Happy Valentines Day – Celebrating Lasting Love

Tags

Anne Morrow Lindbergh, Kahlil Gibran, Love, Madeleine L 'Engle, Marriage, poetry, Valentines Day

“The Turning of the Tide” by Charles Dana Gibson

I’m reprinting a post I wrote two years ago, the first to be Freshly Pressed. Hope you enjoy it.

They say opposites attract. That was true when my husband and I first met. I found in him everything I felt missing in myself—he was strong and brave, adventurous, self-confident, practical, capable, a man of the world. I was shy, timid, uncertain of myself, a romantic, an idealist, inexperienced. I was a senior in High School. He was a marine returning home from two years in Viet Nam. I thought I had found my soul mate, we seemed to complement each other so well, like two halves of a whole, yin and yang.

The truth is, we were just what we needed at the time. This dark, moody often angry young man who could also be so sweet and loving fulfilled a romantic yearning in me to sooth the savaged soul—Beauty and the Beast, after all, had always been my favorite fairy tale. And he was sorely needing the sweetness and innocence he saw in me, after the things he had witnessed in war. We fit together perfectly in each other’s arms. We still do.

But now I no longer believe in soul mates. I discovered that all the things I was attracted to in him, that seemed to be missing pieces of me, were really undeveloped parts of myself, and a sense of “completion” could not come from outside me but from within. Once I realized that and began to discover that I too was strong and brave, adventurous, self-confident and capable, I no longer yearned for a soul mate. I could stand upright and free even while fully committed to our marriage. We did not need each other, but we chose to be together. We were committed to creating a life that we both could love and enjoy together.

I had always loved what Kahlil Gibran in The Prophet had written about marriage, and came to see the wisdom of his words:

“Let there be spaces in your togetherness. And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other’s cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other’s keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart. And the oak tree and the cypress grow not in each other’s shadow.” ― Kahlil Gibran, The Prophet

I also came to realize what Anne Morrow Lindbergh in Gift From The Sea” wrote:

“When you love someone, you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity – in freedom, in the sense that the dancers are free, barely touching as they pass, but partners in the same pattern.

The only real security is not in owning or possessing, not in demanding or expecting, not in hoping, even. Security in a relationship lies neither in looking back to what was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now. Relationships must be like islands, one must accept them for what they are here and now, within their limits – islands, surrounded and interrupted by the sea, and continually visited and abandoned by the tides.”

And finally, I whole-heartedly embraced what Madeleine L’Engle in “The Irrational Season” wrote:

“To marry is the biggest risk in human relations that a person can take . . . . If we commit ourselves to one person for life this is not, as many people think, a rejection of freedom; rather it demands the courage to move into all the risks of freedom, and the risk of love which is permanent; into that love which is not possession, but participation… It takes a lifetime to learn another person… When love is not possession, but participation, then it is part of that co-creation which is our human calling, and which implies such risk that it is often rejected.”

My husband and I celebrated our 43rd anniversary last week. Here’s what I’ve learned about lasting love:

That marriage is a journey, not a destination, and the way will be hard, and filled with obstacles and challenges and heartache. That real love is not “true love.” It’s not a given. It doesn’t come ready-made. You have to fight for it, you have to work for it, you have to shake it out from time to time, and mend it and keep adding stitch after stitch, row after row, if you want to make it big enough and strong enough to last a lifetime.

Our marriage quilt is a tattered thing, but beautiful in its homeliness, in the places where its obvious rips and tears have been mended over and over again, the places where it’s grown thin and threadbare and had to be reinforced, as well as the places where it’s warm and soft and scented with memories that bring deep pleasure.

Loveliest of all are the stitches we are still sowing day by day, moment by moment, hand in hand, together.

I will end this series of posts on love and marriage with the last love poem I wrote my husband, a few years after our marriage had almost ended.

It is a simple, playful poem, meant to please a man who is not a lover of poetry, but loves the woman who writes it.

To Dale, On Our Twelfth Wedding Anniversary

Sometimes you ask me if I really love you,
Like the answers hid behind a lock and key
You are my love and all the world must know it
For it’s scattered ‘cross the land and half the sea.

There are winds and waves much sweetened by our pleasure,
Rocks and sand well smoothed by hips and thighs,
Grass that grows much greener from our nearness,
And trees that rustle still with sated sighs.

