From Pete the Cat: It’s All Good

Tags

books, children, grandparenting, inspiration, Judy Blume, Junie B Jones, personal, Pete the Cat, Reading

One of the joys of grandparenting is revisiting stories I loves to read my own children and sharing them with theirs. What fun it was to read to my granddaughter some of her father’s favorite books, Judy Blume’s Tales of a Fourth Grade Nothing, and Superfudge. Equally fun is discovering new favorites all her own, like the audibles we’re listening to of Junie B. Jones series narrated in that delightfully scratchy and droll voice of Lana Quintal as Junie B. rebels against riding the stupid smelly yellow school bus, and gets back at that meany boy Jim who invited everyone in room 9 to his birthday party but her.

A new recent favorite is the Pete the Cat series, and my personal favorite I Love My White Shoes. This groovy blue cat with the yellow eyes and long skinny legs has a new pair of white hightops that he loves, loves, loves! So much so that as he strolls along he sings this song: ” I love my white shoes! I love my white shoes! I love my white shoes.”

But then, “Oh no!” he steps into a huge pile of strawberries, turning his white shoes red. What does Pete do? Does he cry? “Goodness, no!” He just keeps strolling along singing his song, “I love my red shoes! I love my red shoes! I love my red shoes!”

And when through a series of accidents his shoes turn blue, then brown, then wet and white again, what does he do? He just keeps strolling along, singing his song, which changes according to the circumstances: “I love my blue shoes! . . . I love my brown shoes . . . . I love my wet shoes . . .!”

The illustrations are so vivid and cheerful, the cool cat’s insouciant optimism so infectious, with the repetitious sing-songy verses undercut by unexpected riffs from the past (Everything is Cool! Groovy! Rock N’ Roll!), we don’t even mind when, at the end, the story points to itself and sets out the “moral” in black and white on the page:

“The moral of Pete’s story is

No matter what you step in

Keep walking along and

Singing your song . . .

[turn page]

because it’s all good.”

So simple. So wise. And for all its triteness, so encouraging to this grandma and her little granddaughter, each of us in the throes of transition, our lives turned upside-down since she’s come to live with me, not knowing what will come next as I petition for permanent guardianship,  the decision so completely out of our hands.  

All we can do and must do is just keep strolling along, singing our songs, reading our books, enjoying our sweet time together in the here and now, come what may, regardless the shifting landscapes and incidences that continue to color our lives.

Knowing, like that great, wise, groovy Peter the Cat says: It’s all good.

[NOTE TO READER: While the Junie B series is new to me and my granddaughter, it’s been around for a long time, since 1995! Pete the Cat is not as young as he is cool either, having debuted in 2010. If you younger parents and grandparents know of newer book series you think my sweetie might like, please let me know. She’s an “old soul” first grader.]

 

 

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Life’s Sweet Longing for Itself

Tags

children, Family, grandparenting, inspiration, Kahlil Gibran, Parenting, personal, Philosophy, spirituality, The Prophet

Your children are not your children.
They are the sons and daughters of Life’s longing for itself.

They come through you but not from you,
And though they are with you yet they belong not from you.

I first read these words from Kahlil Gibran’s The Prophet when still in high school, a child myself, although I did not see myself that way. His words moved me then, even as they do now, so many years later, when I am raising a granddaughter.

Then I truly was “life” in its earliest stages “longing” for the life that was to be, that stretched out before me in what seemed an endless and exciting unknown potentiality.

I didn’t want to be hemmed in by the hopes and expectations of my parents, nor by their fears and warnings. I didn’t want to “learn from their mistakes,” as they cautioned me. I wanted to live my life as an adventure, learning from my own mistakes, not theirs. My life was my own and no one else’s. I wanted to risk all, moving at my own direction, and good or bad, I alone would take responsibility for the life I chose. Such were my longings then.

So I found Gibran’s  parenting advice immensely inspiring,  both for myself as I was moving beyond my parents into adulthood, and also for the kind of parent I wanted to be to my own children.

