True Tales Growing Up in a Haunted House

Tags

Ghost Stories, Halloween, Halloween reads, Haunted House, Hauntings, memoir, nonfiction, Supernatural, writing

Have you ever had any ghostly encounters?

Each year around this time, I like to reblog a series of tales about my encounters with the ghostly and unexplained, starting when I was a child, and later full grown with children of my own. The first is printed below with links to the others.

While ”intellectually” I don’t believe in ghosts, demons, and the like, I have experienced such. And I cannot deny that the phenomena which I and others–indeed, all known cultures and societies–have laid claim to, are “real.” The reality they seem to have is unexplained, often unverifiable, and usually fleeting and ephemeral. And yet they persist in haunting humanity.

I can neither explain, verify, nor dismiss the reality of the experiences that I relate here. I can only state that these things occurred as I remember them, or as others I trust related them to me. And most were witnessed by more than one person

Happy Halloween!

Our House on a Haunted Hill

When I was a kid “House on Haunted Hill” was my favorite spooky movie. I first saw it a few years after my own family had escaped, just barely, from a haunted house experience. While living there I was not aware of all the horrors that house contained, and only learned the full account when my mother felt I was old enough to learn the truth.

I was eight years old when my parents rented a home set on a hillside in an older, respectable neighborhood in Omaha, Nebraska. The attic had been converted into two rooms, a tiny room overlooking the back yard and garage; and a huge room overlooking the front yard. This larger room had been recently renovated and then abruptly abandoned, it appeared. The high pitched ceiling and walls were covered in a richly varnished, knotty pine paneling. Finely crafted drawers and book cases had been built beneath the eaves. But the floor, made of rough, unvarnished planks of wood, had been left unfinished. And a large reddish-brown stain that looked like a puddle of blood had soaked into the wood.

This was my bedroom and I loved it. Being an avid fan of Nancy Drew mysteries, the giant blood stain only added to the allure of the room–that and the trap door on the floor of the walk-in closet. While the door had been nailed shut, I could still probe the cracks with a ruler, detecting steps that led downward—to where, no one knew. My discovery sent chills of delight down my back.

In fact, I was thrilled to have the whole second story all to myself. Even though the second smaller room could have easily accommodated my little brother, my mother made him sleep down below in the tiny room at the bottom of the stairs. She claimed the small room upstairs was “too cold” and used it as a storage room instead. She filled it with unpacked boxes and unused furniture, forbidding me to play there—which, of course, made the room seem even more desirable.

I remember entering the room often to play by myself and looking out the dusty window toward the mysterious barn-like structure that faced the alley. The structure, which could easily have accommodated several cars, sat empty nearly the whole time we lived there, and my brother and I were forbidden to play here as well. It too was considered “too cold” for human habitation. The one time I did enter, my eyes were drawn upward to the high rafters where, through the rotting roof, splinters of light filled with ghostly dust motes fell to the floor. I did not enter again. When some teenage boys wanted to use the garage to rebuild a car, they moved out after a couple of nights, never to return—even though they had paid rent for a full month.

I thought it strange when my mother kept wanting to move me out of my lovely upstairs “apartment” to a room below and I refused to be moved. She kept asking if I was afraid up there all by myself, but I insisted I wasn’t. This was true. I knew what needed to be done to stay safe, although I never shared this with my mother. It was a ritual that I religiously followed. Every night after my mother heard my prayers and tucked me into bed, I would pull the covers tight over my head and stay there until I fell asleep. I knew somehow that no harm would come to me if I followed this ritual. And no harm ever did come to me.

I might well have been very afraid if I had heard what my parents heard at night as they slept in the room below mine.

Often my mother was woken by the sound of heavy, dragging footsteps lumbering across room over her bed, and she would wake my father and make him go upstairs to investigate. At first he did so wearily, thinking she was imagining it. But once he woke early enough to hear it himself and went dashing up the stairs—but nothing was there and I was sound asleep in my bed.

We moved shortly thereafter. That’s when the neighbors told us about the horrible tragedy that had taken place in the house before we moved in. They hadn’t wanted to tell us earlier and scare us away. Apparently the previous owner of the house had murdered his wife in my bedroom and then hung himself afterwards from the rafters in the garage.

If some other tragic event took place in the small room next to mine upstairs—the coldest room in the house–we never learned. Whatever haunted that room did more than drag its feet across the floor or blow cold air down our spines. During our final days in that home, my mother, to her terror, found this out–with no one but my three-year-old brother at home to save her.