If you climb a certain stream that flows near Big Sur
You’ll find a rock well made for lying on,
It knew our love before it was made sacred
And longs to feel our lover’s urge again.

While high along the rugged spine of Baja,
Where boney cliffs fall far to find the sea,
We saw the world stripped bare of all but beauty
And we alone like Adam and his Eve.

The moon once tipped the hills beyond Coyote
And laced Conception Bay with fluorescent light,
We swam out naked through those silken waters
Where you would me round your hips and held me tight.

And cupped within the palm of Virgin Gorda
Lies an island and a secret, sandy cove,
Where we waded from the sea like mating mermen
And stretched upon the sand to prove our love.

The wind once made an early morning visit
As we rolled upon a hook in Carib Bight,
While sweeping down the hatch it caught us naked
And added its cool breath to our delight.

Now wind and sea and rock and tree can tell you
The answer that you say you do not know,
You are my love and all the world’s a witness
For its sung wherever winds and waves do blow.

NOTE:  This ends a series of posts that originally were supposed to be part of a series of love poems to celebrate April as National Poetry Month. Eventually it morphed into something else–a memoir of our marriage, or an anatomy of love as it evolves over time. Below are the first four posts in the series, which seem to cover  married love in all of its manifestations:  Innocent love, erotic love, disappointed love, love lost, love renewed, and love that lasts. 

Silly Little Love Poems, Unloosed at Last

The Geometry, and Geography, of Love

Love’s Duplicity

Love Lost, and Renewed

“The Mountain of My Love” – Poem by Hayden Carruth

Tags

Aging, Hayden Carruth, Love, Marriage, poetry

The Lovers by William Powell Frith, Public Domain

In the graduation speech that went viral last year, George Saunders wrote:

“Most people, as they age, become less selfish and more loving. I think this is true. The great Syracuse poet, Hayden Carruth, said, in a poem written near the end of his life, that he was ‘mostly Love, now.'”

For a long time I could not find the poem he mentioned. But a reader who heard about my search found the poem and kindly shared it with me. Now I share it with you, a deeply moving testament to love and marriage, as our lives wind down.

Testament

by Hayden Carruth

So often it has been displayed to us, the hourglass
with its grains of sand drifting down,
not as an object in our world
but as a sign, a symbol, our lives
drifting down grain by grain,
sifting away — I’m sure everyone must
see this emblem somewhere in the mind.
Yet not only our lives drift down. The stuff
of ego with which we began, the mass
in the upper chamber, filters away
as love accumulates below. Now
I am almost entirely love. I have been
to the banker, the broker, those strange
people, to talk about unit trusts,
annuities, CDs, IRAs, trying
to leave you whatever I can after
I die. I’ve made my will, written
you a long letter of instructions.
I think about this continually.
What will you do? How
will you live? You can’t go back
to cocktail waitressing in the casino.
And your poetry? It will bring you
at best a pittance in our civilization,
a widow’s mite, as mine has
for forty-five years. Which is why
I leave you so little. Brokers?
Unit trusts? I’m no financier doing
the world’s great business. And the sands
in the upper glass grow few. Can I leave
you the vale of ten thousand trilliums
where we buried our good cat Pokey
across the lane to the quarry?
Maybe the tulips I planted under
the lilac tree? Or our red-bellied
woodpeckers who have given us so
much pleasure, and the rabbits
and the deer? And kisses? And
love-makings? All our embracings?
I know millions of these will be still
unspent when the last grain of sand
falls with its whisper, its inconsequence,
on the mountain of my love below.

 

On Herds, Husbands & Riffing on Writing

Tags

Blogging, Creative Nonfiction, husbands, Julia Shipley, Marriage, poetic essay, riffing, riffing on writing, The Toast, Willa Cather, writing

Serendipity, it’s sometimes called. Those happy coincidences that lead to some unexpected pleasure or insight. Or synchronicity. Those meaningful encounters that, touching tangentially upon something you’ve been musing upon, spark a new way of thinking about it. Then off you go, riffing on the topic the way jamming jazz musicians will do.

Here’s how it happened recently. I was grazing on Twitter and found a link to an essay that sounded interesting, taking me to new site called The Toast. The essay that drew me there did not pan out, but I found a link to something else that sparked my interest: “Some: Poetic Essay” by Julia Shipley. So I went there.

