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Deborah J. Brasket

~ Living on the Edge of the Wild

Deborah J. Brasket

Category Archives: Photography

Rainy Morning Reveries in Photos

02 Sunday Jan 2022

Posted by deborahbrasket in Backyard, Nature, Photography

≈ 8 Comments

Tags

backyard, beauty, California, Central Coast, color, Nature, photography, rain, rainy day

We’ve been blessed with more than usual rainfall on the central coast of California recently. I love the way the gray skies and damp, rain-soaked surfaces around our home make the colors seem more rich and vibrant. The ordinary becomes extraordinary. Wet cement and a shovel can look like abstract art. While fallen tree branches take on the purple glow of a Fauvist painting. Even a little hummer left behind this winter came out to dazzle me with its red-throated splendor. I hope you enjoy these photos as much as I enjoyed taking them.

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A Glimpse Into the Studios (and Minds) of Famous Artists

01 Sunday Aug 2021

Posted by deborahbrasket in Art, Culture, Photography

≈ 12 Comments

Tags

art, art studios, artists, creativity, inspiration, photography

Georgia-O-Keeffe
Georgia O’Keeffe, 1953. Photo by Laura Gilpin (1891-1979).

Aside from her paint brushes, we don’t see much of Georgia O’Keefe’s studio here, but I couldn’t resist including her as the lead photo in this post based purely on the strength of her face and that hypnotic gaze: as if she can see right through you. There’s no doubt she’s an artist that commands attention.

By contrast below, Miro seems quite content to lean back in his rocking chair gazing serenely at the lifetime of artwork surrounding him. These two photos and the ones that follow say so much about what it means to be an artist.

I found them in a wonderful spread produced by Artists Network: 125 Artists and Their Historic Studios. I’ve gathered a few of my favorites here. But if you like this sort of thing, there’s a treasure trove more to explore at the link above, which also includes a bit about each artist’s life and work.

Joan-Miro
Joan MirĂ³â€™s studio, Mallorca, 1977. Photograph by Francesc CatalĂ -Roca © Photographic Archive of the Historical Archive of the College of Architects of Catalonia.
Alice-Austen 125 Studios HAHS
As a photographer of contemporary urban life, the entire world was Alice Austen’s studio. Courtesy of Alice Austen House Museum, Staten Island, NY.

The photo above is my favorite in the collection. A woman in command of her world, poised gracefully on a barbed wire fence post to capture her vision! How does she ever stay balanced long enough to do so?

Looking at her poised on that fence, it’s not surprising to learn that “she challenged oppressive Victorian conventions by embracing individuality and independence” as noted in the article Over 100 Years Later, Photographer Alice Austen Is Finally Being Recognized as an LGBTQ Icon. The photo below that she created of herself and a friend “wearing masks, corsets, and calf-length skirts, their arms intertwined” and smoking, “an act women could be arrested for,” perhaps says it all about this amazing, talented artist.

Alice Austen, Trude & I, 1891. Courtesy of Staten Island Historical Society.
Beatrice-Wood
Portrait of Beatrice Wood in her Ojai studio, 1983. Collection Jim McHugh Artist Archives.

I love seeing these incredible artists, Wood and Sorolla, surrounded by their art. Each so different, and each so prolifically talented.

Wood, I learned, had inspired the character of Rose in the film Titanic after Cameron read her autobiography I Shock Myself. She famously shared in a love triangle with Marcel Duchamp and Henri-Pierre Roché, two famous men in that time, an artist and author. She lived to be 108. So did Rose, in the film, I believe.

Sorolla has been one of my favorite artists for a long time now. Quite the opposite of Wood, he was a staid, devoted family man. This black and white photo does not do justice to his work. For a better look at the way he infuses his paintings with light you might want to take a look at another one of my posts: The Luscious Light of Sorolla’s Paintings.

