to a mighty oak is what helped shape it and distinguish it and perhaps even strengthen it. It is what drew me to the tree.

I found in it something almost indescribably beautiful and inspiring, how it used the very stones that blocked its roots to build a firm foundations, and how it in turn become the foundation of new growth, creating a home for the ivy and moss and lichens that grow upon it, giving shelter to the small animals and insects that burrow beneath. It exemplifies that interdependence by which we all live and shows how strength and vulnerability grow hand in hand to create beautiful lives. 

Here are a few more faces of this lovely tree.

Other posts on trees you might like:

Walking in a Green Wonderland

My Roman Oaks

Endless Emerging Forms — Fog, Mist, and Trees

Hot Hills in Summer Heat, Revised

Tags

creative process, Deborah J. Brasket, Nature, poetry, writing

“I watch them every summer, the hot hills crouched like a lion beside the road, tawny skin pulled taut across long, lean ribs. I would take my hand and trace round ripples of male muscle, feel the hot rise and cool dip of his body. . . .”

So begins a poem I wrote years ago as a young woman driving along the Central Coast of California on my way to class at Cal Poly University in San Luis Obispo.  I loved the commute along highway 101, especially that stretch between Pismo and Avila with the golden rolling hills studded with oak groves towering up beside me on one side, while on the other side lay the Pacific Ocean, cool and shimmering,  far below.

My commute was a kind of communion with silent companions that lay still and passive while I moved past them, watching them fervently. I traveled with my hands stretched out, tracing the changing contours of the passing landscape with my fingers. I felt the silky coolness of the sea, the soft brush of the hot hills– physically, intimately, intensely. And I felt as if I was leaving part of myself behind as I streamed past them

It was an overwhelming feeling, permeated by a sense of longing and loss, because that sense of connection, of “oneness,” I felt so keenly, was so fleeting.  A waft of perfume, a balmy breeze, that slowly dissipates and disappeared.

Knowing this, sometimes my watching was like a spurned lover or jealous mistress. Sometimes like a distant voyeur, or persistent suitor, watching and waiting, watching and waiting.  Waiting for that moment, as my poem concludes, when the lion so still and silent beside me would “rise, stretch his sensuous body against the sky with one low moan” and “pursue me”.

Pursue and devour, was the unstated implication.  “Swallow me whole” is the metaphor that comes to mind these days—consummation.

All that waiting paid off, it appears.  My relationship with the natural world has matured over the years. How I remember so long ago watching the streaming stars passing overhead on those hot, balmy nights, and being filled with a deep sense of longing and loss.  This too must pass, I thought, and it was almost unbearable.  But no more.

Now when I say goodnight to the stars before going to bed–the nights hot and balmy or crystal clear and cold–there’s no sense of longing. When I turn away toward the house nothing is lost. It’s all a part of me now.  A sustaining presence.

And the passing days and nights, that sense of fleetingness that the poets have mourned over the ages, is “a dark stream streaming through me,” as I write in another poem.  It’s all one, the stream and the streaming.  It always was.

For those curious, here’s the complete poem I quoted earlier, written so long ago and recently revised.

 

Hot Hills in Summer Heat

I watch them every summer, the hot hills

Crouched like a lion beside the road,

Tawny skin pulled taut across

Long, lean ribs.

 

I would take my hand and trace

Round ripples of male muscle,

Feel the hot rise and cool dip

of his body.

 

I see the arrogance—rocky head held

High against a blazing sky, the patient

Power unmindful of the heat

that holds me.

 

One day he will rise, stretch his sensuous

Body against the sky with one, low moan.

On silent paws he will pursue me.

And so I wait.

[I first posted this in September 2012 with the original version of the poem. This post features the revised draft. It’s a work in progress, as all things are, it seems.]

Sensuous Sunday: Air, an Enigma

Tags

Air, David Abram, enigma, life, Nature, Perception, Philosophy, quotation, The Spell of the Sensuous

“What a mystery is the air, what an enigma to these human senses! On the one hand , the air is the most pervasive presence I can name, enveloping, embracing, and caressing me both inside and out, moving in ripples along my skin, flowing between my fingers, swirling around my arms and thighs, rolling in eddies along the roof of my mouth, slipping ceaselessly through throat and esophagus to fill the lungs, to feed my blood, my heart, my self. I cannot act, cannot speak, cannot think a single thought without the participation of this fluid element. I am immersed in its depths as surely as fish are immersed in the sea.

Yet the air, on the other hand, is the most outrageous absence known to this body. For it is utterly invisible. . . .

[T]his unseen enigma is the very mystery that enables life to live. . . . What the plants are quietly breathing out, we animals are breathing in; what we breathe out, the plants are breathing in. The air, we might say, is the soul of the visible landscape, the secret realm from whence all beings draw their nourishment. As the very mystery of the living present, it is that most intimate absence from whence the present presences, and this a key to the forgotten presence of the earth.”

From The Spell of the Sensuous, Perception and Language in a More-Than-Human World by David Abram