More about this in my next post.

You can read the full series of true ghost stories at the links below which were first posted in 2013

• True Ghost Stories, Part II – Attack of the Poltergeist
• True Ghost Stories, Part III – When the Dead Refuse to Leave
• True Ghost Stories, Part IV – Resident Evil: In the Belly of the Beast
• True Ghost Stories, Part V – A Demon on My Chest
• True Ghost Stories, Part VI – Evil Incarnate
• True Ghost stories, Part VII – Do I Believe This Stuff?

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The Rich and Sensual World of Scent

Tags

beauty, Creative Nonfiction, culture, Deborah J. Brasket, Fragrance, inspiration, obsession, Perfume, personal, sensuality, the senses

Lately I’ve become obsessed by scent.  Perfume, to be more precise.  I seldom wear it, which is why this obsession is so strange.

It all started with the quest to find the perfect perfume for my daughter’s bridal shower.  I wanted something intimate and earthy, something that would literally become her.  A signature scent that would be all her own. It had to be perfect, like her–warm and rich and exciting, and deeply satisfying.  Something that made you want more.  That you would never forget and never forget wanting.

And in this quest I tumbled down a rabbit hole into a rich and sensual world where one single sense seldom privileged—smell—was given full rein to romp and roam and sate itself in scent.

We humans rarely give ourselves that pleasure.  We privilege sight, touch, sound, taste, and the feel of things.  Poor scent is a step-child to the other senses, neglected, forgotten.  Not so for other species where the sense of smell is primary with a full palette of colors and a symphony of sounds.

Often when I sit on our front patio overlooking the surrounding hills and valley below, my little dog sits with me, looking out as if as mesmerized by the beauty of the landscape as I am. She seems totally enraptured, her nose raised, nostrils quivering, her whole body trembling in delight.  But she’s reveling in smell not sight.  She’s drinking in that delicious flood of scents flowing uphill from the valley below.

I imagine her savoring each scent the way we savor each note when listening to a symphony, carried away by the trill of arpeggios, deep thundering drums, long sweet notes like violin strings, the soft low moans of cellos, blasting trumpets, cascading piano keys, all washing over her, tumbling together, fading away, like movements in a symphony of scent that I am deaf to.  How I envy her!

We’ve long known how smell and taste are intricately connected—in fact, we can distinguish far more flavors through smell alone—inhaling and exhaling—than we can by our tongues.

What’s new and interesting is how scientists are discovering a similar interconnection between smell and sound that gives rise to a new sensory perception quaintly coined “smound.”  If this new science bears out it will only confirm the old science.  In 1862, the perfumer G. W. Septimus Piesse noted how “Scents, like sounds, appear to influence the olfactory nerve in certain definite degrees,” and he developed an “octave of odour” to measure those scents.

Musical metaphors are used in describing perfumes, which are said to have three sets of “notes” that unfold over time, each interacting with the others to create a “harmonious scent accord.”

As I wandered along countless cosmetic counters in the search for the perfect perfume for my daughter, spraying sample scents on slips of paper and waving them in the air, or daubing them on my wrists and forearms and inner elbow, knowing how scents change when applied to skin, mixing with our natural pheromones and warm pulses, I was savoring those musical notes: light florals steeped with sandalwood floating on a musky base.  Amber and lotus blossoms with a hint of peach.  Cardamom married to rosewood.  Lavender and rosemary.  Vanilla and violets dampened by oak moss.

But there was more to the whole process than scent–the name had to be perfect too, evocative and mysterious, lyrical and alluring.  The shape of the bottle had to be sensual or simple, daring or dreamy, as fitted the fragrance and the name.  It all had to flow together.

I finally found it, amazingly. The perfect perfume for my perfect daughter.  She loves it, and her lover loves her in it. So I’m happy.  But still hungry.

Still wanting more. More of my own to daub on earlobe and wrist, to line along the window sill like colored glass or exotic orchids.  Scents to soothe and stir, arouse and savor.

I want to collect scents the way I do books.  To sit quietly, alluringly, on my shelf, its richness and beauty and promise in full display, just waiting, waiting, waiting, for the perfect moment when I take it in my hands and lift the stopper and let the initial scent rise, and all its sweet layering, lingering notes play over me again and again.

I want scent to light up every neuron in my body.  To flow through me, light and airy, like champagne bubbles. I want to hear it taste it see it feel it popping all about me.