Joaquin-Sorolla
JoaquĂ­n Sorolla painting in his studio, 1911. Photograph by Ricardo Del Rivero. Courtesy of Museo Sorolla.
Emile-Antoine-Bourdelle
Emile-Antoine Bourdelle in his studio with Héraklès. Courtesy of Musee Bourdelle.

I found the strength of Bourdelle’s Hercules and the fierceness in the artist’s eyes mesmerizing. Both seem to challenge the viewer with their ferocity. He was a protege of Rodin and a teacher of Matisse, a “fiercely independent'” artist who resisted formal training and eventually started his own free-school of sculpture.

Bourgeois below, in contrast, has the calm, studious appearance of the serious craftsman at work, all her tools in perfect order. You wouldn’t guess that her most famous sculptures are gigantic spiders, who she sees as both predator and protector, symbolizing the mother figure. 

Louise-Bourgeois
Louise Bourgeois in her home studio in 1974. Photograph by Mark Setteducati, © The Easton Foundation.
Salvador-Dali
Salvador Dalí painting Galatea of the Spheres in his studio in Portlligat, 1952. Photograph by Carlos Pérez de Rozas. Courtesy of Dalí Foundation.

I love Dali’s face above and Gorey’s cat below. They make me laugh.

I fell in love with Dali’s work when I visited his museum in Bruges, Belgium. I was especially captivated by his illustrations of Alice in Wonderland. He himself seems something of a Cheshire Cat figure. You can see more of his work at my post Down the Rabbit Hole with Dali.

Gorey, below is also an illustrator of children’s books, and something of a Cheshire Cat himself. He created books with no words, books the size of match boxes, and surreal books he classified as “literary nonsense,” adding: “If you’re doing nonsense it has to be rather awful, because there’d be no point. I’m trying to think if there’s sunny nonsense. Sunny, funny nonsense for children—oh, how boring, boring, boring. As Schubert said, there is no happy music. And that’s true, there really isn’t. And there’s probably no happy nonsense, either.”

Edward-Gorey
Edward Gorey, 1976. Photograph by Jill Krementz. Courtesy of New York Social Diary. Renowned illustrator of children’s books. Love the cat!
Henriette Wyeth 125 Artist Studios
Henriette Wyeth, daughter of N. C. Wyeth and sister of Andrew Wyeth, in her Chadds Ford studio, ca. 1935. Photographer unknown, N. C. Wyeth Collections, Walter and Leonore Annenberg Research Center, Brandywine River Museum of Art.

Something about the faces of these two women artists next to their paintings of other women speaks to me. They almost seem like self-portraits.

Stern, below, traveled the world and was a major South African artist who achieved national and international recognition in her lifetime. Wyeth stayed close to home, a wife and mother. While a noted artist in her time, her fame was overshadowed by her father’s and brother’s, as happened to so many women artists back then. And too often today too, sadly.

Irma Stern
Irma Stern painting Malay Girl. Courtesy of Irma Stern Museum.
Clementine-Hunter
Clementine Hunter was a self-taught black folk artist from the Cane River region of Louisiana. Courtesy of Melrose Plantation Historic Home, Natchitoches, LA. Pat

The patience and persistence, the quiet dignity, captured in this photo of Hunter above, complemented with the sheer joy and exuberance of Pollock in his photo says all that needs to be said about the making of art!

You can make art no matter your social class, your gender, your personal challenges, and often these are part of your art and what makes it unique. But what is truly needed is the pure love and joy of art-making, which inspires the patience and the persistence, whether fame and fortune follows or not.

Jackson-Pollock
Jackson Pollock at work on Alchemy, 1969. Photograph by Herbert Matter. Courtesy of Pollock-Krasner House and Study Center, East Hampton, NY. The joy on his face!

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Exploring the Deer Paths Behind My Home

04 Friday Dec 2020

Posted by deborahbrasket in Backyard, Nature, Oak Trees, Photography, Wild Life

≈ 17 Comments

Tags

beauty, deer paths, hiking, Nature, nature walk, oak trees, photography

I spent a lovely morning recently exploring some of the deer paths behind our home, stopping to take photos along the way. It’s steeper than it looks here, but the deer know the best way to travel this terrain. And the lovely walking stick my husband made me with it’s sailor stitching and nubby knobs helped.

