This Sea Within, Without – A Poem

Tags

Central America, conflict, Deborah J. Brasket, History, Latin America, life, Nature, Novel, poem, poetry, sea, This Sea Within, Ukraine, war

by Joaquin Sorolla

I wrote this poem for a novel I’m writing about love and war in Central America. It’s written in the voice and style of a 19th century poet about the ceaseless, ongoing struggles that have ravaged his land since before the Conquistadors. As they have been going on Ukraine since the Vikings plundered tribal villages, before the Mongols came and slaughtered all of them, before Hitler, before Putin.

This poem speaks to the ceaseless cycles of peace and plunder that haunt our histories and our hearts, but also to the spirit of the people who weather such storms. Although it will no doubt undergo further revisions before the novel is ready to hand over to my agent, I wanted to share it with you now, in honor of the brave spirit of the Ukrainian people who are weathering this storm today.

This Sea Within, Without

This sea that lies within, without, all things,
All bodies, minds, and soaring hearts and grasping hands,
Past, present, and evermore.
This ceaseless stirring, this Siren’s call, these froward thoughts
And listless rhythms that know no end.
This urgent quest.

This sea that it throws itself upon our shores
With grand bluster, heaving boulders and breaking cliffs,
Leaving in its wake a disaster of debris,
The detritus of society and small broken things,
A child’s bracelet, an empty bottle, shattered shells and battered lives,
Fallen faces like
Flies rummaging through abandoned seaweed.

This sea within, without, unbroken in its vastness,
Spreads out like a calm comforting blanket of blue, its lacy
Traces whispering secrets in our ears,
Seducing us with sleepless dreams as it
Reaches across the sand to wash our feet and sings its pleasure in the sun,
Its tender kisses everywhere,
Its mesmerizing music everywhere,
Calling children, and lovers young and old, to its shores,
To romp among its waves like playful porpoises,
Safe as sand.

And so it lures and soothes and laments,
Before it lashes out, breaking
Whole continents apart
Leaving all in ruin.

This Sea within, without,
Pouring across the centuries in
Endless rhythmic cycles of peace and plunder,
Plunder and peace,
Ever restless, relentless.

This sea within, without
Each heart, each nation, each age and eon.
We and sea and all that lies between,
Taking our pleasure where we may in warm, balmy breezes,
Finding our strength in broad strokes as we surf and swim,
Taking our lives into our hands as we resist
Its uprising roar
As it crashes down and drowns our dreams.

O drowning heart, O vale of tears
O lovers lost, O sons and daughters,
O detritus of raging storms,
Be not dismayed.
As ceaseless as the turmoil is, so is the spirit that rides upon it
And survives to rise again.

Savor the sun’s sweet kisses and the balmy breezes,
Hold them close, don’t let go.
Even when the broad drowning seas rise up and crash down,
Do not despair.
Tis the way of weather,
And of weathered hearts, and leathered minds,
And grasping hands, and the sons of man.

So we lay our hearts and histories
Upon such shores as storms do rage
And retreating bare all to see
Such luster still in the strong arms and stalwart hearts
Of souls long lost.

Where all that’s left of mighty ships’ splintered rails
And torn sails sink below and wait to rise
Once more. Once more.

By Deborah J. Brasket, 2022, from the novel This Sea Within

The poem is read by the protagonist of my novel on a plane heading toward a war-torn country in Central America in 1973. On the plane she’s been reading the history of Latin America starting with the conquistadors and the destruction of two major civilizations that had persisted for 3500 years until the Cortez arrived. The history continues with ongoing struggles of so many countries in Central America to become independent nations, and then to break the hold of one brutal dictator after another, each propped up by the United States after the Monroe Doctrine went into effect. The constant civil wars and guerrilla warfare in the region, and her own country’s involvement in that is disheartening, to say the least, to the young, idealistic woman.

But then she reads the poem of one of the most cherished poets from that region which speaks to this very condition of constant strife, and surprisingly, it heartens her.

I don’t know if it will hearten you as well, but I thought I’d offer it here in that spirit.

Romancing Life in Art, Poetry & Music

Tags

art, Jacob Guretvitsch, Joaquin Sorolla, life, Love, Lust for Life, music, Pablo Neruda, poetry, Romance, Spanish guitar, The Potter

The Siesta by Spanish painter Joaquin Sorolla

I’ve been in a romantic mood lately. Both in the sensual and spiritual sense. This lust for life. This sense of wanting to “crack open our ribs and merge with” . . . well, everything.

