Finding Our Place in the Family of Things

Tags

Despair, inspiration, Mary Oliver, Nature, poem, poetry, Solace, Wild Geese

I often turn to the poetry of Mary Oliver when seeking solace, when trying to negotiate a path through the cares and sorrows of this world and its grace and beauty.

“Tell me about despair, yours, and I will tell you mine,” she says, simply.

As if she and me and despair are old friends. As if despair, with all its sharp, broken edges is as common as grass, as remarkable as wild geese shrieking across the sky. Just another thing among the many that make up a life.

Not to be avoided. And not to let drown out the other voices that call to us, or whisper up from deep within.

Here’s one of my favorites.

Wild Geese by Mary Oliver

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things

Letters From Beyond the Grave on Memorial Day

Tags

David Whyte, death, inspiration, Memorial Day, poems, poetry, renewal, Rilke, spirituality

While neither of these poems have anything in particular to do with remembering those who have given their lives to defend our freedoms, they are reminders that death is not an ending but another beginning. So my heartfelt prayer for them is that they fell into the arms of that great Mothering and are being nurtured and renewed there.

Farewell Letter to My Son

She wrote me a letter
after her death
and I remember
a kind of happy light
falling on the envelope
as I sat by the rose tree
on her old bench
at the back door,
so surprised by its arrival
wondering what she would say,
looking up before I could open it
and laughing to myself
in silent expectation.

Dear son, it is time
for me to leave you.
I am afraid that the words
you are used to hearing
are no longer mine to give,
they are gone and mingled
back in the world
where it is no longer
in my power
to be their first
original author
not their last loving bearer.
You can hear
motherly
words of affection now
only from your own mouth
and only
when you speak them
to those
who stand
motherless
before you.

As for me I must forsake
adulthood
and be bound gladly
to a new childhood.
You must understand
this apprenticeship
demands of me
an elemental innocence
from everything
I ever held in my hands.
I know your generous soul
is well able to let me go
you will in the end
be happy to know
my God was true
and I find myself
after loving you all so long,
in the wide,
infinite mercy
of being mothered myself.

P.S. All your intuitions are true.

By David Whyte

To Leave One’s Own Name Behind

Of course, it is strange to inhabit the earth no longer,
to give up customs one barely had time to learn,
not to see roses and other promising Things
in terms of a human future; no longer to be
what one was in infinitely anxious hands; to leave
even one’s own first name behind, forgetting it
as easily as a child abandons a broken toy.
Strange to no longer desire one’s desires. Strange
to see meanings that clung together once, floating away
in every direction. And being dead is hard work
and full of retrieval before one can gradually feel
a trace of eternity. – Though the living are wrong to believe
in the too-sharp distinctions which they themselves have created.
Angels (they say) don’t know whether it is the living
they are moving among, or the dead. The eternal torrent
whirls all ages along in it, through both realms
forever, and their voices are drowned out in its thunderous roar

By Rainer Maria Rilke
from Duino Elegies, The first Elegy
translation by Stephen Mitchell

I found both of these poems and the photo by Edward Steichen on Beauty We Love, a wonderful source of inspiration I turn to often.

Astonished, Opened at Last

Tags

art, David Whyte, inspiration, life, poetry, spirituality

Photo by Beth Sargent

Fallen in Love

by David Whyte

That day I saw beneath dark clouds
the passing light over the water
and I heard the voice of the world speak out,
I knew then, as I had before
life is no passing memory of what has been
nor the remaining pages in a great book
waiting to be read.

It is the opening of eyes long closed.
It is the vision of far off things
seen for the silence they hold.
It is the heart after years
of secret conversing
speaking out loud in the clear air.

It is Moses in the desert
fallen to his knees before the lit bush.
It is the man throwing away his shoes
as if to enter heaven
and finding himself astonished,
opened at last,
fallen in love with solid ground.

Poem & Paintings, A Song

Tags

art, inspiration, John Muir, Nature, Paintings, poetry

Edvard Munch

The sun does not shine on us
but in us.

The rivers flow not past,
but through us,
thrilling, tingling,
vibrating every fiber and cell
of the substance of our bodies,
making them glide and sing.