Now the essay starts out talking about horses and cows and the poets who write about them. Normally I’m not much interested in barnyard animals, but once when I was looking for a particular poem by Hayden Carruth, I came across his “Cows at Night” which I loved so much I blogged about it. (Another example of serendipity.)

Hoping that Shipley’s essay on cows might provide a similar unexpected pleasure, I continued reading. That’s when I came across these lovely lines and immediately tweeted my pleasure to others.

“The names of the herd tell a story, the way a group of stars makes a constellation.”

As I continued reading, the essay took an interesting turn, morphing from a mediation on cows, to a mediation on men, or on prospective husbands, to be exact.

A line about how some couples “pull together” in a marriage “like a pair of horses working in a synchronized pace” caught my attention. I’d been musing a lot lately about marriage, how it goes through different stages, and how while my husband and I still pull together in the same direction from time to time, more often than not we wander off in different directions. It’s becoming apparent how little we have in common.

While we both took early retirements, and we’re both home bodies, we seldom see each other and do little together. We eat at different times mostly, take walks at different times, swim at different times. We watch different shows on TV and pursue separate hobbies. Our paths cross only intermittently throughout the day, and while those crossings are pleasant enough, they are usually unplanned.

Sometimes I worry about us. Our marriage. Do we spend too much time alone? Is this healthy? Should we try to find ways to spend more time together? But then I realize: I’m quite content this way. As a writer, I like having time to myself. I like knowing he doesn’t need me or feel neglected when I’m off by myself. We’re alone, but not lonely.

I’m coming to think of us like the lines in a sparse drawing. We rarely touch, but we cross now and then, and our crossings shape our days and our lives and fills up the space that surrounds us in meaningful and comforting ways. Spare lines and plenty of white space, but pleasantly so.

Shipley writes about all the men she met over the years and cultivated relationships with, but who never turned out to be the husband she was looking for. She thought perhaps she was in love with the idea of love more than in wanting any particular man.

I wonder that myself sometimes. I like having a husband, I love him deeply, but I’m not “in love” with him. I am, however, “in love.” It’s just not with a man, or perhaps, more truthfully, it’s with so much more than the man. It’s the man and the life and the kids and the cows at night and names like constellations. And the walking and swimming and writing. Just this, right here, right now. Riffing about the things I love.

Her essay ends with something similar:

“Once I approached another heroine, former dairy farmer Gertrude Lepine, who never married or had children, but farmed with her sisters in a Vermont hinterland called, Mud City. I asked if she missed her cows. Her herd was famous, her registered Jerseys attracted buyers from as far away as California when she retired. Sure there were some favorite cows, she told me, But it’s The Land that I love the most.

The Land.”

Yes, I’m in love with The Land too. The Land, and all it holds.

Just before her essay ends Shipley quotes a passage in Willa Cather’s O Pioneers :

The passage describes Alexandra, who took over her father’s Nebraska farm and coaxed it to glorious success, and who is now a single middle aged woman.

“ . . . she lay late abed . . . luxuriously idle, her eyes closed, she used to have the illusion of being lifted up bodily and carried lightly by someone very strong. It was a man, certainly, who carried her, but he was like no man she knew; he was much stronger and swifter, and he carried her easily as if she were a sheaf of wheat.”

What held her lightly “as if she were a sheaf of wheat” was something so much more than mere man. I feel that way too sometimes. Like I’m being tenderly picked up and carried away. By life. The joy of living. These unexpected, serendipitous pleasures. By the act of writing–taking chance encounters and spinning them into something else, tossing them out into the universe, watching them drop down into a poem, a painting, a song. A blog post perhaps.

Here’s wishing you today many serendipitous pleasures that pick you up lightly and carry you away.

“Us, Ancient” – A Short Love Story

Tags

Aging, Flash Fiction, Growing Old Together, Love, Love Story, Marriage, short stories, short story

Us, Ancient
by Deborah J. Brasket

You know what I love most about swimming? How perky my breasts get. All round and full and buoyant. Gorgeous, really! And floating right up there where they should be.

It’s so deflating when I get out.

My husband tells me not to worry. He still sees me perfect.