After writing my valentine for lovers in my last post, I’ve been reading more of Neruda’s love poetry. The one below inspired this post. It too speaks to that sense of being one with what one loves.

I’ve paired it with two other Spanish romantics, Sorolla’s art, and the Spanish guitar music of Jacob Gurevitsch. His song “If Da Vinci Was a Girl” is a favorite, and the accompanying video speaks to that tender regard for the everyday beauty so often overlooked. As does the painting above of the artist’s wife and daughters at siesta. Those lush sensuous lines falling across a cool grassy knoll. Sigh! Makes me want to curl up beside them. Enjoy!

The Potter

Your whole body holds

a goblet or gentle sweetness destined for me.

 

When I let my hand climb,

in each place I find a dove

that was looking for me, as if

my love, they had made you out of clay

for my very own potter’s hands.

 

Your knees, your breasts,

your waist,

are missing in me, like in the hollow

of a thirsting earth

where they relinquished

a form,

and together

we are complete like one single river,

like one single grain of sand.

 

—Pablo Neruda

 

The Enigma of Being Both Watcher and Watched

Tags

Dreamer, Dreams, enigma, life, Metaphysics, Not-Two, poem, quantum physics, reality, Twoness

By Gertrude Friske

Enigma

I am both watcher
and watched.
The woman walking in her garden
and the one watching her walk.
Two halves, back to back.
Both named and namer.
I am the cat in Schrödinger’s box
and the one lifting the lid.

Deborah J. Brasket, 2021

I came across this poem in a notebook I keep and decided to share it.

I’ve always had this sense of twoness. But the more I’ve learned about the nature of reality, the metaphysical as well as the quantum mechanics of it, the more sense it makes. And the more comfortable I’ve become with it, the more comforting it seems. I rather like it now. This sense of spaciousness.

It wasn’t always so. It’s something I struggled with when I was young. A sense that I wasn’t quite normal, or even quite real. I felt like I was loosely “tethered” to reality. I was in it, but also floating a bit above it at the same time.

It was hard to be in the moment, because I was always standing at the side of myself, watching. It was a bit like trying to carry on a telephone conversation when you hear the echo of your own voice at the same time.

I wrote a short story about that experience called “Fine and Shimmering,” which is how the character Sheri experienced the “tether” that kept her somehow connected to earth, to reality. I blogged about the story in “The Lightness of Being, Unbearable or Otherwise.”

Sheri was always tempted “to take that fine and shimmering thread between sharp teeth and snip it clean through. To drift aimlessly, like the merest wisp of cloud, a lingering trace of dawn, upon an otherwise immaculate sky. Awaiting that final dispersal, into the blue.”

My actual experience of the “twoness” I felt growing up was nothing nearly so drastic or literal. And in the end, I never actually “let go” of it. Instead I settled into it more comfortably by embracing the Zen notion of “not-two.” Now it’s the division between subject and object that seems more ephemeral and “not real.” I wrote at the end of my blog post this:

When that wall of “otherness” disappeared, I felt deeply connected to this ephemeral world. I felt a lightness of being that is “unbearable” only in the sense of being too sweet, too rich, too beautiful “to bear.” And so I didn’t try to hold onto it. I just let it wash though me.

I read an article in Scientific American yesterday called “Does Quantum Mechanics Reveal That Life Is But a Dream?” and discussed it with my husband. Then last night I had a dream in which several strange things were taking place and so turned to my husband, who was also in the dream, and said with amusement, “Maybe that article was right and this really is a dream.”

Only I didn’t think I was dreaming at the time. It all seemed quite real. Until I actually woke up, of course. Now it’s kind of like that old conundrum: Am I a man dreaming I was a butterfly, or a butterfly dreaming I’m a man?

I rather like the idea that we could be both. And perhaps we are, or will be, when this wall of otherness finally does fall away. Maybe there is just “not-two.” Maybe the enigma is all there is.

The Radical Humanism in Alice Neel’s Artwork

Tags

alice Neel, art, humanism, humanity, inspiration, life, MET, museums, People Come First, visual art

I knew nothing of Alice Neel or her artwork until I came across a retrospective of her at the MET in my newsfeed. It’s not the kind of art I’m usually drawn to and yet it struck me full in the face. I could not look away. It was those faces looking back at me, steely-eyed, or curious, defiant, indifferent—each face imposing in its own way. Each strong and vulnerable at the same time. All their frailties exposed as well as the undeniable beauty of their imperfections. And even more so, what impresses is the precise and utter uniqueness of their individual humanity.