He goes on to say:

You may give them your love but not your thoughts,
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams.
You may strive to be like them, but seek not to make them like you.
For life goes not backward nor tarries with yesterday.
You are the bows from which your children as living arrows are sent forth.
The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrows may go swift and far.
Let your bending in the archer’s hand be for gladness;
For even as He loves the arrow that flies, so He loves also the bow that is stable.

Now, as the mother of a grown son and the guardian of his child, The Prophet’s words still move me . . . and admonish me.

How I wish now my son had heeded my warnings, and that they had been louder and clearer. How I  wish he had chosen paths more safe and sane, had lived up to all the potential I saw in him then and see still.

But those are my fears, my regrets, not his. I must loose him and let him go, and see the direction in which he flew as his own choice. It was never mine to make or change or regret. I had longed when young to make and learn from my  own mistakes, and so must he. But that learning is his alone to make or forsake in his own good time.

As for his child, my little granddaughter, she too is an arrow who will fly beyond my bending, beyond my ability to see or guide her life’s flight. Will my warnings to her be louder and clearer? No doubt. Will she heed them, or long to learn from her own mistakes, as I had, as her father must? We shall see.

She, as her father, is in the Archer’s hand. And I must trust, trust, trust that each will reach that mark upon the path of the infinite toward which the Archer aims with gladness. They are, after all, Life’s sweet longing for itself.

As am I.

Resting in the Grace of the World

Tags

Addiction, comfort, Family, grandparenting, greif, Nature, opioid crisis, personal, spirituality, Wendell Berry

“Crystal Light” by Erin Hanson

“When despair for the world grows in me, and I wake in the night at the least sound in fear of what my life and my children’s lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought or grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.” ~ Wendell Berry

I have not lain down where the wood drake rests, but I am coming to find a kind of grace in letting loose, more than letting go, in pressing steadily forward without attachment to the outcome, in a kind of letting be, come what may.

My granddaughter came to live with me at the beginning of summer and she is with me still, having started first grade at a nearby school in which I enrolled her. I am petitioning to become her legal guardian. This comes with the blessing of my son, but not the child’s mother, who will fight this. Both are struggling with addiction, both victims of this opioid crisis.

I grieve for my son and my heart breaks for the mother, even as I fear for my granddaughter. Sometimes it seems overwhelming.

Then I take a deep breath and do what must be done, regardless the outcome.

I move toward “the peace of wild things who do not tax their lives with forethought or grief.”

I rest in “the presence of still water,” and feel “the day-blind stars waiting with their light.”

I cannot say I “am free.”

But I do feel the grace of the world, and love of God, surrounding me and mine. I lean on that, and it comforts me.

“Endless Love” – A 6th Year Celebration

Tags

Anniversary, art collage, celebration, daughter, life, personal, wedding

I created this collage to celebrate my daughter and her husband’s 6th wedding anniversary, today. They were married January 12 in Shell Beach. Her husband made a surfboard called “endless Love” for all the guest to sign, and she made and decorated her dark chocolate, chiptole pepper wedding cake. Their best friend officiated as they stood barefoot in the sand with the waves unrolling in the background.

Aside from the births of my children and grandchildren, it was the happiest day of my life.

I wrote a post about that day six years ago Sea, Sky, Earth, Fire – My Daughter on Her Wedding Day,  which began:

She was married beneath a cliff on the edge of the sea standing barefoot on the rocky beach. Barking seals sunning on rocks and crashing waves nearly drowned out the simple ceremony.

Hunchbacked boulders rose from the sea behind her like giant guardian sentinels. A single guitarist played flamenco music to match the red rose in her hair while the late afternoon sun glimmered across the waves.

Sea. Sky. Earth. Fire. All four essential elements holding the world together blended beautifully together that day.

Below are a few photos and memories that I tried to capture in my collage.

 

Happy Anniversary, Kelli and Andrew!

10,000 Thank-You’s! A Blogging Milepost

Tags

Blogging, blogging community, Community, Graditude, Love, milestone, writing

I have so many things to be grateful for, not least among them the ten-thousand people who, for whatever reason, took a moment to click “follow” on my website. I reached this blogging milestone just a few days ago.