“What? When you shut your eyes?”

“Well, I don’t have to shut them.”

“I’m just saying . . . .” he says, when I give him that look.

He tries.

But I know what he means, this man who is fast turning into his father the older he grows. And his father! That scrawny, bald-headed buzzard was never much to look at, even when we met. Certainly nothing like his son, who I’m telling you, was hot enough to burn rubber back then.

But that’s not how I see him now. Not as his father, and not as he was when we first said I do.

There comes a time when the body loses its elasticity to such a degree, that you just start spilling out of it. You just aren’t there anymore.

That person in the mirror? Not me now. Not sure where I am. Hovering somewhere around the body maybe. But more outside than in. And him, too. This man I married.

What I see now is not a body, but a being. A living, thinking, breathing being who just happens to fit perfectly into my arms. Someone I want to grow old with. And not just “till-death-do-you-part” old. But old. As in ancient.

Man-in-the-moon old. Mountains melting into the sea, old. Earth spinning off its axis, old.

Starships dodging dark holes, novae bursting into newness. . . . you see what I mean.

Us, swimming like dolphins through the universe, old. That’s how I see us.

This short story first appeared, in a slightly different version, in Drunk Monkeys in October 2013.  You can read it online HERE.

Here’s another short story I wrote:

“13 Ways of Looking at Dying, Just Before, And the Moment After”

And here’s a true-life love story:

Celebrating Lasting Love

Celebrating Lasting Love

Tags

Anne Morrow Lindbergh, Kahlil Gibran, Love, Marriage, memoir, poetry, relationship, Romance, Soul Mates

They say opposites attract. That was true when my husband and I first met. I found in him everything I felt missing in myself—he was strong and brave, adventurous, self-confident, practical, capable, a man of the world. I was shy, timid, uncertain of myself, a romantic, an idealist, inexperienced. I was a senior in High School. He was a marine returning home from two years in Viet Nam. I thought I had found my soul mate, we seemed to complement each other so well, like two halves of a whole, yin and yang.

The truth is, we were just what we needed at the time. This dark, moody often angry young man who could also be so sweet and loving fulfilled a romantic yearning in me to sooth the savaged soul—Beauty and the Beast, after all, had always been my favorite fairy tale. And he was sorely needing the sweetness and innocence he saw in me, after the things he had witnessed in war. We fit together perfectly in each other’s arms. We still do.

But now I no longer believe in soul mates. I discovered that all the things I was attracted to in him, that seemed to be missing pieces of me, were really undeveloped parts of myself, and a sense of “completion” could not come from outside me but from within. Once I realized that and began to discover that I too was strong and brave, adventurous, self-confident and capable, I no longer yearned for a soul mate. I could stand upright and free even while fully committed to our marriage. We did not need each other, but we chose to be together. We were committed to creating a life that we both could love and enjoy together.

I had always loved what Kahlil Gibran in The Prophet had written about marriage, and came to see the wisdom of his words:

“Let there be spaces in your togetherness. And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other’s cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other’s keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart. And the oak tree and the cypress grow not in each other’s shadow.” ― Kahlil Gibran, The Prophet

I also came to realize what Anne Morrow Lindbergh in Gift From The Sea” wrote:

“When you love someone, you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity – in freedom, in the sense that the dancers are free, barely touching as they pass, but partners in the same pattern.

The only real security is not in owning or possessing, not in demanding or expecting, not in hoping, even. Security in a relationship lies neither in looking back to what was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now. Relationships must be like islands, one must accept them for what they are here and now, within their limits – islands, surrounded and interrupted by the sea, and continually visited and abandoned by the tides.”

And finally, I whole-heartedly embraced what Madeleine L’Engle in “The Irrational Season” wrote:

“To marry is the biggest risk in human relations that a person can take . . . . If we commit ourselves to one person for life this is not, as many people think, a rejection of freedom; rather it demands the courage to move into all the risks of freedom, and the risk of love which is permanent; into that love which is not possession, but participation… It takes a lifetime to learn another person… When love is not possession, but participation, then it is part of that co-creation which is our human calling, and which implies such risk that it is often rejected.”