“For me, people come first. I have tried to assert the dignity and eternal importance of the human being.’’

So writes Alice Neel of her artwork, and that’s what I saw there—the dignity and the eternal importance–of each person in those portraits. That’s what she revealed.

Raw, caustic, gritty. All the nicety, sentimentality, and usual clichés stripped away. Leaving the viewer, this one at least, feeling raw, exposed, vulnerable herself. Stripped down to that one commonality that unites us—-our fatal flaws and the dignity by which we bear them. We see this in all her paintings.

We see it in the careless and somber curiosity of the two restless girls gazing at the artist intent upon capturing their likeness. How can you look away from those eyes? Or the ones in the next portrait.

This distended body of the pregnant woman whose “deer-in-the-headlights” face reveals all the expectant wonder and uncertainty of what lies before her.

The close-eyed submission on the face of the proud artist Andy Warhol as he allows the indignities of an abused body to be revealed.

The dark brevity of a young Vietnam draftee who expresses the resignation and uncertainty of a future that is left sketched so lightly before him.

The weary warmth and love of the breast-feeding mother, and the helplessness and hunger of the child who so desperately depends upon her.

The somber “back at ya” gaze of the nude man in all his hairy splendor, completely vulnerable to the female gaze in a role reversal.

Then there’s the last self-portrait of Neel herself toward the end of her long career, gazing away into the distance with a kind of calm resignation or disregard, while the bulk of the portrait is filled with the lines and planes of a full, well-used, aging body. What we leave behind. What was dear to us and others. What will be no more.

But for now here she is, her body open and on display in all its imperfect glory. She dares us to look away from our own mortality. But also invites us to see the “dignity and eternal importance” of each and every one of us.

Multiple Layers of Reality in Film, and in Us

Tags

art, Consciousness, creativity, Fanny and Alexander, Film, imagination, Ingmar Bergman, layers of reality, life, Movies, multiplicity, reality

In several of his films, Ingmar Bergman plays with the notion of multiple layers of reality. This can be seen as early as The Seventh Seal, and continues with Autumn Sonata, and Wild Strawberries, culminating in what was intended to be his final film, Franny and Alexander.

In some ways, Franny and Alexander is a tour de force. It speaks to us on so many levels. It can be seen, in part, as a family saga, a farce, a fairy tale, a theatrical play, a Gothic Romance, and a supernatural horror story. It is, in fact, all these things at once.

Yet each differing perspective can be seen as a different layer of reality, a different way of looking at the same material. Each appears as a separate backdrop against which the film can be seen, which, when lifted, offers a new view, a new level of perception, a new “reality.”

We can see this in the opening sequence. The first shot reveals a close-up of what appears to be an ornate building. As the camera moves down the building, we see a row of footlights and what now appears to be a stage. A series of painted backdrops are lifted to reveal new scenes. But it is only when the last backdrop is raised that we see a child’s face, huge, behind the scenes. This is when we realize that the stage is but a child’s theater and the row of footlights are candles. The camera seems to be inviting the viewer to see through these multiple layers of “reality,” perceptions of the real, to the final revelation, the child, or rather, the child’s imagination, as revealed through his dreamy gaze.

The film continues to pull back layer after layer of curtains to reveal the tenuous and shifting nature of reality.

In the final scene, the grandmother is reading from Strindburg’s “A Dream Play.” She reads: “Anything will occur. Anything is possible and likely. Time and space do not exist. On the tenuous ground of reality, imagination reaches out and weaves a new pattern.”

Reality is seen to be not singular, but as consisting of ever-deepening layers of reality, one on top of the other, in a richly dense and complex multiplicity.

I was reminded of this film when listening to one of Alan Watt’s talks that I wrote about in another post. And I wonder if the reason Bergman’s films resonate with so many people is that we sense a truth here. We see this perspective not only in film and art, about the mystery of things, these shifting perspectives and “layers of reality,” but we see it in science, how beneath these seemingly solid bodies lies unseen, shifting worlds that swirl and collide and contradict each other.

I question often what is real and not-real, and wonder if it’s more complex than that. Perhaps it’s not a case of what’s real or not, of one or the other, but shifting perceptions of what’s real, some dark, some light, that weave together a reality that is deeper and more complex than our superficial lives allow us to see.