Each follow  I’ve received over my 7 years of blogging has been received as a gift of love, a “micro-moment of positivity resonance,” as Barbara Fredrickson defines love in her book on the subject. Each click translates into  a smile, a hug, a friendly wave, a nod of encouragement, a cheerful thumbs-up, a coin of appreciation tossed to a fellow blogger, a way of saying I see you and like what you are doing.

I know most of those clicks were from friendly people who in their breeze through the blogosphere stopped for but a moment to wish me well and rarely returned. I certainly do not get 10,000 views on my posts each week, not do I expect to. But the fact that they took the time to make that click, for whatever reason, is deeply appreciated.

Many who are following this blog have become part of what I think of as my blogging family, a mutual admiration community I meet with online. It is you who I am “breaking bread” with each week when I send out my posts, read your comments, and visit your sites to see what you are up to.

My first blog post featured in the “Freshly Pressed” column was about “Blogging and the Accident of Touching“, which is how I see blogging, a way to reach out and touch others and be touched in return by your responses and posts.

Thank you for helping me reach this blogging milestone.

Today I am blowing ten-thousand kisses back to you.

Painting by Emil Nolde

Seeing the Self in What We Love

Tags

inspiration, Love, Philosophy, self-realization, spirituality, The Self, Upanishad

I’ve become mesmerized by the quote below I found on The Beauty We Love. These first four lines, especially, move me.

A wife loves her husband not for his own sake, dear, but because the Self lives in him.

The husband loves his wife not for her own sake, dear, but because the Self lives in her.

Children are loved not for their own sake, but because the Self lives in them.

Everything is loved not for its own sake, but because the Self lives in it.

Reading these words, I feel the truth in them. When I look at and love my husband, my son, my daughter, what I’m seeing and loving is something, a Self, so much larger than what we each are alone. Something that resonates within me and within all the things I love. Something that is not an other, but what runs through and connects all others. It makes each loved one more dear to me, more rare, more real, than what mere personality or even individuality,  personal affection, or familial attachment alone would support.

The tenderness in the Chagall painting above captures that reflective love, that mirrored Self, so beautifully.

The rest of the quote lies before, which I also sense to be true, although more abstract.

This Self has to be realized.
Hear about this Self.

As a lump of salt thrown in water dissolves
and cannot be taken out again,
though wherever we taste, the water it is salty,
even so, beloved,
the separate self dissolves in the sea of pure consciousness,
infinite and immortal.

Separateness arises from identifying the Self with the body,
which is made up of the elements;
when this physical identification dissolves,
there can be no more separate self.

~ from the Brihadaranyaka Upanishad

The self dissolved into “a sea of pure consciousness” is a lovely, restful image. But it’s missing the intimacy and immediacy of those first four lines where that sea washes through the faces I love. That image is far more meaningful to me, and truer, I believe, to the intent those verses imply. That Self is not abstract. I feel it in my bones.

“Perfect Love” – All We Need for What Ails Us

Tags

Fear, healing, inspiration, Love, spirituality, transformation

Francisco “Paco” Zúñiga

The highest common denominator for all spiritual practices and religious teachings is Love. Love with a capital L, meaning that which transcends a personal or ego-based sense of love. Love that embraces all and everything. Love that is the ground, or source, of all being.

It’s a “perfect” love, a powerful love, a love that can change lives, and nations, even as Nelson Mandela, Mahatma Gandhi, and Martin Luther King have shown.

“Perfect Love casts out fear” is from the Bible, but it is one of those highest teachings and practices found across cultural and religious divides.

If these teachings cannot be made practical in our ordinary, flawed, imperfect lives, they are of no use to us. But as a mother who has struggled with an almost debilitating sense of fear at times, an understanding of what this verse means has saved me many times.

Fear is at the heart of all manner of darkness. “All that ails us” is some mutation of this life-crippling, joy-killing, action-paralyzing, energy-sapping, emotion. I have found myself in its grip many times. And the only way I’ve found to peel back the strangling fingers of fear is to let a more perfect sense of Love rise within me.