I love these oak trees, the curving branches with their rough bark and soft grassy moss, the dripping branches with their lacy ribbons. The way the sun peeks through . . .

The backlit branches spiking the sky. The tiny twigs curling like calligraphy against the deep blue.

The deer paths led me through sun-dappled glades . . .

. . . and pass the graveyards of dying and fallen giants, their bare bones scattered and broken along the way. Enriching the soil and nurturing new growth.

As I headed home again I passed the gopher ghetto that edges our property, a space my husband keeps clear of growth as a firebreak. These greedy, prolific creatures gobbled up the roots of several of our favorite rose bushes this year. But the bevy of quail that live here love this cleared space to scratch and feed. And they use the holes as bathtubs, wriggling their fat little bodies deep down into the tiny tubs and splashing the loosened dirt over their shoulders with their wings.

Home at last, I end this journey where I began, with this gorgeous red plum tree the marks one corner of our property.

And a postscript pleasure just for you: this beautiful buck who took a nap in our front yard not long ago. I feel so blessed to be surrounded by so much beauty and wildlife.

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“Love is a Language Few Practice, But All Speak”

08 Sunday Mar 2020

Posted by deborahbrasket in Culture, Love, Photography, Poetry

≈ 5 Comments

Tags

civil rights, Jonathan Bachman, Love, peacful protest, photography, poem, poetry, police brutality, Tracy K. Smith

Image result for jonathan bachman baton rouge photo

Unreast in Baton Rouge
By Traci K. Smith

           after the photo by Jonathan Bachman
Our bodies run with ink dark blood.
Blood pools in the pavement’s seams.

Is it strange to say love is a language
Few practice, but all, or near all speak?

Even the men in black armor, the ones
Jangling handcuffs and keys, what else

Are they so buffered against, if not love’s blade
Sizing up the heart’s familiar meat?

We watch and grieve. We sleep, stir, eat.
Love: the heart sliced open, gutted, clean.

Love: naked almost in the everlasting street,
Skirt lifted by a different kind of breeze.

More about the photo and incident that inspired this poem.

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The Roman Forum, An Ancient Relic Then & Now

28 Sunday Jul 2019

Posted by deborahbrasket in Art, Culture, Photography

≈ 5 Comments

Tags

ancient ruins, History, Paintings, photography, Rome, The Roman Forum, travel

Giovanni Paolo Panini Painting - Capricio Of Roman Monuments With The Colosseum And Arch Of Constantine by Giovanni Paolo Panini

The Roman Forum lies right behind the Colosseum, that I wrote about last week. It is the great plaza where Caesar and Augustus and other Roman emperors once trod and, like the Colosseum, has been a mecca for tourists, artists and photographers down through the ages.

It was mostly in ruins when the Vikings first sailed up the Tiber River to gaze at this wonderland of antiquity.

A View of the Roman Forum today, image from Wikipedia

I was there for one short and very hot afternoon last summer. I didn’t take as many photos as I wish I had, but the views I’ve become most enamored by are the ones that artists painted hundreds of years ago. You will find my photos mixed among those below.

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By Giovanni Paolo Panini, 1691 – 1765

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By Cannaletto in 1742

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By Franz Kaisermann, 1765 – 1833

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Watercolor by David Roberts, 1835

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Ancient Relic of Rome – The Colosseum, Now & Then

22 Monday Jul 2019

Posted by deborahbrasket in Art, Culture, Photography, travel

≈ 10 Comments

Tags

Paintings, photography, Rome, The Coloseum, travel

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It seems so far away now, and long ago, that trip to Europe last summer. Even more so when re-viewing photographs of The Coloseum and Public Forum, which were ancient even in ancient time, when artists throughout the ages flocked here to paint these wonders that still stand like a thread through time, tying us all together.