I want, I want to be, sated in scent.

This was first posted five years ago in a slightly altered version.

Right, at Last, and Wide Open

Tags

Aging, Creative Nonfiction, memoir, mothering, Mothers, Parenting, personal essay, personal growth

Women Combing Their Hair, 1875-76, Edgar Degas (French, 1834–1917).

I’m letting my hair grow out. Like a girl again. It’s past my shoulders already, still mostly brown with a few shimmers of light woven through.

I don’t feel old. Few of us do, even while seeing the signs.

When I was young, I always felt young. Too young. Young in a lost, vulnerable, deer-in-the-headlights sort of way.

I could never understand how other children, teens, young women, seemed so confident, sounded so sure of themselves. When everything about me felt tentative, like I was only half-made, not fully formed, still waiting for some sense of wholeness to emerge.

I felt too-young even when I wasn’t.  When I should have known better. When others were counting on me being full-grown. Like my children.

Other young mothers seemed so secure and self-assured in their mothering, in their interactions with the adult world they inhabited. It was always a mystery to me, how they did that, how they could slip so comfortably into something that was clearly beyond me.

With my own children, at one level, we were one. When they were in my arms, on my lap, when we rocked and thrummed together, they were more me, more mine, more us than anything I had ever known. The circle was complete. I was all womb then. Part of some great mothering movement that wound round us. We were one, not two.

But when they stepped away, when we stood face to face, two again, these little people, staring back, startled me. They were like exotic flowers from some distant land who had been plucked and placed, amazingly, in my hands. Under my care. A person who had no idea what she was doing, who was improvising all the way, first this, then that, no gut-level knowing to clue me in.

Not a mother at all. Just this over-grown girl play-acting at best. Even my children, I’m sure, knew. But they played along.

I’ll be the mother and you be the children, we agreed. Sort of. Sometimes. The line blurred. Lots of give in our roles. But we grew into them eventually.

Somewhere along the way I became mom. The sense of wholeness I had been waiting for settled around me and I can’t really point to the moment I knew I was fully grown, at last.

I do not feel young now. But neither do I feel old. I feel somewhere in-between, swaying cozily in some hammock strung between the two. It feels wide open. I don’t feel the years bearing down. I don’t feel something precious slipping away.

I feel right, at last. And wide open.

Hauntings, Ghosts, & Demons I Have Known

Tags

Deborah J. Brasket, Demons, Ghost Stories, Ghosts, Halloween, Haunted House, personal, Poltergeist, reality, Supernatural

As Halloween draws near, I like to repost a series of true life tales about the hauntings, ghosts, and demons I experienced growing up, and later when I had children of my own.

While I don’t ”intellectually” believe in ghosts and the supernatural, I cannot deny that the physical and psychic phenomena which I and so many others–-indeed, all known cultures and societies–-have laid claim to, are “real.” The reality they seem to have is unexplained, often unverifiable, and usually fleeting and ephemeral. And yet they persist in haunting humanity.

Throughout history, people whom we usually credit with intelligence and integrity have reported ghostly experiences, among them the psychologist Carl Jung, President Theodore Roosevelt, and Sir Winston Churchill, as well as a host of current well-known celebrities, such as Matthew McConaughey, Kate Hudson, and Halle Berry.

I can neither explain, verify, nor dismiss the reality of the experiences that I relate here. I can only state that these things occurred as I remember them, or as others I trust related them to me. And most were witnessed by more than one person.

You can read the full series of ghost stories at the links below. I’ve included excerpts from each. Enjoy!

• True Ghost Stories, Part I – Growing up in a Haunted House

Every night after my mother heard my prayers and tucked me into bed, I would pull the covers tight over my head and stay there until I fell asleep. I knew somehow that no harm would come to me if I followed this ritual. And no harm ever did come to me.

I might well have been terrified had I heard what my parents heard at night as they slept in the room below mine.

• True Ghost Stories, Part II – Attack of the Poltergeist

We had already decided to move when my mother entered the small room upstairs that had been used for storage because it was “too cold” for human habitation. She was trying to move boxes out of the room when something unseen attacked her.  It threw her to the floor and pinned her down so that she could not move. All she could do was scream for help.

• True Ghost Stories, Part III – When the Dead Refuse to Leave

That night my mother woke from an extremely vivid dream where Margaret (her mother-in-law) had come to her weeping so hard she could not speak. She hung onto my mother so tightly it scared her. It felt as if Margaret was trying to climb inside her body and she had to fight her off. The next morning my mother . . .  discovered that Margaret had died that night. 