My husband and I celebrated our 43rd anniversary last week. Here’s what I’ve learned about lasting love:

That marriage is a journey, not a destination, and the way will be hard, and filled with obstacles and challenges and heartache. That real love is not “true love.” It’s not a given. It doesn’t come ready-made. You have to fight for it, you have to work for it, you have to shake it out from time to time, and mend it and keep adding stitch after stitch, row after row, if you want to make it big enough and strong enough to last a lifetime.

Our marriage quilt is a tattered thing, but beautiful in its homeliness, in the places where its obvious rips and tears have been mended over and over again, the places where it’s grown thin and threadbare and had to be reinforced, as well as the places where it’s warm and soft and scented with memories that bring deep pleasure.

Loveliest of all are the stitches we are still sowing day by day, moment by moment, hand in hand, together.

I will end this series of posts on love and marriage with the last love poem I wrote my husband, a few years after our marriage had almost ended.

It is a simple, playful poem, meant to please a man who is not a lover of poetry, but loves the woman who writes it.

To Dale, On Our Twelfth Wedding Anniversary

Sometimes you ask me if I really love you,
Like the answers hid behind a lock and key
You are my love and all the world must know it
For it’s scattered ‘cross the land and half the sea.

There are winds and waves much sweetened by our pleasure,
Rocks and sand well smoothed by hips and thighs,
Grass that grows much greener from our nearness,
And trees that rustle still with sated sighs.

If you climb a certain stream that flows near Big Sur
You’ll find a rock well made for lying on,
It knew our love before it was made sacred
And longs to feel our lover’s urge again.

While high along the rugged spine of Baja,
Where boney cliffs fall far to find the sea,
We saw the world stripped bare of all but beauty
And we alone like Adam and his Eve.

The moon once tipped the hills beyond Coyote
And laced Conception Bay with fluorescent light,
We swam out naked through those silken waters
Where you wound me round your hips and held me tight.

And cupped within the palm of Virgin Gorda
Lies an island and a secret, sandy cove,
Where we waded from the sea like mating mermen
And stretched upon the sand to prove our love.

The wind once made an early morning visit
As we rolled upon a hook in Carib Bight,
While sweeping down the hatch it caught us naked
And added its cool breath to our delight.

Now wind and sea and rock and tree can tell you
The answer that you say you do not know,
You are my love and all the world’s a witness
For its sung wherever winds and waves do blow.

NOTE:  This ends a series of posts that originally were supposed to be part of a series of love poems to celebrate April as National Poetry Month. Eventually it morphed into something else–a memoir of our marriage, or an anatomy of love as it evolves over time. Below are the first four posts in the series, which seem to cover  married love in all of its manifestations:  Innocent love, erotic love, disappointed love, love lost, love renewed, and love that lasts. 

Silly Little Love Poems, Unloosed at Last

The Geometry, and Geography, of Love

Love’s Duplicity

Love Lost, and Renewed

Love Lost, and Renewed

Tags

Love, Lovers, Marriage, relationship, Romance

Not long after I decided to leave my husband I met someone new. I was working part-time at a book store and he was a publisher’s rep. We would go for coffee or walks in the park and have long, stimulating conversations. We spent hours on the phone talking about literature, philosophy, the arts, religion—things I loved but my husband had no interest in. I could feel myself falling in love with him, thinking perhaps he was the “soul mate” I’d always longed for. He seemed to feel the same way about me.

I had already asked my husband for a separation, suggesting he move out. He only laughed and said he wasn’t going anywhere. I knew I would have to be the one to go and began planning my escape. Soon, I thought, terrified by what he might do if he knew I was already seeing someone.

Then he found out. When he confronted me, I told him the truth, that I had fallen in love with someone else. I was astounded by his response. It was so unlike anything I had imagined. He said he did not blame me. He had always known that I was “too good” for him, and if this man was better, he’d step out of the way.

But after confronting the man too, after meeting and talking with him, he said the man wasn’t good enough.  He was the better man, and he wanted me to give him another chance. He was sure he could make me fall in love with him again. And while I knew that was impossible, I felt I had no other choice but to let him try. After so many years together, I knew I owed him, and our marriage, at least that much. Eventually he’d realize it was futile, and then he’d have to let me go.

It was hard at first. I felt I had put my real life in limbo, and was living a lie. I mourned my lost love. The life I imagined spending with him was like a shadow that followed me everywhere. I feared it was a life we might never realize together—at least in this life time. That’s when I wrote the following poem.