It is understanding that without Love, I am nothing. That love truly is the ground of my being, the source of all being. That love is what makes life worth living. And that when the time comes to depart from this life, all that will have mattered is how much we have loved; not how much we have fallen at the feet of fear. How much we have given, not how much we have taken; how much we have expressed the best in us, and sought to see the best in each other.

“Perfect Love” means to love others more perfectly. This doesn’t mean to love others in spite of their flaws or failings.

It means to love them unconditionally because we know that they are not their flaws and failings. And to know that so clearly and so fervently, that we can keep that love pure, even while doing whatever we can to help them let go of their own fears, and all the failings that go with those fears.

We are not our fears. We are not our failings. We are not our hate, or greed, or selfishness, or addiction, or anger, or violence. These are all manifestations of our fears. And the only thing worth saving or savoring in each other is what we love, and what expresses that love.

“Love your enemies” is the same as saying you have no enemies, a wise woman once said. For those who would appear as our enemies are those so overcome by their own fears that they have failed to see what they love in another. And if we hate them, we have fallen into the same trap.

Isn’t that what the great moral and inspirational figures of our age have taught us? Mahatma Gandhi, Martin Luther King, Nelson Mandela? That love conquers all, even the most insidious, unjust, hateful systems of government that would try to separate, enslave, and dehumanize us?

We are not our prejudices, we are not the cruel things we say or do, the cruel systems that we create and justify. We can’t condone these things, or ignore them.  We don’t give them a pass.

But we understand that, to some degree, the most hateful and cruel among us, are us, in other circumstances. That there, but for the grace of God, go I.

That even the most loving and kind and wise among us, when governed by fear, rather than love, would be the same.

We have no enemy because we see ourselves in him, and the only way to un-make an enemy is to see his humanity, to see us in them.

That’s how Mandela was able to overcome Apartheid and lead to reconciliation.

That’s how Gandhi was able to face the oppressors and free his county.

That’s how Martin Luther King was able to peacefully resist an oppressive system and usher in the Civil Rights Act.

It’s fear for ourselves, our children, our families, our community, our country, our way of life, that leads to resentment and anger and blame and shame and discouragement or despair. That eventually leads to resignation and indifference and apathy and depression and joylessness.

And it’s learning to love ourselves and each other more perfectly that casts out those fears, and frees us from all its crippling mutations.

“Perfect Love” – a powerful antidote for all that ails us.

I reblogged this as a gentle reminder to myself in time of need. First posted in December 2013 in a slightly altered form.

“Love After Love.” A Poem. A Feast.

Tags

Derek Walcott, inspiration, life, literature, Love, poetry

Gertrude Fiske (1868 – 1961) American Impressionist

Love After Love

by Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

Many thanks to Ken Chawkin and the bread crumbs he left that led me to this poem on his blog Uncarved Block.

Reading it moved me deeply. One wonders if the whole purpose of our life journey is to lead us to that place where we see ourselves, finally, “face to face,” and greet ourselves with love and elation in this ultimate homecoming.

Ken describes his own tender home-coming on his website and provides many interesting links about Walcott, the Nobel Prize winning poet and artist.

In the video below you can listen to Walcott reading his poem from his island home on St. Lucia. You don’t want to miss this.

Virtual Love-Making, Why We Blog

Tags

Blogging, Deborah J. Brasket, Entertainment, inspiration, Louis Armstrong, Love, Love-making, Science, writing

Often when I leave comments on a blog posts that moved me, I write “I love this post” or “I love the way you do [this]” or “I love that quotation.” Lately I’ve been wondering if I’m overusing the word “love”.

Am I really feeling this strong emotional attachment, or am I just being lazy, unwilling to take the time to precisely articulate what strikes me about a particular piece?

After reading an article in The Atlantic on the science behind love, I’m inclined to believe that, more often than not, I use the word “love” because that’s what I’m actually feeling– a “micro-moment of positivity resonance.”   That’s how Barbara Fredrickson defines love in her new book Love 2.0: How Our Supreme Emotion Affects Everything We Feel, Think, Do.