POSTSCRIPT: In searching for photos for this post, I happened upon Roger Ebert’s review of the film, which also, surprisingly (or maybe not so), refers to the film as having “shifted into a different kind of reality.” I’ve added an excerpt of his review here:

“There are fairy-tale elements here, but “Fanny and Alexander” is above all the story of what Alexander understands is really happening. If magic is real, if ghosts can walk, so be it. Bergman has often allowed the supernatural into his films. In another sense, the events in “Fanny and Alexander” may be seen through the prism of the children’s memories, so that half-understood and half-forgotten events have been reconstructed into a new fable that explains their lives.

What’s certain is that Bergman somehow glides beyond the mere telling of his story into a kind of hypnotic series of events that have the clarity and fascination of dreams. Rarely have I felt so strongly during a movie that my mind had been shifted into a different kind of reality. The scenes at night in the Jacobi house are as intriguing and mysterious as any I have seen, quiet and dreamy, and then disturbing when the mad Ismael calmly and sweetly shows Alexander how everything will be resolved.”

What do you think? Have you seen any of Bergman’s films? Do you think there’s more to us, or reality, than what we experience in the everyday?

I first posted this, in slightly different form, in 2014.

You Don’t Have to Love Them, Just Love

Tags

compassion, delusions, drama, Fear, hate, humanity, life, Love, Metta Prayer, partisan politics, suffering, unconditional love

A man lamented to an Elder in his Church that try as he might, he could not love his hyper-critical, unloving mother. The Elder told him, “My son, you don’t have to love her, you just have to love.”

That was a freeing thought to me years ago when I was having the same problem with a difficult-to-love mother. I knew I loved her, in the sense I cared about her happiness and well-being. But I was plagued by floods of unloving thoughts about her. Me being, probably, as hyper-critical of her as I believed she was of me, and just about everyone she met.

The Elder’s advise seemed to lift a heavy burden from my shoulders. I didn’t have to love the hyper-critical person, but I could be loving in my words and actions toward her, and gentle with myself for my shortcomings as well. I could love her humanity, her challenges, her struggles, and be compassionate toward her inability to be what I wanted, as well as compassionate toward my own inability to live up to my highest aspirations.

But how do we do that in these hyper-partisan times where so many people and political leaders acting out in ways that are hateful and violent and dangerously unreasonable? With the rise of tyranny and fear-mongering; the assault on truth, plain hard facts and overwhelming evidence? One worries about the fate of our nation and democracy itself, not to mention the fate of the world, plagued by firestorms, hurricanes, floods, with so little effort directed at making the changes needed to halt or even slow this global meltdown.

The world we love is being threatened by those we have come to hate. What is a loving-minded person supposed to do with all these intense, negative feelings and fears?

The answer is: You don’t have to love them. You just have to love.

But what do I “just love,” if not them? How can they be excluded if we’re “just loving” without a particular object to love?

Then I realized something, and it was like a hard, obstinate, ugly dam had been broken and the love I’d been withholding and resisting broke loose. The anger and resentment I’d been nurturing and justifying, and the fear that had been terrorizing me, were swept away.

The thing I realized is that genuine Love—the unconditional, not the personal kind —isn’t an add-on, something we choose or chose not to have. Genuine Love, the big kind with the big L, is the ground of being upon which all of us rest, that supports and sustains us all, the loving and unloving, the good and bad, the tyrant and saint.

We’re all delusional in one way or another. All living our lives on limited information and understanding about the world around us and each other, about what’s right and what’s wrong, about who we are, where we came from, and what our purpose is. Whether we like it or not, we’re going to rub up against each other and each other’s delusions, no matter what we do or how we chose to live. We can’t get out of it. We’re stuck with each other. And while things may get better for us personally, at the same time they are getting worse for others. And new challenges are on the way.

That’s where the compassion of genuine Love flows, from the realization that the one we are prone to hate or fear for their hateful deeds is just delusional, a rube to his own delusions, as we are to ours. Our sympathy, our love, extends to all of us, because we are all suffering, even while not condoning the acts that cause our suffering, and doing what we can to relieve it.

We can “just love” the whole human drama as it has rolled out over the centuries and through our own few days of existence, knowing that it will continue to roll on without us, perhaps forever in the way delusions always seem so real while they last.

But beneath all the drama that is heaving us about like storms at sea, is this deep sympathy, this oceanic peaceful presence of unconditional Love that supports and sustains us all even in the midst of all the turmoil we are experiencing.