• True Ghost Stories, Part IV – Resident Evil: In the Belly of the Beast

Shortly after moving in, I became increasingly afraid to be alone in the house. I was okay when Dale was at home. But as soon as he left for work, a creepy feeling overwhelmed me. As I walked through the house I was aware of something sinister and malicious watching me. It was as if the walls had eyes that followed me everywhere. As if I was living in the belly of the Beast.

• True Ghost Stories, Part V – A Demon on My Chest

Have you ever awoken from sleep to find yourself paralyzed with fear as if something dark and evil sitting on your chest has pinned you down? You try to scream or move, but find that you cannot. You are overcome with terror. It’s more common than you think. And it happened to me several times.

• True Ghost Stories, Part VI – Evil Incarnate

It was like a dark, evil twin had taken over me, and I was as horrified as my little friend by what was happening . . . I like to think now that it was that sad, angry, stalking presence that haunted our house that tried, unsuccessfully, to inhabit me . . . I had a taste of what true evil feels like, with all its sense of pleasure and power, and I did not like it. 

• True Ghost stories, Part VII – Do I Believe This Stuff?

So are the ghosts, demons, and other supernatural beings that have haunted humans through the centuries, that make brief appearances and then disappear, “real”? I do not know, and I’m not sure if it even matters. They are real enough to those who experience them, as least while they are experiencing them, and then afterwards, one wonders.

Each of us make but brief ghostly appearances in this world we call real. We apparently spring from nearly nothing–-a few multiplying cells, and then disappear into nothing as our bodies disintegrate after a short visitation that can last a few days or a few decades. Are we “real”?

I’d loved to hear your ghost stories. Have you had any brushings with the supernatural?

13 Ways of Looking at Dying, Just Before, and the Moment After

Tags

Caretakers, Caretaking, death, Hospice, Mother's death, Mothers, poetry, prose poem, Relationships

My mother died seven years ago this month, which is also the month I was born. I wrote a short story, which reads like a prose poem, a few years ago about the experience, caring for her during those last months. I thought I would reblog it here in memory of her. We had a difficult relationship at times, but it was buoyed by the deep love and commitment we had for each other. She is dearly missed.

Here’s how the story begins. You can read the rest of it at the link below.

I
She streaks past me naked in the dark hall. Light from the bathroom flashes upon her face, her thin shoulders, her sharp knees. Her head turns toward me, her dark eyes angry stabs. As if daring me to see her, stop her, help her. Or demanding I don’t.

I struggle up from the cot where I’ve been sleeping. Through the open doorway, she’s a slice of bright light, slumped on the toilet, the white tiles gleaming behind her.

She kicks the door shut in my face.

Source: 13 Ways of Looking at Dying, Just Before, and the Moment After

“Wondrously Strange,” Our Crossing to the Marquesas

Tags

Journal writing, memoir, ocean passages, sailing, Sailing Around the World, travel, writing

 

 

I was reading from some of my old sailing journals when I came across this entry. It captures so perfectly what it was like to be crossing oceans in a small sailboat with young children, that “wondrously strange” brew of the ordinary and extraordinary mixed together.

The photo is of our landfall at Nuka Hiva in the Marquesas Islands after a 28-day crossing from Mexico. But in the middle of the voyage we had no idea how long it would take or even if we would ever reach the islands. The fact that that mist shrouded green gem rose from the sea exactly where we thought it should rise seemed a miracle.

May 1, 1986,   11° N 123° 40′ W Pacific Ocean

We are flying wing to wing at 6 1/2 knots toward the Marquesas, at last. We’ve been at sea 16 days, since April 16, and are not yet to the half-way mark. Out of 2800 miles we still have 1560 to go.

So far our crossing has been better (physically and mentally) than I imagined. We were all a little sea-sick our 2nd and 3rd day out but have been fine since. We try to live one day at a time (always a good idea) and not think about how long it might take us to reach our destination–especially now when a 40 day crossing seems likely.

Our worst days (and nights) have been during the two rain storms we’ve had so far. The dampness and clamminess of everything is disheartening, and the black, wet night watches uncomfortable. The constant roll and pitch of the boat make the simplest task arduous. Brewing tea can become a chore of maddening dexterity and frustration.