In The Atlantic article “There’s No Such Thing as Everlasting Love (According to Science), author Emily Esfahani Smith writes:

Fredrickson, a leading researcher of positive emotions at the University of North Carolina at Chapel Hill, presents scientific evidence to argue that love is not what we think it is. It is not a long-lasting, continually present emotion that sustains a marriage; it is not the yearning and passion that characterizes young love; and it is not the blood-tie of kinship.

Rather, it is what she calls a “micro-moment of positivity resonance.” She means that love is a connection, characterized by a flood of positive emotions, which you share with another person—any other person—whom you happen to connect with in the course of your day. You can experience these micro-moments with your romantic partner, child, or close friend. But you can also fall in love, however momentarily, with less likely candidates, like a stranger on the street, a colleague at work, or an attendant at a grocery store. Louis Armstrong put it best in “It’s a Wonderful World” when he sang, “I see friends shaking hands, sayin ‘how do you do?’ / They’re really sayin’, ‘I love you.”

So when I say I “love” Louis Armstrong’s song, now I know why—because I feel such a strong positive connection to what he’s saying, as well as with how he says it, and the music he says it with, that I experience a triple love-whammy!

What I feel when reading things by fellow bloggers, or see the images they’ve created, is similar—a deeply-felt resonating connection, often on several levels.

In “Tao and Creativity” Chang Chung-yuan describes this connection between poet and reader as a “spiritual rhythm.”  It is the means by which the reader participates in the inner experience of the poet. He writes:

In other words, the reader is carried into the rhythmic flux and is brought to the depth of original indeterminacy from which the poetic pattern emerges.  The reader is directly confronted with the objective reality which the poet originally faced. The subjectivity of the reader and the objective reality of the poem interfuse . . . .

This is very interesting because Fredrickson discovers a similar phenomenon when she compares the brainwaves of a storyteller and listeners. Smith describes this in her article:

 What they found was remarkable. In some cases, the brain patterns of the listener mirrored those of the storyteller after a short time gap. The listener needed time to process the story after all. In other cases, the brain activity was almost perfectly synchronized; there was no time lag at all between the speaker and the listener. But in some rare cases, if the listener was particularly tuned in to the story—if he was hanging on to every word of the story and really got it—his brain activity actually anticipated the story-teller’s in some cortical areas.

“The mutual understanding and shared emotions, especially in that third category of listener, generated a micro-moment of love, which ‘is a single act, performed by two brains,’” as Fredrickson writes in her book.

Fredrickson also discovered that the capacity to experience these daily love connections in our lives can be increased through simple loving-kindness meditations, where, as Smith describes, “you sit in silence for a period of time and cultivate feelings of tenderness, warmth, and compassion for another person by repeating a series of phrases to yourself wishing them love, peace, strength, and general well-being.”

“Fredrickson likes to call love a nutrient,” Smith writes.  “If you are getting enough of the nutrient, then the health benefits of love can dramatically alter your biochemistry in ways that perpetuate more micro-moments of love in your life, and which ultimately contribute to your health, well-being, and longevity.”

So remember, fellow readers, as you go meandering from one blog site to another like busy little bees, making those “micro-moment” connections with people whose work you admire, that you are engaged in a kind of virtual love-making.  You are distributing a pollen-like “nutrient” that nurtures others, as well as yourself.

As Louis says, “what a wonderful world” we live in!

This essay was first posted in a slightly altered version in 2013.

Within the White Hot Flow of Writing

Tags

books, Deborah J. Brasket, fiction, Flow, Novel, revolution, Romance, This Sea Within, writing, writing process

That’s where I am. Where I love to be.

I began a new novel almost as soon as I finished the last. An idea I had entertained years ago kept coming back to me. You may remember a blog post I wrote a while ago about wishing I could find a really good steamy novel that was also a novel of ideas, that had substance and depth. Some of you encouraged me to write one if I couldn’t find what I was looking for, and that stuck with me. You should write the novel you want to read. I’ve always believed this.

I also love long novels set in exotic places that reveal the political unrest of the times. And having spent so much time in the tropics when we were sailing, I’m drawn to that kind of locale.