Within that maelstrom, we each, like tiny bubbles thrown up and tossed about, clashing with each other, opposing or uniting, go about the business of being separate and apart until the delusion of our bubble of existence dissolves and we know each other as we always have been and always will be, an essential part of the underlying, unifying whole. Part of that tender, exuberant, endlessly creative flow of Love.

To sum it up: Don’t love “them,” just love “Us.”

This Metta (Lovingkindness) Prayer, which can be adapted by anyone to fit any circumstance, helps to bring that loving aspiration into focus:

In gladness and in safety, may all beings be at ease.
Whether they are weak or strong, great or humble, wealthy or needy, omitting none,
The wise or foolish, friend or foe, neighbor or stranger,
Those who have wronged us and those we have wronged,
Those who love us and those who do not,

May all beings be at ease!

May all beings have happiness and cause of happiness.
May all beings remain free from suffering and the cause of suffering.
May all beings remain unseparated from the sacred joy and that is free from sorrow,
May all beings rest in the boundless and all-inclusive equanimity that supports and sustains us all.

In Defense of Joy

Tags

beauty, delight, inspiration, Jack Gilbert, Joy, life, Philosophy, poetry, spirituality, Zen

We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.

Jack Gilbert, from “A Brief for the Defense“

The title of this poem is so interesting. How sometimes we feel we must defend our pleasures, our moments of delight, in the face of so much suffering in the world.

Finding the balance between wanting to save the world (as if I could) and wanting to lay all that aside and just savor it while I can, has been a lasting theme in my life.

More and more I’m tending toward the latter.

My favorite treatise on the subject is the tale of the Zen monk being chased over a cliff by a tiger. He grabs hold of a vine to keep from falling, while a hungry alligator snaps at his heels in the river below. Just then, he spies a juicy red strawberry hanging nearby. He reaches out with one hand to pop it into his mouth.

“Oh, so delicious!” he sighs.

As do I.

A New Tenderness Toward This Body

Tags

age, art, beginnings, body, death, endings, life, Louise Gluck, Love, poetry, prose poem, tenderness, writing

Francisco Zúñiga (1912-1998)

Crossroads

by Louise Glück

My body, now that we will not be traveling together much longer
I begin to feel a new tenderness toward you, very raw and unfamiliar,
like what I remember of love when I was young —

love that was so often foolish in its objectives
but never in its choices, its intensities
Too much demanded in advance, too much that could not be promised —

My soul has been so fearful, so violent;
forgive its brutality.
As though it were that soul, my hand moves over you cautiously,

not wishing to give offense
but eager, finally, to achieve expression as substance: it is not the earth I will miss,
it is you I will miss.

A New Beginning for Our Ending

I too feel a new tenderness toward this body that holds me so tenderly in return, within its soft, wide confines. That moves me and moves with me wherever I go. That holds within all that I am, memories and emotions that ebb and flow, that mere touch, taste, scent, releases. And even now, after all this time together, when a foot or knee fails, when bones creak and muscles sigh, and the weight of you seems too much to bear, still, still, you gather me in your arms. You hold me near, breathe me in, lift me up, and lay me down. You try so hard to be what I need, to do what needs doing. Too often I have railed against you, dismissed you, disowned you. Let me see you now as friend, as lover, as mother. As dear to me as sky and earth and tree and sea. Let me cherish you as you have cherished me, and when the end comes, let us rest and rise together.

Joy Amid the Turmoil: A 2020 Recap

Tags

2020, Blogging, Covid-19, life, new year, Politics

The year 2020 may have been the most turbulent year any of us have ever known. Blogging in such a year was challenge enough. Trying to recapture that whirlwind may be beyond any of us.

But I will try. And at least it ends on a note of joy.

Looking back at my first blog post of 2020, I wrote about how challenging 2019 had been. My wish list for 2020 was the same as my 2019 list, as one year had not been enough long to bring the happy endings that I had hoped for. My wish list for 2021 would be a repeat of the last two years, except I’ve put wish lists on hold for the time being. Things are too uncertain, and the turbulent times are still with us.

For me, the turmoil of 2020 did not begin with Covid, but blew in on the tailcoat of 2019 as I wrote about in From the Tailwinds of 2019, Hope Lost & Its Glimmer.” My February post “I’m Praying for You to Die” detailed more of the trauma. But Covid only compounded the turmoil, as noted in March’s post Homeschooling Again & Who’s the Boss.