And yet in other ways, life goes on uninterrupted, unperturbed, as if we were still at anchor in San Carlos. Sometimes I sit cuddled with Dale in the dark cockpit surrounded by a stream of sea and stars and marvel at the children’s voices drifting up from the galley, their light banter as they do their nightly dishes amid a dim circle of light. The only light in a thousand miles of darkness.

Then it strikes me as wondrously strange, our few feet of ordinary human activity adrift upon an endless indifferent sea beneath an ocean of stars.

Other sailing epiphanies you might enjoy

Water with a Razor’s Edge

The glassy surface of the ocean rose up creating a razor-sharp edge as it continuously slipped along beside us, like a wave that never breaks.  Watching it, I thought, I never want to be anywhere but here. And, I never want to lose this. I sought to etch it in my mind so it would always be part of me.

La Gitana – Our Larger Self, Sea Saga, Part V

She seemed almost as alive to us as the other creatures that she cavorted with, the dolphins that played at her side, the whales that swam beneath and circled her, the flying fish that landed on her decks. Her spirit was all her own. But her breath, her pulse, her beating heart, her life blood, was us, the people who inhabited and cared for her, plotted her course, walked her decks, stroked her beams, and dreamed her dreams.

 

Water with a Razor’s Edge

Tags

beauty, Creative Nonfiction, cruising, Essay, inspiration, liveaboard, memoir, Nature, ocean, paradox, sailboat, sailing, sculpture, water, waves

Photograph by Sebastião Salgado

One of my favorite pastimes when we were sailing was watching the wake the boat made slipping through still waters. The glassy surface of the ocean rose up creating a razor-sharp edge as it continuously slipped along beside us, like a wave that never breaks.

Not every wake was like this and so fascinated me. It came only under perfect conditions. When the sea was clear and still, smooth as a mirror. When the wind was non-existent or so light it was like a baby’s breath. When we were sailing lightly on a zephyr’s breeze, or motoring through calm, still waters. When the wind rose and rolled, the wake would change, shot over with foam, its curl not so distinct, its edge not so transparent.

I’ve searched everywhere for a photo of a wave or boat wake that captures what so fascinated me, but the closest I can find are images of sand dunes with that razor-sharp edge following the undulating line of its crest. Sand dunes have their own haunting beauty and they too shift over time, but even so they don’t do my memory justice, for the wake I watched was alive, vibrant, constantly moving, a steady companion.

It was sculpture in motion, the way it  curled up continuously creating that sharp, transparent edge. A slight undulation along the lip as it held its form was mesmerizing. Watching it, I thought, I never want to be anywhere but here. And, I never want to lose this. I sought to etch it in my mind so it would always be part of me.

Of course, it wasn’t just the sight of that never-ending curl, that razor-sharp edge trembling in the sunshine that moved me. It was the whole experience. The still sea stretching out forever, the soft swish of the hull parting the seas, the whisper of the wind against the sails.  It was the tang of the salt in the air and the balmy breeze stroking my skin with silk gloves. It was me, bare-legs stretched out against the warm teak decking, sitting absolutely still in a sea of motion.

It was my family tucked away with me within our living, moving, breathing home, miles and miles from anywhere, safely embraced by the sea and sun and breeze.

If anything clearly captures the essence of what it was like to live aboard La Gitana all those years, it was the poetry of moments like this, repeated over and over again, like glittering pearls strung along a string.

I think now what fascinated me then was how this was such a clear example of the ever-changing changeless: The constant subtle variations in the wake’s shape that made it so mesmerizing to watch and yet changeless in its constancy, it never-ending formation. And while it lasted for hours, it was ever a new thing, newly created moment by moment.

I wanted to reach out and touch that razor’s edge, but I knew if I did it would  dissolve beneath my fingers.  How could water, so malleable that it melts through your fingers, create such a sharp, clear edge and hold it so long?

These things fascinated me then as they do now and fed my interest in the sublime ambiguities and paradoxes that underlie this beautiful world we live in.

5 Years Blogging from the Edge of the Wild

Tags

Blogging, Deborah J. Brasket, Ghost Stories, human consciousness, life, memoir, mystery, personal, Philosophy, writing

I began this blog five years ago, in July 2012. It’s been a wild ride, and I’ve loved every minute of it. My first post earned me one “like” and no comments, and now I have over 9000 followers, mostly due to being “Freshly Pressed” three times.

Still, it’s humbling.