The Other

It’s amazing how you multiply as time moves
 Everywhere I see your face appear
 It grows more clear the longer we are parted
Like time itself conspires to bring you near.

Sometimes I feel your presence close behind me
Where I could turn to find you standing there
Turn toward arms pressed close about me
As if mere motion was the answer to my prayers.

Sometimes your presence seems to float before me
Upon a sea of bright tranquility
I watch my soul swept out to meet you
And marvel at mind’s sweet complicity.

Sometimes I feel as if I were a twosome
And one of me moves never far from you,
The other is mere exercise in motion
Eclipsing everything in me that’s true.

Someday I pray that we shall sit together
Before a sea resplendent in the sun
We’ll eat a little morning meal together
Before we rise into new life as one.

Eventually this sense of sadness faded. My husband and I began “dating” again. We spent long leisurely weekends together going to concerts and museums and strolls along the beach. We began cultivating a taste for California wines and listening to jazz music together. We chartered sailboats in the Caribbean and renewed our dream to sail around the world together.

Little by little I began falling back in love with him. It began with a deep respect for how he had reacted when I told him I’d fallen for someone else. There was no anger, no accusations, no recriminations. No jealousy or hurt feelings that I could tell. Never did he hold it against me, or try to make me feel I had wronged him. He absolved me of all blame. All he wanted was the opportunity to prove he was the better man, prove he could love me enough to make me want to stay with him. How could I not love that?

I realized I had deeply underestimated him. He revealed a strength of character and depth of love that I hadn’t realized he possessed. A dignity and humility and gentleness I hadn’t seen before. This was the foundation upon which the renewed love I felt for him grew. And it was the stronger and richer for it.

Now looking back, that period in our marriage seems like an aberration, a mirage almost. I barely remember the name of the man I thought I’d loved, and his bitter assessment of the whole affair—that I willed myself to love him to have the courage to leave—may have the ring of truth.

Despite this happy ending to that episode in our marriage, it wasn’t the last time our love was tested and bent near breaking. But never again without the hope that this too would mend in time and make us stronger. And it did.

Love is the hardest thing we can ever do—love for our spouses, our children, our parents, ourselves, each other. Love for the world we live in. Love for that which created all of this. If we think love’s easy or should be easy, that it won’t have radical mood swings, won’t lift us up and throw us down, won’t drift away when we’re not attentive, won’t wither if we’re not feeding it, or spring back, full and fresh, when we water it with patience and kindness, then we don’t know love at all.  And maybe we can’t know it, until we live it, and let it live in us.

NOTE:  This post originally was supposed to be part of a series of poems I’ve written to celebrate April as National Poetry Month.  A way to let a few love poems I’d written long ago see the light of day. Eventually it morphed into something else–a memoir of our marriage, or an anatomy of love as it evolves over time. Below are all five posts in the series, which seem to cover  married love in all of its manifestations:  Innocent love, erotic love, disappointed love, love lost, love renewed, and love that lasts. The last one was Freshly Pressed.

Silly Little Love Poems, Unloosed at Last

The Geometry, and Geography, of Love

Love’s Duplicity

Love Lost, and Renewed

Celebrating Lasting Love

Love’s Duplicity

Tags

Deborah J. Brasket, Duplicity, Love, Marriage, poetry, relationship, Romance

When I first fell in love, it was a hot thing—urgent, possessive, almost feverish at times. I truly saw love as being two souls in one body. We were opposites that complemented each other. He was my missing half, and I his.

But I wasn’t content with that. In some fervent way I wanted to be him, become him, live inside him, feel my heart beating in his body and his in mine. I wanted to meld with him.

Not surprisingly, I discovered this just wasn’t happening. There were times when our love felt like that, when we seemed so close, but then it would slacken and drift away. And when that happened, he seemed almost like a stranger to me, someone I barely knew, and did not understand at all.

That’s when I wrote the following poem.

I look at you and see
Incredibly
A face at once slighted by closeness, yet
Dimmed by the distance I hold you;
A face overlooked and over known, yet
Laced by fingers, fearful to possess you.
And you look from eyes
Half-halting
Wary that you know me.