Wassily Kandinsky

The trees wave

Gertrude Fiske

and the flowers bloom
in our bodies as well as our souls,

Joaquin Sorolla

and every bird song,
wind song,

Edward Robert Hughes

and tremendous storm song

Edward Dulac

of the rocks in the heart of
the mountains

JMW Turner

is our song,
our very own,

Joaquin Sorolla

and sings our love.
–John Muir

Mary Oliver, Washed in Light

Tags

death, inspiration, Mary Oliver, Nature Poetry, poet, poetry

Georgia O’Keeffe

One of my favorite poets, Mary Oliver, died last week. I do not have the words to tell you how much her words meant to me, and so many lovely eulogies have been written already, I won’t try.

But the best eulogies were written in her own hand, or so it seems to me.

She did not shy from death. She studied it, stalked it, even taunted it at times. But mostly she used it as a spur to live more deeply in the moment, to become “a bride married to amazement,” a “bridegroom, taking the world” into her arms.

And finally she let it swoop down to wrap its white wings around her and carry her away to that river of light where she is “washed and washed.”

She lived her “one wild and precious life” with exquisite purpose, and I am certain beyond words her journey will not end.

The Summer Day

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

Poppies

The poppies send up their
orange flares; swaying
in the wind, their congregations
are a levitation

of bright dust, of thin
and lacy leaves.
There isn’t a place
in this world that doesn’t

sooner or later drown
in the indigos of darkness,
but now, for a while,
the roughage

shines like a miracle
as it floats above everything
with its yellow hair.
Of course nothing stops the cold,

black, curved blade
from hooking forward—
of course
loss is the great lesson.

But I also say this: that light
is an invitation
to happiness,
and that happiness,

when it’s done right,
is a kind of holiness,
palpable and redemptive.
Inside the bright fields,

touched by their rough and spongy gold,
I am washed and washed
in the river
of earthly delight—

and what are you going to do—
what can you do
about it—
deep, blue night?

When Death Comes

When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps the purse shut;
when death comes
like the measle-pox;

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth,
tending, as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it’s over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.

I don’t want to end up simply having visited this world.

White Owl Flies Into and Out of the Field

Coming down
out of the freezing sky
with its depths of light,
like an angel,
or a Buddha with wings,
it was beautiful,
and accurate,
striking the snow and whatever was there
with a force that left the imprint
of the tips of its wings—
five feet apart—
and the grabbing
thrust of its feet,
and the indentation of what had been running
through the white valleys of the snow—

and then it rose, gracefully,
and flew back to the frozen marshes
to lurk there,
like a little lighthouse,
in the blue shadows—
so I thought:
maybe death
isn’t darkness, after all,
but so much light
wrapping itself around us—
as soft as feathers—
that we are instantly weary
of looking, and looking,and shut our eyes,
not without amazement,
and let ourselves be carried,
as through the translucence of mica,
to the river
that is without the least dapple or shadow,
that is nothing but light—scalding, aortal light—
in which we are washed and washed
out of our bones.

 

 

Pied Beauty, Poem & Paintings

Tags

art, artists, beauty, Gerard Manley Hopkins, inspiration, music, Nature, Paintings, Pied Beauty, poetry

Wassily Kandinsky, Waterfall II

Pied Beauty
by Gerard Manley Hopkins

Glory be to God for dappled things –
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced – fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.

What is it about “dappled” things that so dazzles us?

I ran across this poem, a favorite of mine, not long ago, and was reminded once again of how much nature inspires and excites us. Painters as well as poets have been praising that pied beauty through their artwork down the ages.

A few of my favorite paintings praising dappled things follows.

Vincent Van Gogh

John Singer Sargeant

John Singer Sargeant

John Singer Sargeant

John Singer Sargeant

Gertrude Fiske

Anne Redpath

Rick Stevens, Immersed

Gustav Klimt

New Paintings, the Folding Hills of California

Tags

art, California, inspiration, Nature, oil pastel, painting, watercolor

I’ve long loved the way the rolling hills along the coast of California fold together and overlap, the sensuality of that “hot rise and cool dip.”  I’ve tried to capture a bit of that fascination in some of my poetry: Hot Hills in Summer Heat, and Playing with Light, loving the way the light falls upon those folds so that “the hills unwind, one at a time, to dance before us all.”