When you start blogging it’s like tapping out a weak signal into a vast universe wondering if there’s anyone out there listening who will pick up and respond.

You feel small and alone at first, but powerful too, like that first explorer setting out into the wilderness, not knowing what you will find there, if anything at all.

And then you get your first ping back, a response. That’s all it takes.  You’re not alone after all. Someone is listening, someone like you, and community of like-minded adventurers is formed. Your little spacecraft has a purpose, and a grounding (a following), as you zip through cyberspace exploring what’s out there.

The purpose of this blog, as I wrote about in my first post , has not changed much, although the emphasis has shifted over time.

“I created this blog to explore what it means to be living on the edge of the wild.

 

We all are, in some way, living on the edge of the wild, either literally or figuratively, whether we know it or not.  We all are standing at the edge of some great unknown, exploring what it means to be human in a more-than-human universe.

We encounter the “wild” not only in the natural world, but in ourselves and our daily lives, if only in our own strange dreams, our own unruly minds and rebellious bodies, our own inscrutable families and weird and wonderful pets.

We encounter the “wild” at the edges of science, the arts, and human consciousness.”

I started out with a series of “Sea Sagas” about when we went sailing around the world, most posts on the why and how of it, not getting very far in our journey, and I’d like to get back to that again.

The wildest, bravest, and most romantic thing I’ve ever done was to fully embrace my boyfriend’s dream of sailing around the world and make it my own.

In fact, I’m pretty sure that’s why I married him.

I also wrote a lot about the art and craft of writing, and my own writing experience. The two-part series about writing with Annie Dillard is one of my and my followers’ favorites.

When I look at the things I write about, that I’m drawn to write about, that seize me, here’s what I see, what I’m drawn to explore:

The gap between appearance and reality; between what’s real and what’s not, and how we can ever truly know for sure. If it’s possible at all.

The dark and the light, good and evil, beauty and brutality, the foolish and profound: how they play together, how they are all wound up in each other, how it’s almost impossible to tear them apart, as least in our ordinary, daily experiences. They lay side by side, or one on top of the other; they copulate over and over, and we, this life itself, is what they give birth to.

Some of my most “viewed” posts explore those darker edges of human consciousness. Hardly a day goes by where the following post does not get several views:

A Deer’s Scream – Beauty and Brutality at Home and in the Hills of Vietnam

The most horrifying sound I’ve ever heard came one night soon after we moved here.  A scream of pure terror that seemed to last forever.

Although I wrote it five years ago in October 2012, it got 106 views last month and 93 the month before, even though it was never freshly pressed. It was one of the hardest posts to write and one of my favorites because of that, I suppose. It spawned a similarly hard post The Deer’s Scream, My Mother’s Eyes, and a Ripe Strawberry,

Perhaps at the very end, when there finally is no escape from death, like that deer, like my mother, and that awful inevitable conclusion chasing us down grabs hold, something unimaginable happens.  Some unseen hand plucks us like a ripe strawberry from the jaws of death and swallows us whole, savoring all the sweetness of our brief lives, and reaffirming with a sigh, “Oh, so delicious!”

A prose poem followed, based on my experiences caring for my mother when she was dying: 13 Ways of Looking at Dying, Just Before, and the Moment After.

IV
“Come here. I want you to sit on my lap.”
“No, Mama. I’m too heavy. I’ll hurt you.”
“Come, I want to hold you, like I used to.” She pats her lap.

Her hands are all bone now, her nails long and yellow. Her pajama bottoms are so loose there’s almost no leg to sit on. I balance on the edge of the recliner and she pulls my head down to her chest.

“There now,” she says, “there now.”

I feel like I’m lying on glass. Like any second I’ll break through. Like the long sharp shards of her body holding me up are giving way, and I’m being torn to pieces in her arms.

Another popular series of posts began with True Ghost Stories, Part One, Growing up in a Haunted House. One of the most popular in that series was about A Demon Sitting on My Chest. The series ends with me questioning whether all I experienced was “really” real, and evoking the voice of one of my favorite GOT characters.

So are the ghosts, demons, and other supernatural beings that have haunted humans through the centuries, that make brief appearances and then disappear, “real”? I do not know, and I’m not sure if it even matters. They are real enough to those that experience them, as least while they are experiencing them, and then afterwards, one wonders.

Each of us makes but brief ghostly appearances in this world we call real. We apparently spring from nearly nothing–a few multiplying cells, and then disappear into nothing as our bodies disintegrate after a short visitation that can last a few days or a few decades. Are we “real”?