Below are a few of my photos of the Coloseum that I took last summer, along with paintings of the same from long, long ago. I’ll do the same for The Public Forum in another post.

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The Coloseum by Gasper van Wittel (Vanvitelli), 1652 – 1736

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My photo of the interior, 2018

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The interior by Thomas Cole, 1832

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Here we see the floor of the Coloseum, the arena where the gladiators fought and Christians died, as well as a view under the floor, the little cells where they prepared for battle and were held captive.

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The Coloseum cells by Pietro F. Garoli, 1638 – 1716

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The cross in the Coloseum was a place of pilgrimage through the ages.

Rome Painting - View Of The Interior Of The Colosseum by Christoffer Wilhelm Eckersberg

By Christoffer Wilhelm Eckersberg, 1783 – 1853

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Night view through arches by Carus Carl Gustav, 1789 – 1869

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A painting of an arched entrance to the Colosseum covered in plant life

Arches through arches By Francois-Marius Granet, 1804

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File:Maerten van Heemskerck - Self-portrait, with the Colosseum (Fitzwilliam Museum).jpg

Self-portrait with Colosseum, by Maerten van Heemskerch, 1553

I loved seeing this Selfie from the 1500’s! So I’ll end with my own selfie, nearly 500 years later.

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Me with Coloseum, not so long ago

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A Lovely Sip of Sorrento, Italy

13 Monday May 2019

Posted by deborahbrasket in Photography

≈ 12 Comments

Tags

Europe, Italy, photography, Sorrento, travel, vacation

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With summer around the corner I’ve been looking at all the photos I never shared from last year when I was in Europe with my cousins. Sorrento was one of my favorite places and I wish we had had more time to spend there.

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We arrived by ferry from the island of Capri which lies just off the Amalfi Coast in Italy. Sorrento is set upon a high, sheer bluff. We walked along the beachfront and the took an elevator in the cliff wall to the top, where we could look down on the boats and sunbathers.

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At the top of the elevator was a lovely plaza with old and new art, and a beautiful 14th century monastery which hosts events, such as this tribute to Sophia Loren.

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A short walk away is the famous Piazzo Tasso, lines with restaurants and shops, and with a view looking down at the winding road leading to the old port.

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A short block away, was a lush, sunken garden with the ruins of an old saw mill.

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A lovely lunch at a sidewalk cafe and a quick bus tour around the city rounded out our visit. Then we headed back to the waterfront to catch our ferry. I wish we could have explored more. Next time!

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Astonished, Opened at Last

05 Sunday May 2019

Posted by deborahbrasket in Art, Photography, Poetry

≈ 4 Comments

Tags

art, David Whyte, inspiration, life, poetry, spirituality

Stormy blue sunset in Morro Bay, California, United States.

Photo by Beth Sargent

Fallen in Love

by David Whyte

That day I saw beneath dark clouds
the passing light over the water
and I heard the voice of the world speak out,
I knew then, as I had before
life is no passing memory of what has been
nor the remaining pages in a great book
waiting to be read.

It is the opening of eyes long closed.
It is the vision of far off things
seen for the silence they hold.
It is the heart after years
of secret conversing
speaking out loud in the clear air.

It is Moses in the desert
fallen to his knees before the lit bush.
It is the man throwing away his shoes
as if to enter heaven
and finding himself astonished,
opened at last,
fallen in love with solid ground.

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Art that Mirrors the Inner Essence

28 Sunday Apr 2019

Posted by deborahbrasket in Art, books, Culture, My Artwork, Photography, Spirituality

≈ 14 Comments

Tags

archetypes, art, books, Joyce Tennyson, Light Warriors, painting, photography, spirituality

Joyce Tenneson

I found this photo on the cover of Sun Magazine some years ago and fell in love with it. It’s from a book by Joyce Tennyson called Light Warriors, with photographs of 21 women from all over the world. The author writes in her introduction:

I was drawn to photograph the people in these pages because I saw something in them, an inner power or radiance that resonated with my unconscious. . . . By trying to reveal their essence, I want to celebrate the beauty and complexity of what it means to be a spiritual warrior–to offer oneself to the world authentically, to flex the courage muscles, to share what it means to be human.