Lately I’ve been trying to capture some of that in a few paintings, some inspired by the work of other artists and some from my own photographs. I’m not wholly satisfied with any of them, but something of what I’m trying to capture comes through.

This first is watercolor and oil pastel, and even a brush of soft chalk pastel in the sea and highlighting the closest hill. This was inspired by a Dale Laitinen painting of the coastline along Highway 1 near our home called.

The one above and below were inspired by a local and much-loved artist Erin Hanson who works mostly in oil. My painting above is again oil pastel and watercolor on Arches cold press paper, which has much more texture than the smoother hot press Fabriano paper used in the other oil pastel paintings in this post.

This one was also inspired by Hanson which I painted some time ago in acrylic. I’ve only created three works in acrylic so far, but for some reason I feel intimidated by it. I’m not sure why.  The three I painted out came out well enough. Of course, none of these inspired by other artists come even close to the quality of the original works. But I learn so much each time I try.

This one and the one below are from my own photographs taken of the hillsides on my walks around our neighborhood. They come closer to those “folding hills” I wrote about earlier, “the hot rise and cool dip” in my poems. Both are oil pastel and watercolor on hot press paper.

In this last one I wanted to see what the hills would look like stripped down and closer. I’m not sure which version I like best. The mattings help a lot to set off the works. Someday I will learn to photograph my paintings better. That might help too (smile.)

Thank you for bearing with me as I try to learn this craft and share my efforts. It’s a fascinating pastime.

[Note: I created this post before the latest round of fires set these hills ablaze north and south of where we live. My heart goes out to all who have lost their lives and homes, and seen their communities destroyed, including the wildlife that inhabits these hills and forests.]

 

 

“Something in This Sleeping Earth” – Two by Whyte, One by Fiske

Tags

art, Blogging, David Whyte, Earth, Gertrude Fiske, inspiration, Nature, poem, poetry, spirituality

Gertrude Fiske, American Impressionist

All My Body Calls

All my body calls
for something in this sleeping
earth
we call the spirit.

But how
from lifted arms
where stars run through fingers
and the night is like sand
do I breathe a fragrance of its wisdom
do I call its name
or listen to the drops
that trickle down to earth
and hear
life being given
not only through the moving hands of the forest
but through the hand that reaches in
the dark unmoving regions of the chest
and uncovers slowly
the enormous
indistinct
shape of the ocean.

by David Whyte

Fallen in Love

That day I saw beneath dark clouds
the passing light over the water
and I heard the voice of the world speak out,
I knew then, as I had before
life is no passing memory of what has been
nor the remaining pages in a great book
waiting to be read.

It is the opening of eyes long closed.
It is the vision of far off things
seen for the silence they hold.
It is the heart after years
of secret conversing
speaking out loud in the clear air.

It is Moses in the desert
fallen to his knees before the lit bush.
It is the man throwing away his shoes
as if to enter heaven
and finding himself astonished,
opened at last,
fallen in love with solid ground.

by David Whyte

What struck me in the poems and the painting is that “something in this sleeping earth” that we are only half-awake to, what Whyte calls “spirit.” I see that spirit clearly in the painting by Friske, the two women immersed in the forest, in that yellow-green light, in those parting branches, those “moving hands.”

And in the second poem, that sense that there’s nothing to wait for, it’s all out here in the open, “speaking out loud in the clear air,”  as solid and humble and astonishing as the ground beneath our bare feet.

In another poem, Whyte writes:

Inside everyone
is a great shout of joy
waiting to be born.

What are we waiting for? Especially in these trying times.

All times are trying. All lives are trying. We have to grasp, right here, right now, despite all that, what’s waiting half-hidden all around us this very moment.

Many thanks to The Beauty We Love where I found these poems, and to The Uncarved Blog who shared two wondrous poems by Stephen Levine and pointed me toward this site. It’s one of the things I love about blogging, finding these hidden treasures that speak so eloquently to things I feel and cannot say. 