“You know nothing, Jon Snow!” So claims the wilding Ygritte in the Game of Thrones series, a saying that has become a popular catchphrase for fans. And rightly so, I believe. It has the ring of truth about it.

Author George R. R. Martin created a soft-edged, constantly evolving world that surprises and delights and dismays us at every turn. And if we become too comfortable in believing we know who the good guys and bad guys are, or who has power and who is powerless, what is real and what is not real, we are sure to have it turn topsy-turvy in no time at all.

It is a world that feels very much like our own, psychologically, emotionally, if we would only admit it.  Perhaps we are all Jon Snows, grasping to know for certain, what can only be known tentatively at best. And this is true when considering the limits of our own private, personal lives, as it is when considering the Big Questions about Life and Death and Reality.

So when people ask me now if I believe all this stuff I’ve written about in this series of ghost stories, I can hear Ygritte’s mocking voice challenge me:  “You know nothing, Jon Snow!”  And I wisely keep mum.

But lately my posts have been more about exploring the world of art, and my adventures playing with watercolor, than about writing or exploring the darker corners of consciousness.

I don’t know where this little blog-craft will take me next, and that’s the fun of it, that not-knowing: The mystery that lies beyond the edge of the wild and beckons us onward.

Thank you for taking this ride with me, for reading and responding, and for allowing me to be part of your lives as I follow you on your adventures.

Learning to Play (Again)

Tags

Flow, music, Piano, Playing

I played piano as a girl and always regretted giving it up. Lately the thought that I may never play again, never again experience the pure pleasure of music playing out through my finger tips onto the keys–to lose that forever– seemed too sad to bear. So I bought myself an electronic piano, something I could set out on my dining room table to play.

Nothing so romantic as a baby grand–but it has the touch and feel of the real thing. I can close my eyes and listen and imagine that heavy-breathing instrument bowing beneath my body as I play it.

The music I want to play is the kind that sweeps you away–Chopin, Mozart, Brahms, Beethoven . . . . What I yearn for, and seem to remember, is the kind of playing where body and music meld, where the notes sway through my body and spill out on the keyboard, like some lover I’m caressing. A musical love-making.

Of course, it’s a fantasy. I never played so well as a child, and I can’t imagine that the clumsy relearning I’m now experiencing will ever evolve into that. And yet I seem to “remember” something like this happening as a child when I played, perhaps at some rare moment when it all came together immensely well.

How my fingers, my whole body, knew where to go without thinking, without reading the notes. How it was almost as if the music was playing me, and I’m as much its instrument as is the piano. Or even more, as if we were playing each other–the score, my body, the piano–all playing together in unison, to create this “thing” we’ve become.

I don’t know if concert pianists feel this way about their music-making, if this is a memory of how it can be, or just some intense pleasure-making I’ve imagined when listening to some music that moves me, when I feel it flowing through me as if I were part of it, or it part of me.

And so I’m learning to play again, in this very painful, clumsy, halting way that all beginners experience, even those who once played before. Yet it’s still a thrill, touching fingers to keys, hearing the sound it makes vibrate through me.  I know I may never play so well in reality as I play in my mind/memory/imagination, but then I don’t have to. I already have it. That experience. I’m already “it.”

This patient, clumsy practice is just the homage I pay to what could be, and to the tremendous hard work needed to reach that point of perfection. Playing well is a rigorous undertaking. And the outcome of all that practice is not guaranteed.

But this thing I’ve heard and experienced when listening to the music of those who have reached this pinnacle, makes me want to at least attempt to master some measure of that kind of music-making. I want to practice enough to feel at some point the table turn, and my fingers become the mute instrument of the music at play.

Do you play a musical instrument? Does it play you?

Grandparenting, Dark and Light

Tags

children, Family, grandparenting, grandparents, memoir, Parenting

I’m writing for the first time in months—my granddaughter started preschool today. She’ll be going twice a week now. I miss her already.

I haven’t had time for writing or anything else since she and her dad came to live with us five months ago. Caring for her has stirred up my world in all sorts of ways, and nothing has really settled yet. The past, the present, the future swirl around in my mind, some bright and sweet, some dark and scary.