The woman in this photo is Dasha, from Russia. She told Tennyson about a reoccurring dream in which a bird flew out of her heart. Tennyson had similar dreams herself. She tried to photograph the doves flapping their wings around her heart, but didn’t like the way it looked. Then unexpectedly the birds landed on Dasha’s shoulders and she was able to get one shot before they flew away.

Dasha says of herself: “I don’t know who I am, I’m just trying to figure it out. But for me, being a woman is about bringing warmth, beauty, and love from inside you to the those around you. In the United States, people don’t speak about the soul and the heart the way they do in my country. But they are always talking about the past now in Russia. There is sweetness and sadness and nostalgia all mixed together.”

This photograph, for me, beautifully expresses that warmth, beauty, and love inside her. I also see the courage, and vulnerability. I see her—the way she’s dressed and holds herself, the direct gaze, the doves—as an acolyte or priestess in training. Each photo in the book reveals some feminine archetype or psyche.

Tennyson did not pose the women. Instead she encouraged them to express themselves by providing “a safe place for them to be open, to let down their external shields, and to expose an essence or kernel of their being that is normally secret or hidden.” By doing this they were “holding up a mirror to the viewer’s own inner experiences.”

I was so taken with this photograph I saved it for many years, not knowing why. Perhaps because it did mirror some felt experience. But once I started painting I knew I would have to try to capture her in my artwork.

Recently I had an opportunity to do that for an art class project. While I always imagined doing so in soft pastel, I created the piece below in acrylic, not my best medium. Still I like the way it came out. The woman in my painting bears only a mild resemblance to the lovely Dasha, but for me she does capture the spirit of what I see in her and find so inspirational.

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Tennyson writes: “For me photography is a kind of visual diary–it allows me to probe emotions and inner realities that by their nature are invisible but are powerfully present in all of us nonetheless.”

I think that’s what I’m trying to do with my own artwork, my writing as well as my painting, and what I’m drawn to in other’s work.

Maybe we all are holding up mirrors to each other.

 

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The Fabulous Island of Capri on the Amalfi Coast

15 Monday Apr 2019

Posted by deborahbrasket in Culture, Photography

≈ 14 Comments

Tags

Amalfi Coast, Blue Grotto, Capri, Europe, Italy, photography, travel, vacation

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We spent several days on the fabled Island of Capri during our 30-day whirlwind trip to Europe last summer. It lies along Italy’s gorgeous Amalfi Coast, which I wrote about not too long ago. While fantastically beautiful, Capri seemed a little too polished and glitzy for my taste. Especially when compared with the old world charm of the city of Sorrento, which we visited by ferry while in Capri. I’ll be writing about that next.

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We start here with a few photos of the main harbor of Capri and then work our way up the narrow winding streets toward our hotel at the very top, with spectacular views looking down.

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Later we took a boat tour around the island, cruising through the landmark arches and stopping at the famous Blue Grotto, a playground for Roman emperors in times past.. The waters all around the island were fantastic shades of blue against the limestone cliffs.

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Here we are lining up to get into the Blue Grotto. Small skiffs would come out to the tour boats and take small groups of 4 or 5 through. We were all prepared to get out for a swim inside, but the trip through was just too fast and  crowded. While eerily beautiful inside, I felt like I was on a conveyor belt with all the boats moving so quickly in and out of the grotto with their passengers.

 

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One last wave goodbye to this fabled island with all its natural beauty, its fabulous riches, and its ancient history. Onward to Sorrento!

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After sailing around the world in a small boat for six years, I came to appreciate how tiny and insignificant we humans appear in our natural and untamed surroundings, living always on the edge of the wild, into which we are embedded even while being that thing which sets us apart. Now living again on the edge of the wild in a home that borders a nature preserve, I am re-exploring what it means to be human in a more than human world.

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