It all fit perfectly with an idea I had played with some years ago about a young naive girl from California who travels to Central America to find her missing mother (I must get the bottom of all these stories I write about missing mothers!) and gets swept up in a political struggle and the revolutionaries fighting to free their country.

As I began preparing to write, I noticed how similar the process of writing this novel is to the one I wrote last time.

First there’s a germ of an idea, and then the need to anchor it in reality. The need to immerse myself in some aspect of the history, the setting, the geography, the larger ideas that underpin what I’m aiming to write: Research.

I went of a shopping spree and bought Salman Rushdie’s memoir of traveling in Nicaragua during the Contra wars, Smile of the Jaguar. I also bought Blood of Brothers, Life and War in Nicaragua by Stephen Kinzer, a journalist for the New York Times during and after the revolution; The County Under My Skin, A Memoir of Love and War by the poet, Gioconda Belli, who fought in the revolution; and The Essential Neruda: Selected Poems. I already had Tom Hayden’s The Long Sixties, a signed copy I got at a fundraiser I organized years ago. Although my novel will be set in a mythical country along the isthmus, studying the war in Nicaragua would help me get a better understanding of what was going on in the region during those turbulent times.

Next in the process comes the need to discover the names and voices of my main characters. I cannot write a word without that.  This  almost happens simultaneously. The voices must have names to embody them, the names must have voices to bring the alive. The names evoke the voices, the voices evoke the names: Lena and Raoul.

Once I have these, there’s not stopping them. They take over my life. They start telling me their stories and I run and grab a pen. I keep on writing, pages after pages in my notebook and on my computer. I look up and morning has turned to nightfall. It doesn’t matter. They follow me to bed. I sleep with them. I dream them. I wake up writing love poems in their voices.

Then I need at least a vague sense of how the novel will open, how it will close. It may change along the way, but I need this parenthesis to contain my writing and to show me where it’s moving. They tell me.

When I have the beginning and the ending, keys scenes in between emerge. I write them down quickly before they disappear. They may change over time, but at least I have key points upon which to hang my novel.

By then my characters have become real to me. They have flesh and bone, names, voices, histories. They have deep, deep urges, conflicting desires, inner and outer struggles, a sense of transformation.

It’s like watching a miracle unfold. How they seem to come from nowhere, out of thin air, then suddenly they are breathing bodies, passionate, possessed.

This miracle of the white, hot flow of words.

Next comes the need, for me at least, to discover the title for this novel, something that embodies both of their stories and what happens to them.

I need a hook, like I did with From the Far Ends of the Earth. Whenever I felt I was becoming lost, a bit overwhelmed, unsure about where the story was going, how to proceed, if this fit or that should be cut, I went back to the title, which embodied my main theme. Then I knew.

The title was a thematic blueprint for what I wanted the book to be. The impact I was after. A book about gathering up and bringing home all the lost parts of ourselves and our families.

So I searched for something like that, some touchstone that would lead me back to that germ of an idea I began with. The point around which all else revolves. And I found it: This Sea Within.

Lena, a California girl, a surfer in love with the sea, restless, passionate, caught up in the turmoil of her times, the Sixties, travels to a mythical country in Central America where her mother was born, searching for the woman who abandoned her, but finding instead a people and culture and land that feels like home, like a part of her lost self. And there she meets Raoul, the leader of a band of revolutionaries whose base camp is on a remote stretch of the sea. And well, you can imagine the rest.

But this is also meant to be a story of ideas, of the tension between a life of contemplation and the life of an activist, the urge to save and savor the world at the same time. It’s about the tensions between a huge, powerful county and what it sees as its smaller vassal states below its border. It’s about the need to find purpose and place in one’s life, to serve a cause greater than one’s self. And it’s about how poetry and art can keep the spirit alive when the world we live in is bathed in blood, figuratively for some, and literally for others.

It’s also about the cycle of time, this never-ending (r)evolution that creates the ever-changing world we live in. It’s about the slow march of history, whose arc is indeed long, but hopefully, must, must, bend toward justice.

This Sea Within. The restless times from which great movements and revolutions are born, and two lovers caught up in that turmoil. That pretty much sums up what this book is meant to be. For now.

It’s all subject to revision.