I love her beyond words and we are very close, maybe too close.  What will happen when she and my son move out? Last week he took her unexpectedly for the day and my home seemed so empty and I felt so lost. I didn’t want to do anything—not write, nor read, nor clean, nor paint, nor walk, nor just sit and think, alone, undisturbed—all the things I wish I had time to do when she’s with me. I couldn’t wait till she came home so I could scoop her up and feel her small, sweet body melt into mine.

We spend our days playing and singing and dancing together. It’s filled with sweet cuddles and kisses, silly games puffing our cheeks and popping them together, playing with puzzles and legos and coloring and reading stories. We swim and pick roses and watch Disney movies together. Making up stories and pretending to be kittens and crocodiles. She loves to play hide and seek, where she hides in plain sight and I pretend I can’t find her while she laughs and giggles, and when I do find her, she demands—AGAIN!—and hides in the same place once more.

But by the afternoon, I’m tired. I’m wishing for a few moments alone. I’m wishing she could play by herself for longer than five minutes at a time, stopping her play to look for me, to demand to be held, to read a story, to come back into the room where she’s playing.

I try to get her to nap, but too often it’s late in the afternoon when she does, at 3 or 4 or 5, when I know doing so that late means she won’t want to go to sleep before 9 or 10. More often she doesn’t nap at all.

“Grandma needs quiet time I tell her,” time away from her is what I mean, but she doesn’t understand that, doesn’t understand that demanding my constant attention frazzles me as the day wears on. Even sitting her in front of the TV to watch cartoons (bad grandma!) doesn’t help as much as you’d think—every commercial she looks for me, and it’s the same with movies. “Come watch with me, Gwamma,” she says in her sweet, tender voice, pulling at my arm.  My heartstrings tug, and my nerves tighten.

And then there’s the tug-of-wills, where she tests my boundaries, doesn’t listen when I tell her to leave something alone, to not go in there, not do that. I haunt parenting advise forums on the internet looking for ways to discipline, to cope, to mellow.

What did I do when my children were young?

I don’t remember my daughter ever wearing on my nerves with the demand for constant attention, or defying my will the way my granddaughter does now. My son defied my will on a daily basis, but he wasn’t as demanding of my attention as she seems to be. Still, we had our tug-of-wars too. I remember one dark day when I needed him to take a nap so badly and he simply refused to stay in his room.  He’d come out, I’d put him in, he’d come out, I’d put him in, over and over again, like puppets in demented play, him crying and me yelling at first, then me crying and him yelling. I thought I was losing my mind. We were stuck in a hysterical repetition, like a broken record that would not stop. I don’t remember how it ended.

I do remember that I let him play in our fenced backyard by himself for long periods of time when he was a toddler, where he had a swing set, and sand box, and lots of toys. Something I can’t do with my granddaughter where we live now. Even so, he “escaped” several times, wandering off down the street—three years old—to visit grandma five blocks away, or to visit the little green store across a busy street.

Once a police officer brought him home to me. I hadn’t even known he’d gone missing.

I was a bad mother. If that had happened today, I would have been arrested. But things looked different back then. Children were encouraged to spend the day outdoors playing, to be independent. Little boys wandering off with a penny in his pocket to buy candy at the neighborhood store was “cute.” It showed his independence and adventurous spirit, not my poor parenting.

The thought of my little three-year-old granddaughter doing something like that today horrifies me. The thought of her living alone with her father on a busy street with chance of unlocked doors giving her access to the great outdoors makes me want to keep her here at home with me forever.

And yet, and yet, the other day my nerves were so frazzled I wanted to lock myself in a closet just to have a few moments alone without her, without hearing that sweet, tender voice calling out, “Gwamma, where are you?” And I wondered: Is this what drives some parents to lock their children in closets? The thought was so mind-chilling I wanted to sit down and cry.

Instead, I gathered my granddaughter in my arms and let her melt against me.

“I didn’t know where you were,” she tells me frowning, holding my face between her small hands.

“Don’t leave me,” she says, as she does several times every day.

“I won’t, baby,” I tell her. “I’m not going anywhere.”

But I will leave her. Or rather, she will leave me eventually, when her father finds a place for them to live that’s closer to town, closer to his work. Will she think I abandoned her, betrayed her?

Part of me longs for the peaceful life we had before they moved in. And part of me is terrified at the thought of them leaving.

Treasure what you have now, I tell myself. Don’t think about the past or the future. Now is where we are. Where my arms and heart are full. And while my poor nerves may get frazzled at times for want of the peace and quiet I sometimes crave, it cannot eclipse the wonder and joy of this child and how she fills my heart with light.