I look at you and see
Incredibly,
How the lines forming you
Flow not into my own
But lie separately, falling
On planes apart.
Reasoning makes no clearer,
No nearer
That we lie two, not one.

I look at you and see
Incredibly,
How the brown hollow of your eyes
Will ever haunt mine, and
I cry for me, for all whose heart’s desire
Is held ever at half embrace:
Half wanting, half waiting,
Half knowing
What we’ll never know.

I look at you and see
Incredibly,
How these feelings we are one
Or we should be,
How we are strangers
Never touching,
Lie at odds in me.
Is it odd I reap of love
the bittersweet?

Eventually I realized we weren’t soul mates and probably never would be. And while I still yearned for us to become closer, he was content with the way things were.

While I wanted to know everything about him, there were parts of me—important parts—that he simply had no interest in. Like my passion for the arts, literature, philosophy, religion, writing. He knew I wanted to be a writer—that I wrote poetry and short stories and kept a journal—and he liked that about me. But he had no interest in what I was writing, never asked to read anything. Never seemed interested when I offered to share what I wrote. He wasn’t curious at all.

Finally, I let go trying to become closer, and we drifted away from each other. Our marriage became almost sterile, perfunctory. We shared a house, children, a bed. That was all. I realized that I no longer loved him. At times I barely liked him.

A veil of sadness descended over me, a yearning for something I feared I would never have. I felt my soul mate was still out there somewhere, waiting for me. But I realized I may never find him.

After a while, I knew that I could no longer live like this. It was time for me to leave.

(To be continued)

NOTE:  This post was part of a series that originally were supposed to be part of a series of love poems to celebrate April as National Poetry Month. Eventually it morphed into something else–a memoir of our marriage, or an anatomy of love as it evolves over time. Below are all five posts in the series, which seem to cover  married love in all of its manifestations:  Innocent love, erotic love, disappointed love, love lost, love renewed, and love that lasts. The last one was Freshly Pressed.

Silly Little Love Poems, Unloosed at Last

The Geometry, and Geography, of Love

Love’s Duplicity

Love Lost, and Renewed

Celebrating Lasting Love

Silly Little Love Poems, Unloosed at Last

The Geometry, and Geography, of Love

The Geometry, and Geography, of Love

Tags

art, Deborah J. Brasket, exploring, Love, Marriage, poetry, Robert Lawlor, Sacred geometry

I wrote these poems while still quite young, and very much in love, and loving the way our bodies “meet and mingle” when making love.  I loved the “lean lines” and “anxious angles,” the patterns we made spread across the bed.

I was fascinated by how the masculine and feminine forms complemented each other. It inspired the following drawing, something I was playing around with at the time, enjoying the lean look of pen on paper.

A Pleasing Design

I find satisfaction in form,
In bare geometric patterns,
In line upon line bisecting line,
In spacious planes spread out and open.

I like this silky stretch of skin,
Simple curves and supple cones,
I like the firm feel of your flesh,
Swollen contours, anxious angles.

Mostly I like the intricate pattern
We create, stripped bare and essential
The piling planes and lacing lines,
The way we meet and mingle,

When one fine ray of you cuts
Clean through me, and within that
intersecting interlude we come
To a common and satisfying point.

By Deborah J. Brasket

Since I wrote this poem,  I’ve learned something of “Sacred Geometry,” which seeks to synthesize the feminine and masculine principles of the discipline.

Medieval representation personified Geometry as a seated woman surrounded by the implements of her art, as depicted in some of the artwork shown  here.

Robert Lawlor in Sacred Geometry – Philosophy and Practice explains:

“Geometry as a contemplative practice is personified by an elegant and refined woman, for geometry functions as an intuitive, synthesizing, creative yet exact activity of mind associated with the feminine principle. But when these geometric laws come to be applied in the technology of daily life they are represented by the rational, masculine principle: contemplative geometry is transformed into practical geometry.”

Several love poems I wrote at the time involves the “topography” or “geography” of love, exploring each other’s bodies as if exploring an intimate landscape, with all its hills and streams, forests and caves, and vast flowing deserts.

Even then, so long ago, I was fascinated by how the human and natural worlds interconnect, and seem to complement each other.

In Exploration

I like the lay of your land.

You stretch before me
in large and rugged proportions.

The sheer volume of your mass
with its vast and varied landscape
is an irresistible invitation
to explore you.