“Love After Love.” A Poem. A Feast.

Tags

Derek Walcott, inspiration, life, literature, Love, poetry

Gertrude Fiske (1868 – 1961) American Impressionist

Love After Love

by Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

Many thanks to Ken Chawkin and the bread crumbs he left that led me to this poem on his blog Uncarved Block.

Reading it moved me deeply. One wonders if the whole purpose of our life journey is to lead us to that place where we see ourselves, finally, “face to face,” and greet ourselves with love and elation in this ultimate homecoming.

Ken describes his own tender home-coming on his website and provides many interesting links about Walcott, the Nobel Prize winning poet and artist.

In the video below you can listen to Walcott reading his poem from his island home on St. Lucia. You don’t want to miss this.

“To Be Replaced by Love” – George Saunders’ Wish for Graduates

Tags

Advice, George Saunders, Graduation Speech, Hayden Carruth, inspiration, Love, poetry

With graduation season upon us, I thought I’d re-share the most inspiring graduation speech I ever read. One by the acclaimed writer George Saunders that went viral five years ago. Below is a slightly altered version of my original as well as the poem by Hayden Carruth that inspired his speech.

It’s not often you get major writers speaking of such mundane and seemingly trite things as “regrets” and “kindness” to students graduating from ivy-league schools. But that’s what Saunders spoke about at Syracuse University five years ago..

You can read the whole speech HERE.

Saunders starts out with this amazing statement:

What I regret most in my life are failures of kindness.

Those moments when another human being was there, in front of me, suffering, and I responded…sensibly. Reservedly. Mildly.

Then he lists sensible ways to learn how to be kind:

Education is good; immersing ourselves in a work of art: good; prayer is good; meditation’s good; a frank talk with a dear friend; establishing ourselves in some kind of spiritual tradition – recognizing that there have been countless really smart people before us who have asked these same questions and left behind answers for us.

Because kindness, it turns out, is hard – it starts out all rainbows and puppy dogs, and expands to include…well, everything.

But not to worry, he says, because kindness, hard as it is, becomes easier as we grow older. As life kicks us around a bit we learn to become more kind, because we realize how much we need it, and depend upon it, and want it for our loved ones.

Most people, as they age, become less selfish and more loving. I think this is true. The great Syracuse poet, Hayden Carruth, said, in a poem written near the end of his life, that he was “mostly Love, now.”

And so, a prediction, and my heartfelt wish for you: as you get older, your self will diminish and you will grow in love. YOU will gradually be replaced by LOVE.

Wow. To be replaced by love. I can’t think of a more worthwhile goal to strive toward for anyone starting off in life. Or winding down, for that matter.

Here is Carruth’s poem.

Testament

by Hayden Carruth

So often it has been displayed to us, the hourglass
with its grains of sand drifting down,
not as an object in our world
but as a sign, a symbol, our lives
drifting down grain by grain,
sifting away — I’m sure everyone must
see this emblem somewhere in the mind.
Yet not only our lives drift down. The stuff
of ego with which we began, the mass
in the upper chamber, filters away
as love accumulates below. Now
I am almost entirely love. I have been
to the banker, the broker, those strange
people, to talk about unit trusts,
annuities, CDs, IRAs, trying
to leave you whatever I can after
I die. I’ve made my will, written
you a long letter of instructions.
I think about this continually.
What will you do? How
will you live? You can’t go back
to cocktail waitressing in the casino.
And your poetry? It will bring you
at best a pittance in our civilization,
a widow’s mite, as mine has
for forty-five years. Which is why
I leave you so little. Brokers?
Unit trusts? I’m no financier doing
the world’s great business. And the sands
in the upper glass grow few. Can I leave
you the vale of ten thousand trilliums
where we buried our good cat Pokey
across the lane to the quarry?
Maybe the tulips I planted under
the lilac tree? Or our red-bellied
woodpeckers who have given us so
much pleasure, and the rabbits
and the deer? And kisses? And
love-makings? All our embracings?
I know millions of these will be still
unspent when the last grain of sand
falls with its whisper, its inconsequence,
on the mountain of my love below