In April I wrote about The Joy and Grief and Everything in Between that came with Covid, the mixed feelings and emotional turmoil so many were feeling as we tried to survive the initial lockdowns and isolation. We did not realize then how long all this would be going on, the horrendous death toll it would bring, or the economic disaster.

In May I wrote about Poetry in the Time of Corona. It must have resonated with a lot of readers as I saw it move into my :Top Ten Posts” list and rise to number 4.

In June during all the racial strife, the police brutality and protests, I began a series of posts about my “Brushes with Blackness,” how Black lives and Black culture colored my whiteness, and helped shape my sense of justice, fair play, and compassion for others.

In August I wrote the unsettling and surreal world in which we all were living in Still Waiting to Land . . . . I wrote: “Clearly we live in interesting times. A curse? Possibly. A cleansing? Hopefully. No wonder we feel as if the rug has been pulled out from under our feet. And we haven’t quite landed yet.” I still feel that way.

I followed that with Wildfires Everywhere, Politically and Literally about watching wildfires gobble up California and cast an eerie and ominous red glow over the land, even while the Democratic National Convention was providing a glimmer of hope midst all the devastation.

In September I wrote Grieving for America, and Getting Past It, and then my favorite, just after the election, Truth and Love Wins, and I Can Breathe Again.

Unfortunately the political turmoil did not end with Biden’s victory as hoped, and perhaps even has gotten worse, which seems unimaginable. Yet, for me personally, 2020 has still ended on one ecstatic note.

At the beginning of this year I wrote: “The one gift 2019 gave me (which is huge and fills my heart!) is hope for my granddaughter when she came to live with me. Hope that she will remain in my care, happy and safe, healthy and strong, responsibly cared for and dearly cherished as she grows into a young woman.”

That gift kept growing in 2020. Everything I had hoped and planned for concerning my granddaughter’s welfare came true, as I wrote about in My Arms Are Empty, but My Heart is Full. She is happy and well and living the life of her dreams with her aunt and uncle: surfing, hiking, biking, movie nights snuggling on the couch, reading the Harry Potter series together before bed, laughing with her new best friends at school, and telling me all about her fun-filled days on our weekly video-chats. She was asked recently what the best thing about 2020 was. She answered, “Moving here. Else I wouldn’t have this life I love.”

So for all the turmoil of 2020, and whatever upheaval 2021 might bring, I can comfort myself with that huge gift of joy.

David Whyte, Putting Down the Weight of Aloneness

Tags

aloneness, Creative Nonfiction, David Whyte, Everything is Waiting for You, inspiration, life, poetry

Henri Matisse

I’ve long been a fan of David Whyte’s poetry and this one is no exception. It seems it may have been written especially for these times, when so many of us find ourselves cocooned in our homes, feeling alone, cut off from everything.

And yet, even here, all alone, he writes, is this “swelling presence” of the everyday and ordinary, this “chorus” of the mundane that surrounds us. This “conversation” with kettles and cooking pots, doors and stairs is a grand symphony that accompanies our solo voice. Yet these intimate and animate objects, like a constant companion that comforts and supports, just waiting for our interplay, go almost unnoticed.

My elbow leans lazily on my desk and my hand cradles the mouse as I stop to stare at this brilliant invention before me. Then I lean back in my chair and continue typing thoughts into cyberspace. The wall clock behind me waits patiently for my wayward glance, ticking out the seconds so it can tell me the exact time when I need to know.

Yes, everything, everything is just waiting for me. Somehow these objects and I are woven together, seamlessly creating this life we share. We are never alone if only we would look and see.

Everything is Waiting For you

by David Whyte

Your great mistake is to act the drama
as if you were alone. As if life
were a progressive and cunning crime
with no witness to the tiny hidden
transgressions. To feel abandoned is to deny
the intimacy of your surroundings. Surely,
even you, at times, have felt the grand array;
the swelling presence, and the chorus, crowding
out your solo voice. You must note
the way the soap dish enables you,
or the window latch grants you freedom.
Alertness is the hidden discipline of familiarity.
The stairs are your mentor of things
to come, the doors have always been there
to frighten you and invite you,
and the tiny speaker in the phone
is your dream-ladder to divinity.

Put down the weight of your aloneness and ease into the
conversation. The kettle is singing
even as it pours you a drink, the cooking pots
have left their arrogant aloofness and
seen the good in you at last. All the birds
and creatures of the world are unutterably
themselves. Everything is waiting for you.

Links to more poetry by Whyte

Something in this Sleeping Earth

Opened at Last

Melt into that Fierce Heat of Living