You are shaped of firm and fertile earth
pressed lovingly round solid granite.

I lay my face close to smell
the sweet and salty scent of you
And there I hear
low, deep rumblings
of subterranean waters.

I trace you with my finger to find
Sudden softness, deep impenetrable forests,
and parts of you so finely chiseled
I must stop and marvel.

When I touch you my hand spans continents,
for there’s no lusher garden,
no sweeter field,
no depth more resounding,
nor peak more pure
than what I find in touching you.

I rise and hover over you like a cloud
then slowly, gently, cover you with my body.
I feel the touch of skin on skin,
your warmth rising through me
and press so near I hear
Your heartbeat in my body.

I am spilling with the rich fill of you,
Knowing all my sweet and wild secrets lie
Ever open to the finger of exploration.

Then I find within the far-off orb of your eye
a space so vast and distant,
and long to explore
the intangible reaches of your mind.

By Deborah J. Brasket

NOTE:  This post was part of a series that originally were supposed to be part of a series of love poems to celebrate April as National Poetry Month. Eventually it morphed into something else–a memoir of our marriage, or an anatomy of love as it evolves over time. Below are all five posts in the series, which seem to cover  married love in all of its manifestations:  Innocent love, erotic love, disappointed love, love lost, love renewed, and love that lasts. The last one was Freshly Pressed.

Silly Little Love Poems, Unloosed at Last

The Geometry, and Geography, of Love

Love’s Duplicity

Love Lost, and Renewed

Celebrating Lasting Love

Related articles

• The Meaning of Sacred Geometry (wakingtimes.com)
• Δ Sacred Bodies:sacred Geometries Δ (threecornersdesigns.wordpress.com)
• A Brief Glance at Sacred Geometry (realitysandwich.com)

Some Silly Little Love Poems, Unloosed at Last

Tags

Love, Lovers, Marriage, National Poetry Month, poetry, Romance

In celebration of April as National Poetry Month, I will be releasing over the next week or so some poetry I’ve written on love that has lain too long in my drawer.

The first few, shown below, are short and simple, written as a young bride.

In time they grow longer, darker, deeper, exploring the many faces and shapes that love takes as it grows and strengthens, wanes and darkens, matures and celebrates new beginnings.

Now, While

Now
While the love-light of your eyes
Shines upon my face,
And your bare-bodied shadow
Presses close to mine,

Now
With the moonlight and trees
Spreading patterns across our bed,
And the corners of the room
lie dark and drowsy,

Now
Let us kiss and love.

Then
While our bodies still hungrily cling
Let us sleep,

Closely breathing,
Closely dreaming,
Close in love.

Gone

You’re gone!
And though I know
You’ll be back Monday
The word gets caught between
The empty of my arms

Just Asking

We loved
We came to be like
Mirrors, reflecting like

I saw myself
An image in your eye.

When you’re gone
I find myself
And empty likeness

I question, are you gone
Or am I?

Would That Love

Would that love move me once
That it move me far enough
Would that love move me now
In all I do.

For the way is far too strong
That would push against the throng,
Cut me loose to lose myself
In loving you.

Since the day will surely show
When I’ll have to let you go
What a waste to love you then
With clutching arms.

So let me meet your every wish
Make myself a selfless gift
That I fill to overflowing
Loving you.

And when we part, if part we must,
I’ll unclasp in loving trust,
For Love spent us to the full
In every way.

NOTE:  This post began a series of posts that originally were supposed to be part of a series of love poems to celebrate April as National Poetry Month. Eventually it morphed into something else–a memoir of our marriage, or an anatomy of love as it evolves over time. Below are all five posts in the series, which seem to cover  married love in all of its manifestations:  Innocent love, erotic love, disappointed love, love lost, love renewed, and love that lasts. The last one was Freshly Pressed.

Silly Little Love Poems, Unloosed at Last

The Geometry, and Geography, of Love

Love’s Duplicity

Love Lost, and Renewed

Celebrating Lasting Love

Other Posts that Include My Poetry

Wheeling away on the Isle of Pines

A Scattering of Rocks – Zen in the Garden of Eden

Touching the Wild

Hot Hills in Summer Heat

Walking Among Flowers

Night Howls

Swimming Among the Stars